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    1. My Wind-up Key Tattoo

      by , 10-05-2018 at 07:52 AM
      Morning of October 5, 2018. Friday.

      Dream #: 18,918-01. Reading time: 2 min 51 sec. Readability score: 54.



      My conscious self as in waking life experiences its annihilation in the non-lucid dream state, and as my subconscious self, I lose viable memory of who I am and the contact with my unconscious mind that I possess in waking life. All that remains within my temporary dream self’s fictitious mind is the subliminal awareness of being in the dream state, and the essence of non-lucid dream control and its dynamics gathered from a lifetime of knowledge of the dream state.

      Wanting to liminally return my incomplete dream self essence to at least partial coalescence with my conscious self, I create a school setting to metaphorically learn my way back to my conscious identity to pull myself at least partially out of the illusory dream state into the liminal pre-wakefulness range of a more realistic self-awareness and mode of discernment. The teacher is an unknown female standing near the center of the classroom of which is mostly featureless. I am in the room near the doorway, to its left when facing it. All of the other students (unfamiliar), male and female, several adults and children of different ages, are outside the classroom, in the hall. They are all unsure if they want to enter the classroom but are listening to the teacher. The class is just beginning, so they have time to consider their choices.

      I am sitting on the wooden floor with my legs out, with the bottoms of my feet facing the doorway. All that I am wearing is a white t-shirt. I do not feel embarrassed. After all, I am in a dream and not wearing clothes as I sleep in a bed, even if that understanding is only subliminal. (Even as a child, I knew my transient fictitious dream self was not my conscious self as in reality. That may be why I have rarely ever had “bad” dreams other than when biologically premonitory.)

      My illusory erroneous “I am” adjusts to the scenario. I am not lucid or holding any essence of my current conscious self identity, but being near the doorway is a factor of liminal emerging consciousness. The preconscious avatar awakens and comes into existence to my left, still malleable and passive. I allow the five youngest denizens (from a prior unification star ritual in a previous lucid dream) to cheerfully enter the classroom and continue behind me to begin their studies. I do not recall the purpose of the lucid ritual in my non-lucidity.

      I decide to converse with the preconscious avatar, an unfamiliar male of about thirty in this incarnation, liminally attempting to transform him into a potential dream state reinducer. On the right side of my right foot is a tattoo of a big golden wind-up key. In reality, this side of my body is exposed to my real environment (as I sleep on my left side). Yellow is the color of potentially viable consciousness within the dream state. That is the link to my true self, to my conscious self identity as in waking life, and the potential for my conscious self identity to manifest within my dream self. This wind-up key is autosymbolism (and a liminal reminder that my dream self’s physicality is not real) for beginning the transition of my true conscious self into my fictitious non-lucid dream self so that my conscious will can more viably maintain the simulacrum and perhaps sustain the dream state for a time.

      The avatar marvels at my tattoo, and that amuses me.

      My precursory lucidity holds his attention, though he does not attempt to dominate the process.

      “I got this when I was in New York,” I deliberately lie, though as it is a dream, it could very well become the “real” backstory should my dream last for several more minutes. “The tattoo artist was a man named Gabriel Vartez.” I pull this name out of nowhere. “Vartez” has no familiarity though “Gabrielle” is Zsuzsanna’s middle name (though my dream self still does not viably remember my current conscious self status here). I am describing this fictitious event to him as if it were a significant encounter.

      “That’s interesting,” he responds with admiration, “Gary Vartez?”

      This erroneous response annoys me, but I do not say anything or indicate my annoyance. Instead, I choose to wake peacefully.


      Categories
      memorable
    2. The Dragonfly and the Robin

      by , 10-03-2018 at 06:51 AM
      Morning of October 3, 2018. Wednesday.

      Dream #: 18,916-01. Reading time (optimized): 2 min. Readability score: 71.



      My dream self is non-lucidly in my den in the Stadcor Street house in Brisbane, where we have not lived for years (since our two oldest were young children). There is clutter of which I am sorting. I pick up several winter sweaters from atop other items on the floor and hang them on a hook on the door. A few are like ones I have had in real life, including a gray one. I also pick up pieces of technology, such as a sound card.

      The west wall has a narrow gap under it. I notice that a big dragonfly is headfirst about halfway under it. It seems to be dead. I decide to show it to my youngest son. (My dream self has no recall that he never lived at this address.) When I turn around, the bedroom where Zsuzsanna and our youngest son is is the same room I had just been in, though my dream self does not notice this error. The head of the bed is against the west wall. Zsuzsanna is sitting up in bed. Our youngest son is standing on the opposite side of the room.

      I feel intense vibrations in my fingers as the dragonfly is alive and moving its wings. I go to the back door, incorrectly rendered as facing east into the yard rather than south onto the porch, and let it go. It still has trouble flying, so stays near the door.

      Looking out the window of the back door after closing the door, I see an American robin (juvenile based on its coloring) hopping out to the center of the backyard. It seems that the bird probably ate the dragonfly, though I did not see this occur. I awake around this time.



      Use of a door or doorway serves as one of two potentials, either triggering the waking process (as here) or triggering lucidity and vivification. A door is a transition from one mode of consciousness to another, in real time.

      Birds have been a common point of focus in the last moments of my dreams since early childhood. It is an emerging consciousness factor as an association with the dream self’s fictitious body (not viably understanding where one’s real physical body is, associating the essence of sleeping and dreaming with flight). The dragonfly was a potential for lucidity but did not serve as such. This type of focus, which has occurred in many dreams, is from subliminal awareness of my hands when my dream self’s attention focuses on picking up or moving something.

      No preconscious avatar is present. That is most often because of the presence of a dream state indicator, in this case, the bedroom and bed, a feature of at least one dream per sleep cycle since earliest memory and which serves as a precursory liminal awareness of being asleep, thus the preconscious is often not needed in RAS mediation of this type. (That depends on my dream self’s mode and progress of transition from the dream state.)


    3. Thunderbird 2 Beaches Itself

      by , 10-02-2018 at 09:15 AM
      Morning of October 2, 2018. Tuesday.

      Dream #: 18,915-01. Reading time: 52 sec. Readability score: 42.



      Dream state induction slowly begins as a stormy sea, though my dream self feels calm, peaceful, and cheerfully observant. Vestibular system correlation and water induction become integrated, though my dream self remains seemingly incorporeal.

      Thunderbird 2 flies over the scene. Eventually, I see it on a rocky shore, oriented upwards at about a 20-degree angle. I perceive it as being only about three feet in length. Many tiny people walk around on the rocks, possibly checking its status, some of them probably from the model aircraft, though certainly not marionettes as they only seem about an inch high. There is no implied danger from the splashing waves.

      There is an ambiguous transformation where I watch an ocean liner in the same orientation as Thunderbird 2 in the previous scene. It seems like a real ocean liner but is miniature, only about three feet in length.

      I consider that the amusing ambiguous scenes are ultimately uninviting, so I semi-lucidly pull my orientation into a different state.



      The liminal association from a television series with marionettes (despite their replacement by tiny people) is an amusing transformation of the otherwise usual summoning of dream state denizens in the water induction stage, as a marionette implies subliminal, liminal, or lucid creation and control of dream state denizens by threads of the conscious self’s will.


      Categories
      lucid
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