rshort1202

I am in some convenience store, waiting for Makayla. I think she said she would be right back or something. She’s taking forever though, and even the Indian? clerk in here notices it. I watch as he rings up two Hispanic? men for a six pack. I think the beer is some bigger name brewery but a weird fruit flavor. I then think it might not be half bad, in a guilty pleasure kind of way. I think about how six packs don’t last that long. Tired of waiting, I talk out and to the right to go find her. It is pretty dark out. There is a covering over a few spaces in this lot. There is also a pool table, at which Makayla is lining up a shot. She seems me and keeps on smiling without a care in the world.

I am at Nathaniel’s, watching him for a while. I’m lying on my back, with my legs straight up, him balancing his torso horizontally on my feet and holding my hands to balance. He seems to be having fun, and his personality is just as I remember it. Now, his dad is here, and he is just as nice as I remember him too.




I am walking into what I think is a huge Walmart. As I walk in, I am cognizant of my middle parted hair hanging almost to my shoulders. I’ve decided that I am growing it out again and am pretty happy with this resolution. I also remember asking Makayla and her saying I should. I think I am going in here for a Christmas gift. I think I’ll look in the kitchen aisle for Mom and then I think for Melissa too. I end up not even finding the aisle, but end up by the cases of water. Everything looks like it is in bulk. I also notice bulk sized jugs of different tequilas and vodkas for around $10. One is called ‘Jimmy John’s Vodka’, which I think cannot be that good. I then get the idea to look at the beer, just to see what they have. There is a somewhat small selection on a few shelves, but then I notice that it is labeled ‘non alcoholic’. I step out into the wide and long main aisle (almost the size of a street) and notice a guy coming towards me on a bike. I started stepping into his path, but then wait for him to pass. I think I am also aware of my eyesight and how it is not that good. I have found the beer aisle now, which seems to be mostly six packs of cans in cardboard boxes. Nothing really looks that appealing. One says ‘Finally Harvest Time’ and has a graphic of a moon and the silhouette of a person. I think that can’t be that good either. Now, I am by some food products and wonder if I should just grocery shop while I am here. I don’t have a basket, but I can carry a few things. I am looking at the breads, thinking about what I would use them for. There is one that looks like four large pretzel rolls. I then notice the same package in someone’s cart, and the bottoms of the rolls look slightly burned. At the end of the aisle now, I see a large, circular, plastic container of frozen chicken tenders. There seems to be three groups, each arranged around a thing of sauce? The label indicates that it is a Phil Lesh brand, which I think is cool. I pick it up, contemplating getting it, but put it back because it’s really big. Then, I hear Phil himself over the intercom, saying that it’s my last chance if I was thinking about getting those. His voice is calm and monotonous, which makes it sort of humorous.

I pull into the parking lot of a shopping center that seems to be on a slight hill. This store - Walmart? - is at the top of the hill. It has a section of close parking and then more farther down. I take a left towards the closer lot even though it looks pretty full. Not that far in, I stop because I see one slanted spot open right before a backed-in truck. It looks like a man is unloading his family, but I’ve stopped at just the right distance to back in, so I do so. Inside the building, it looks more like a used book/record store. It is slightly dingy. There are bins scattered throughout without much reason as far as I can tell, so I start thumbing through a random one. There are about two employees talking to each other. The atmosphere is not exactly inviting. I know Scott works AP here and I wonder what the chances are that he’ll see me on camera. There is a separate room here, but it’s more of the same.

I am on a road trip with Dad and Makayla, with Dad driving. We are going to Texas, and I see that we’re currently driving through a corner of Utah. It is like I am seeing a satellite map of a moment, and I notice that there is snowfall on the ground right above where we are and will be travelling. It zooms and pans to the right a bit. We pass by many lakes in a short amount of time. They are all fairly small, but they are beautiful. The water is clear enough to see the bottom of an entire lake as well as all the light colored and large rocks within.




I am in a store with Sage when I grab off of a shelf at about eye level a bottle of Lagunitas beer. I think I had been looking for it and am excited to have found it. I tell Sage how good it is as I open it up. I grab a glass from the shelf and pour the beer fairly vigorously into it, producing only a small, snow white head. The beer has the appearance of carbonated white grape juice and smells of the same. I take a sip and it is good. I pronounce Lagunitas funny and kind of laugh about it. Now, I am parking on the side of a residential street behind another car. Dad is on the lawn of this front/side yard, faced away from me; I have come to meet up with him. I think I have brought the full glass and the remainder in the bottle, each in a cup holder. I get out and start talking with him. I ask if he’d be offended if I just stayed at Mom’s while I’m going to school. He hesitates, almost as if taken aback, and then replies, “no, of course not.” He says I can do whatever I need to focus on school. I notice we’re under a large oak? tree that splits near the bottom. I’m now in the house here (Dad’s?), I think with Mom and Makayla. There is indication of past activity, though no one is currently here. There are two boxes of Panda Express open on the counter, each with a glass of white wine sitting too near the edge. I notice about five of the Lagunitas beers, all opened and partially finished. It makes me a little mad because he all of them without asking

I am walking through what seems like a shopping mall. The place is seemingly endless, ornate, intricate, and labyrinthine. Each shop is open to the main walkway and exquisitely decorated; I see very little wall space anywhere. They all seem amazing and alluring and like I could get lost in each. Just as well, the building itself has alcoves, inclines, probably stairs, and myriad options of pathways. I will take a route that piques my interest, getting drawn in and lost along the way, though I try to remember the way I came so I can go back and see what else I wanted to. I feel I will never see it all.

I am walking around at work (it looks very different, still like a department store, but not the one I work at) when Ryan calls 432 and says “I need change.” I am not on a phone and think I actually hear him say it since I just so happen to be a few yards from the register he is at. I see three different women in his view and figure one must be who he is calling about. Two look like moms with strollers. The other looks more suspicious, with sunglasses and a large purse. I think they all see me and take off running. There is a small pile of wadded up dresses on the ground that I think the girl with the purse must have dumped. There is also a set of keys, which I pick up and keep. I am now briefly in a room or at a table taking a picture of one of the keys (or some metal piece attached to a key) that has some identifying number on it. I think Laynie is here now and we are watching this girl. She goes somewhere downstairs a bit before going upstairs. I thought she would have been spooked, but it seems like we think she might still steal. I’m now walking around and getting ready to close when I notice there are still a lot of people here.

(fragment) I am outside and walking along a thin dirt trail. It descends a short but steep incline, crosses what looks like a thin dry creek, and then ascends another hill. There is a lady coming down the incline opposite me. She stops and makes sure no one is coming before she crosses the dry creek. I see her do this and give her a thumbs up to let her know she’s clear. She then passes me and makes a rude, unjust comment about me doing that for her. Angry, I aggressively cuss her out. I don’t get why she would get angry over my doing that.



(fragment) I am in a store and debating buying a book. It is a slender book of current need-to-know beers written by a woman. It seems too short, but I think it could be a good addition to my collection, especially since the small, yellowish sticker on it informs me that it’s only $1. I think I start off but then go back for it

I am at work with Lainey. We have stopped a teen girl right outside the mall entrance. I think it’s the same girl that she stopped in Sephora and had me be a witness for. Her mom happens to be right over here, so we have her come over. I kind of explain what happened and tell her it’ll be easier since she’s here. The mom seems pretty understanding. I am holding a shoe box that is apparently what she stole. I start to go through it, and I find ear buds (which I think could’ve been hers since they’re a little tangled and not exactly brand new looking) and a smaller pair of shoes shoved inside a larger pair of shoes (they’re like a converse or something with a high ankle area that allows this to happen). I noticed that the box did feel a little heavy. I talk to just Lainey for a second - she wants to let her go, but I really don’t since the shoes are around $100.

I am outside somewhere with whom I am pretty sure is Scott from work. The area looks like stereotypical Nevada scenery - gentle hills, dirt, and sagebrush. I am chewing on what seems to be a few tiny pieces of bone, separating any meat left on them. As I listen to Scott talk, I spit the pieces completely devoid of meat. He is telling me about Nathaniel’s girlfriend and how she goes somewhere or has access to somewhere (due to wealth, family, etc.). We’re apparently going to use her connections to go there as well. I picture her, think about telling him I know her, then tell him “Kevin, I mean Nathaniel, is one of my old best friends.”




I am with one or two employees at work (it is not really work, but seems more like a multiple level shopping center or hotel). I think Hunter is one of them. We’re each carrying a stack of jeans and when we walk past a man one of us gets the idea to say something that makes it sound like we’re trying to steal these. The man falls for it and starts following us. We end up down on the ground floor and outside or in an outdoor entryway area, right outside the elevator. I think we’ve left the jeans elsewhere, and the man is gone too. I’m looking at the gap between the elevator and the floor that is exposed by the open doors. I shine my phone’s flashlight into it, tentatively, afraid of dropping my phone down it. I contemplate what happens to things that are dropped down there. I can’t see the bottom.

I am in what I think is a Kohl’s (though I’m not sure it really looks like one). I’m with a familiar? guy and bringing some clothes to the fitting room to try on. They seem to all be on hangers. The fitting room is a stall set atop a little raised platform. The door is sized so that one can see the occupant’s feet as well as just above their head. For a moment, I am watching either myself or someone else; the clothes can clearly be seen hanging. I ponder the result of this on theft, thinking it probably lessens it. I don’t think I end up getting anything.




I am in what I think is a movie theater. It seems like it is a much older building, or like I am in the past. There are mostly middle aged hippies filling in and into the theater. I’m in a sort of hallway outside the theater; I pull back a curtain over an opening and get a glimpse of the theater. I then go find a seat. Looking around, I’m very surprised I don’t smell pot. It does look hazy though. This film that is being shown is very psychedelic, not in an overdone or hackneyed way, but in a very synesthetic way. The clips or scenes are disjointed and cause visceral sensations. It seems the film is being shown to elicit collective response that becomes the spectacle itself. The whole thing is very phantasmagorical

I am doing an escape room with Melissa, Brooke, and possibly Breezy. This place looks like an actual house, with a few rooms that we can go into. The house seems very tidy and sort of minimalistic, though not without adornments, and has an antiquated feeling to it, as if lived in by an older person. I get the sense of some sort of travel theme, aided by a huge map of the world taking up almost a whole wall. We are trying to escape now, and it seems like I’m doing a lot of it. It’s not that they aren’t or can’t, it’s just that I can excel in a small group of familiar people. I end up moving a bunch of hanging paintings. One has a clue written in red ink on its back side. Many reveal a tiny, circular light bulb protruding from the wall behind. I imagine that these will all light up later and serve as a clue one way or another. I like that the clues flow easily, even if somewhat too easily, and aren’t disjointed. I had moved a small realistic painting of a brown bear (the bear on a slight incline, seemingly in motion, very realistic, and cropped fairly close). One clue mentioned something ‘dreary’, which we noticed with some excitement was referencing a very large and impressionistic painting of people that looked dreary indeed. (*As I write this, I think it may have been moving this painting that revealed the map). I think we are supposed to place small pins in certain spots on the map. The map is now gone? and there are just little holes in the white/tan wall. There seems to be three different clusters of holes, and I think the pin needs to be placed in the correct hole. Melissa guesses the first placement correctly, after which a recorded voice from a speaker tells us we’ve gotten it correct. We try the other ones but never get a response. I end up telling our situation the female employee on the other end of the radio. She’s quiet for a second and then I hear her say to someone else “I have no idea.” I also don’t really know what there is for them to do when a piece of the game simply isn’t working. At this point, I’m thinking we’ll just have them tell us the answers to this part. I also notice that Melissa and Brooke seem to be off doing something else. I hear them talking and laughing in another room. Then it becomes more quiet, and I go look. Melissa is laying in a small bed in an alcove in the wall just big enough for it. I notice a gap between the far and the wall along the head of the bed (which is reminiscent to me of the sleeping quarters on a boat). Melissa looks grumpy, her face sort of flushed and pouting, her gaze diverted. I go to kiss her but she moves so that we kiss each other on the cheek instead. At this point, I notice that her eyes are a little misty. I was what’s wrong and she keeps saying nothing, etc. I finally get it out of her that she’s upset that the puzzle room is not working as it’s supposed to. It irritates me because it’s such a trivial thing to let yourself get upset over. I go back into the other room now, and I don’t think we even have radio contact with this girl. She said she was going to call the shoe room? This room is behind the other. There’s a writing desk and an old corded phone that I see but never hear. While waiting, I start opening drawers, but find nothing. I’m wondering how much further this puzzle room will go into the house. I notice a bathroom and a room or two off of this one. I never do hear the phone. Earlier, I noticed a timer with a green ‘70’. I thought that meant we were doing really well on time.




I am at Walmart? with Melissa, buying only two things. We are at the end of what is apparently the only line, behind a family of four that looks nice enough but also a little privileged. The woman notices how we only have two items and offers for us to just throw it in with their stuff. I was going to use a gift card, and I’m not sure how much is on it exactly, so I’m not sure how that’d work.




I am outside of a grocery store. I run up to the entrance, pushing a cart, and ask the younger looking boy employee if they do valet, with an absurd touch of humor. I then leave the cart and run inside to retrieve what I’ve forgotten.




I am watching (on the news or some kind of video?) cars driving in both directions on a freeway through a snowstorm. Someone is commenting on how it’s almost been the worst winter when, sure enough, a car starts to drift and ends up impacting a school bus. Then school bus then takes out another vehicle and the whole thing exponentiates into an event that just made it the worst winter to date.

I am working at Sherwin Williams. I think I have come back for just today. I think I’m going to just work today and use all my old info to clock in, etc, as if that’ll actually work. I’m thinking that the people still working here will remember me and remember that I left. I am in a sort of goofy, detached mood that has to do with me being back in a place that I willingly left. This place definitely doesn’t look like SW, but more like a movie theater or something similar. Everyone is gathering in a dim room with a stage or some other platform and fairly steep, tiered, red seats. Melissa’s dad is giving a speech or talking to everyone. I am walking in with Nathaniel Fuller? (He appears to be as he was when I knew him). He is in the lead and takes an aisle seat in the front row. I’m not sure whether I’m sitting with him or not, so I survey the seating. There’s an empty row, but I’m not sure if it’d be weird if I sat alone or not. I end up taking the seat between him and another (familiar?) guy. The seat seems small and I feel squished between the two. Now, (or maybe it was earlier?) I am walking around here. There’s a long hallway area and different inlets. I enter one and am in a grocery store. I felt like I was going to get lost or end up somewhere and not really know how to get back, and now it has happened. I see a chubby guy with shaggy hair and scruff pushing a shopping cart. It is full of liters of light colored soda. I think I try to find my way back. I am with Melissa and Brooke now, outside and by some small, enclosed ticket taking booth inside which sits a middle aged woman. We have some receipt (from Sherwin Williams?) that we’re trying to use to go to the restaurant or food place that the tickets are for. We don’t have the actual ticket, but I’m thinking that this receipt will show that we have permission. I could see where the lady would think we’re being fraudulent, but we’re not. When she talks to us, Brooke’s replies are kind of snarky, even though this lady let us through. She’s actually been pretty nice, and probably doesn’t care if we do get to go.




I am in the living room at Dad’s. From my perspective, it looks like I could have just come in from the garage. I’ve walked into a scene of two police officers sitting on the floor and a large group of people standing around them. Dad may be here too, and I think the officers may be in plainclothes. They tell me they are here because of my social media rends/tendencies. I feel a pang of guilt in my stomach that is only amplified by the disappointed looks on every face. I am thinking that they’ve found me out and there’s nothing to do about it but accept it. I am slightly relieved when they tell me that they can’t do anything about it legally, But then I think that means the FBI has to get involved.

I am in Discology with Makayla and Zack Dussaq from Rocksport. Makayla seems like a younger version of herself. Discology looks different - more of a square room with boxes of records along the walls and on tables. The place just seems antiquated, even for a record shop. I am looking through a box in a corner (the spot, in the dream, where I always look?). I see 10,000 Days, which is in a box. The box is a dusty brown color that looks faded, by design I’m pretty sure. It may be slightly textured with pebbling, and it i very plain in a way that almost suggests a lot about what is within. I gently lift the top off and start inspecting the records - there is a small stack inside. They look brand new, marred by only a thin layer of dust. There seems to be only a track or two per side, the actual groove area taking up maybe a ¼ of the side. I notice some pretty distinct run out etchings, causing me to wonder if this is a bootleg or official release, etc. I have another new looking record, which I decide to get. Zack has gone upstairs to ‘pee’, but he’s been a very long time, which Makayla and I are laughing about. I now hear him getting ready to come back down and can just imagine his self consciousness. We make our way over to David to pay, and I find on a table a little stone turtle with a shark tooth inlaid in its belly. I think it’d be perfect for Mom, so I take it too, observing each side a few times. The tooth takes up the whole belly, is flat, and may actually be stone also. I think the record is $15, which seems high or higher than I’m used to. I think about how I always end up finding something in that spot. This causes me to realize I didn’t look anywhere else, but I’m okay with that

I am going to Kohl’s with Melissa. When we get inside, I’m not sure I see Melissa anymore. I get into a pretty long line that winds its way through what looks like the home section. I notice at least a couch or two. I then realize I haven’t even looked at clothes, so there is no reason I should be waiting in this line to check out. For whatever reason, my leaving this line seems like it could be suspicious. And as soon as I leave the line and start to enter the men’s clothes section, an older male employee attends to me. He asks what I’m looking for or need, and I tell him ‘a bathroom’. He walks me to a door in this small hallway. The sign says women and/or has a woman figure; I start to tell him this, but he simply opens the door, clearly revealing urinals within. This supersedes the sign, so I enter. Instead of the urinals, I begin using a square cut out in the stone floor full of water, watching it tipple and yellow. I know the man is waiting outside. I think he is going to be hovering like this while I shop as well.

I am in some building. This building may be more of a house, though it is vast and labyrinthine. I think an Asian woman is showing me around or I keep running into her. At one point, she is introducing me to ‘the author’. He is a fairly unassuming man with brown hair and a full but medium length beard. He is in formal dress, along with the few other men with him. They appear to be golfing at an indoor course (or simulation?) in this room that was right around a corner. I’m under the impression that this ‘author’ has made enough to afford this house. He gives me a curtly respectful nod, and I move along. There are a myriad of rooms and furnishings, blending into the whole layout, often lacking clear demarcations between rooms. There is a large, plush bed in a corner. In it, under the comforter, lies a man and two or more women. I think that’s a high ratio, then I see another man’s head in the small sea of bedding and pillows. I may be in search of a bathroom, or I may just be passing a few. The second one I pass seems narrow and branching off in two directions. I think one side has sinks and the other has toilets or urinals. Either way, it is far too large than is necessary for a house.






I am going into a Sam’s Club with Melissa. We are not members, so I think we’ve snuck in somehow. We gather a few shopping bags worth of goods and proceed to the check out. Instead of paying there, you’re supposed to give your phone number. We give a fake number. We’re given a receipt which is checked by a man on the way out. We give this (Hispanic?) man a different receipt - from a different, real transaction or something. This receipt is from a different location, though, and we had folded it to obscure that, but he ends up seeing it. We’re not sure what to do, but we end up sneaking away when he becomes distracted by something. We stay close to the line of parked cars. I start to run, but Melissa tells me not to, as it’ll be more noticeable. Later, we are somewhere and I am thinking that we’re probably going to get caught. I think we’ve done this before too. I feel remorse and don’t want the repercussions of being caught.