Blue_Opossum

Afternoon of August 20, 2018. Monday.

Reading time: 35 sec. Readability score: 70.



I am squatting near the edge of a pool and holding onto the tail of a barracuda in a Sea World setting. Only its front half is submerged. I know that if I let it go, it has the potential to swim around and bite me. That is not a certainty, but I am unsure what to do. My view is more as if I am watching myself from above and behind and there is no tangibility in this scene. My dream fades without incident.

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I do not usually sleep (nap) at the time of 4:30 p.m.

The reactive representation stems from a more active mental state (barracuda) being incompatible with the lesser level of melatonin (water). My semi-lucid self is aware of this and what it implies. I do not have the biological need to enter deeper sleep at the time, so I liminally create an impasse scenario.

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Morning of March 1, 2002. Friday.

Dream #: 12,856-02. Reading time (optimized): 1 min.



The usual water induction is eventually stable as an irregular pool in an outdoor area near a forest. One side has a rickety wooden fence, the other a solid wall. A staircase goes up to the wall where there is no door. Naiads, modeled after Zsuzsanna, play in the water.

The scene changes into an automobile assembly line in an unknown factory. Over time, vestibular system correlation takes many unusual forms as different distortions involving cars, trucks, and vans. There is a truck with its left side ambiguously merged into a wall. Over vehicles are overgrown with vines. There is a futuristic car of an aerodynamic but unrealistic design. (The angles seem too extreme.) A firetruck is on what is similar to the base of a statue.

The scene changes into an automobile assembly line in an unknown factory. Over time, vestibular system correlation takes many unusual forms as different distortions involving cars, trucks, and vans. There is a truck with its left side ambiguously merged into a wall. Other vehicles are overgrown with vines. There is a futuristic car of an aerodynamic but unrealistic design. (The angles seem too extreme.) A firetruck is on what is similar to the base of a statue.

Eventually, the preconscious simulacrum shows up in dark glasses with a spy essence. There is a bell he may be ringing soon. I anticipate this but move into the waking transition on my own.

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Vehicles (other than literal tie-ins) often represent the imaginary physical body in dreaming but can correlate with the real body depending on the state. (For example, a broken car door may be prescient of a lame arm, or a melting tire relevant to a burnt or injured foot.)

The dark glasses are a supraliminal awareness of my closed eyes in sleep. The bell is the waking alert factor (potential cortical arousal). The firetruck also represents co-occurrence with cortical arousal, which is why it is on an elevated base in this case.

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Early morning of November 8, 1969. Saturday. (Between 1 and 3 am.)



In my dream, my female classmate, Carol Waters, is swimming in a very small “swimming pool”, which seems to instead be a section where concrete is otherwise to be poured into the hole that is presently filled with water (as part of an internal floor foundation my father had been working on). The water in it may be a result of recent rain even though the setting seems indoors, though there are possibly missing external walls behind me or on either side as well as the roof not being constructed yet. It reminds me a bit of an actual construction area my father worked at previously but also (more likely) could be from newer construction on the new rabbit shed on the north side of our backyard. There is another person in my dream besides me and Carol Waters; seemingly my father, standing with arms akimbo to the south (facing north) of the small “swimming pool”. I am to the east of it. There is a sense of puzzlement in the scenario. It seems to be midnight or after in my dream, which may be reflecting the actual time in this case.

My father seems to be puzzled as to why Carol Waters (her real name) is using it as her own private “swimming pool”, as he needs to finish his work and pour the concrete (after removing the water), though he would not actually do this work so late at night. She is “swimming” upright, almost vertically in a seemingly physically impossible way; in an unusual very swift manner back and forth (east to west and back). The scene is highly unlikely, as the area for the concrete to be poured would not be deep enough to use as such (assuming Carol is actually upright in the water, though she may just be doing a wrongly perceived or distorted dog paddle). My father says that she is “afraid to come out of the water” giving me a vague awareness of the Brian Hyland song “Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini” (even though I am not certain of what Carol is wearing in my dream, as she never comes out of the water).

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This dream was in the middle of the night, seemingly coming out of a very deep sleep. It also seems too cold (even for Florida) to consider that someone would be swimming at this time. It seems amusing in that her surname was Waters and this is the only dream I documented as ever having her specifically as a character and was related to her being in the water.

Trying to be as accurately detailed as possible here, I will add the nature of the setting as in being of typical very clear perceptual bilocation. The scene, as well as its implied in-dream location, also seems to be oddly set between the south inner and outer wall of my bedroom, partly in the front yard in front of my father’s room (original room before he built the extension into the carport). This sense of bilocation occurred in the majority of my dreams when young (and still occurs more sparsely) though I had not previously given the specifics online.

A probable meaning to this dream is that I was merely focused (in-dream) on the dreaming process itself; that is, the water being the essence of the dreaming mind, projecting myself as Carol the swimmer, the pool not being a real pool (dream state as opposed to waking consciousness), my dream being short (not that much water in the faux pool), and the building incomplete (dream not fully rendered even though vivid). As most dreams have a precognitive or remote viewing layer, this one foreshadowed newer work my father was to become involved in. (He added a new area to the rabbit shed as well as becoming more involved in local construction involving houses, churches, and park utilities.) Also, immediately after my dream, he talked about rainwater making the concrete too wet and had to do additional work.

Additional notes. There was an association with an apparently fictional lyric “she was afraid to come out of the ocean, she was afraid to come out of the sea…” (as I often misremembered song lyrics as a child). Also, I always, even at this age, felt the song was a bit ambiguous, as it was not clear if the bikini or the polka dots were yellow. I did not see Carol Waters as shy in real life.

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melatonin simulacrum subsequent mediation / water lowering waking symbolism

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