• Lucid Dreaming - Dream Views

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    1. Strange Leaks

      by , 03-27-2020 at 09:25 AM
      Morning of March 27, 2020. Friday.

      Dream #: 19,457-02. Reading time: 2 min 24 sec.

      In this dream, part of my immediate waking-life identity meanders. Although I recall factors of real life (mostly only that I have a family, not where I live as is often the case) in the second section after the preconscious initiation (a typical unknown intrusive male), the setting remains ambiguous.

      The preconscious personification (sleep-wake mediator) activates atypically in the middle of my sleep cycle. I am near the center of a large, mostly featureless room with many other people. When cognitive arousal initiates, I have a pile of books next to me on my right (potential waking orientation as I sleep on my left side) as I sit on the floor. The man comes over to me, claiming I have a book I am not supposed to have, due to copyright reasons. It is a blank sheet music book for writing music. The publisher’s name is Fabergé. I argue with him for a few minutes, saying his claim is ridiculous because it is just a blank sheet music book (so I am denying cognizance while sleeping as well as ignoring the preconscious). I soon see him sitting with an unknown man.

      As a result of suppressing cognizance modulation to sleep longer, water reinduction (virtual melatonin mediation) occurs. I am in the small upstairs bathroom of the King Street mansion (irrelevant since the 1990s) in Wisconsin, though it is erroneously on the first floor and has a crawlspace beneath. I take a dream journal (from the late 1990s) from being tied with a cloth to a horizontal pipe near the baseboard and water sprays out. I am unsure how to stop the leak, as I do not want my book to get wet. Water is rushing under the floor, so I have to go outside to check. I consider calling our landlord. (I think of our present landlord in Australia, validating my dream initiated a thread for the emergence of partial recall, though the real-life leak was under Zsuzsanna’s sister’s house recently.)

      I now recall I have a family, though the setting is still wrong. When I go outside to check the leak, I am looking at a variation of the Cubitis house in Florida (irrelevant since 1978, so setting changes are not always in chronological order as water reinduction is opposite to the directive of emergence). The nature and layout of the scene have changed, and the leak is far from where the original orientation would correlate. There are two leaks from a long horizontal pipe unrealistically situated outside, about two feet from the ground and a few feet from the front of the other part of the house, though coming from the south wall of my Cubitis bedroom, implying its location has replaced the small King Street bathroom (typical errors in dream continuity as the Cubitis house had no crawlspace and the King Street house’s bathroom, again, was on the second floor). However, the leaks soon stop due to a bubble growing around the connections, keeping the water inside. Eventually, two big irregular bubbles shaped somewhat like hourglasses (temporality reference implying water reinduction is ending), float up from the pipes. I no longer see any leaks.

      Precursory cognizance kicks in again with the general reference to the condition of the sun (analogous to the lack of true identity and cognizance in the dream state). Zsuzsanna is with me outside. We are still erroneously in Cubitis, in the front yard. I see that the “sun” looks like Earth floating within a frying egg, though its lower right area is spreading out in an irregular form as if the egg is runny.

    2. The Usual Snake and Porch Autosymbolism

      by , 07-19-2018 at 01:19 PM
      Morning of July 19, 2018. Thursday.

      In my dream, there is the usual snake scenario, though there are different factors as is typically the case. Our two youngest sons are present in the unfamiliar room. The setting is meant to be the house we are now living, but it is not familiar.

      There is a small snake that does not seem much of a threat. It slithers off into an area of miscellaneous items; mostly toys.

      We see a big green snake. As it slithers out, I swing at it with a sword, though I miss the first time. I chop off its head in my next attempt.

      The nature of my dream changes. Some unknown people are present, but I do not see them as intruders. The setting now seems to be a discernible variation of the Loomis Street house. They are going somewhere. An unknown female is leaving her daughter behind in the back of her car. That seems a bit unusual to me, but I think I will check up on her later.

      Later, the setting changes into what seems to be a variation of the Barolin Street house. I hear a noise on the porch, and I go to check. I consider it might be one of our children, though it now seems late at night. After I open the front door, I see an unknown boy on the porch in the semidarkness. He seems to be an East Indian of about fourteen years old. He is standing in the center of the porch, which is larger than it was in real life.

      “What do you want?” I ask him. He does not move, and I become slightly annoyed. Perhaps he is a neighbor’s son wanting to sell me something, though I remain unsure. I consider that he might be intruding deliberately. I do not know his motive.

      “Suzi, could you get my gun?” I call out to my left. The boy looks concerned and turns to leave.

      "I was just kidding,” I say as he is exiting the porch.

      After this, there is awareness of the world soon coming to an end. I sit on a couch across from Zsuzsanna, and she seems concerned. It is now morning in an unfamiliar lounge room. (It is still implied to be our home.) My dream self does not register the sudden change in time as is almost always the case.

      The world is going to end today. I am not sure how I know. I feel wary of this idea. I think back and understand it somehow relates to an encounter I had with someone. I am in an anomalous state that I cannot resolve consciously. I know it is from a previous dream encounter, presumed to be from before the snake event. Although I know I am dreaming I do not know I am dreaming.

      I soon wake with the full realization that I had been dreaming, feeling relieved. Still, I cannot resolve the enigma of knowing I was dreaming, yet not knowing. It was as if my dream self knew I was dreaming without my conscious identity knowing. Although this has happened on other levels repeatedly since childhood (especially in non-lucid dream control), it has never been expressed in this specific way before.

      The porch showdown with the preconscious avatar (a common form of RAS mediation since early childhood) had different dynamics than usual. The mood was different and seemed more like an interconsciousness avatar. It was even more like an external entity, though this might have been illusory.

      The “end of the world” scenario has occurred regularly since childhood. I rarely have anxiety in dreams, but in this one I did. I think it might have been heavily influenced by “Dream Replicants and the Emergence of Simulacra” by Richard Catlett Wilkerson, as I had also been writing a series of pages about emerging consciousness simulacra. For example, one part in Richard’s text read, “More currently, Carl Jung, and then James Hillman have suggested that even the ego in the dream, who I think of as me in the dream, may also not be me. Linda Magallón has also suggested we give the dream a higher existential reality and address the dream and dreamer and dreaming process as a kind of entity.” Ultimately, it represents my subliminal knowledge of my dream ending.

      The snake scenario, in this case, is typical RAS modulation (which is very common in most people, yet somehow no one ever catches on even with some websites featuring a few dreams a day with the same content). Here, it only served to shift my level of consciousness rather than wake me. Cutting off the snake’s head was autosymbolism for subliminally separating from my conscious self’s identity for a time, as in other dreams. (Snakes otherwise signify different aspects in other dream types when not a segment of the RAS factor, often human intestine, umbilical cord, or electrical cord warnings.) Green shows up more in a particular band of awareness, midway through the dreaming process (also signifying peace and balance depending on the hue), followed by yellow (unification stage of the dream self and conscious self), orange, and red. Red, however, usually only dominates when I have slept too long in the last dream of a sleep cycle.

      Updated 11-17-2019 at 07:14 PM by 1390

    3. Alien Salvation

      by , 05-02-2018 at 11:02 AM
      Morning of May 2, 2018. Wednesday.

      My dream begins with the very common circadian rhythm correlation of the “something wrong with the sun” factor.

      In late afternoon, I am in a distortion of my Cubitis home, on the east side of the living room, though it is implied as our present home. I become aware that the sun is becoming too hot for life to continue on Earth. Thus, this is a typical “end of the world” theme (though these are rarely nightmarish for me in the way described by other people), which has occurred on a regular basis for over fifty years. I perceive much of the solar system as being oriented above and beyond the house to the east, with the implication there is no detail rendered elsewhere (such as beyond the other side of the world or to the west). This is surreal, as there are vestibular dynamics where I seem to “fall” into outer space in a dream within a dream and then shift back into my original dream’s setting without waking or with any perceived concurrent threat or concern other than the prospect of the sun eventually becoming too hot. It is as if my dream self is subliminally testing the autosymbolic (vestibular) design of my dream before deciding to continue (even though I am not viably lucid).

      I am aware that the sun’s heat will be increasing exponentially, and that in a few hours it will be about 6,400 degrees (or 80^2). A number of unknown people are present. Some of the others talk about surviving for a few additional hours. Apparently, they believe they can live for an extra hour or two, or longer, by staying in a building with an air conditioner that remains on. We all go out to find a safer location.

      There is a surreal scene where I am temporarily inside an upright hollow rectangular prism. Someone else is near the top looking down at me, as I am looking up from within it. There is some sort of ambiguous association with it being a vehicle. It seems nighttime at this point, but soon switches back to afternoon.

      While in an unfamiliar building on the third floor, I watch equidistant soap bubbles float by outside. I realize that this means aliens are present (subliminally influenced by comic book story I had not thought of at all in years). I consider that the aliens are here to save humanity, even though I only see the spaceship briefly in a dream within a dream. Some of the others suggest that we need to go underground, though we remain on the first floor for a time.

      My dream becomes more vivid and I am now in a distortion of the Loomis Street house, near the back door. A doll walks in from outside. It is about a foot high. It does not talk but makes clicking and humming noises as if to analyze a person’s status. A teddy bear also walks in as well as a stuffed elephant (with a floral print) walking on its back legs. They are all the same height.

      In the final moments prior to waking, I consider that the friendly and helphful aliens are very shy, so they sent in these devices to make first contact and to study people for a time before taking the human race to another planet to ensure survival.

      The “alien” association is caused by the transient dream self not being correlated with the conscious self identity while in REM sleep (as the non-lucid dream self has neither viable contact with the unconscious, such as consistent memory of personal history, or the conscious self identity as in waking life, though most people do not have the ability to realize this at all, hence belief in nonsensical forms of “interpretation”). This is not quite as common as more mundane RAS correlation factors. This is resolved by the introduction of the dream state indicators, teddy bear (first-level dream state indicator) and doll (autosymbolism for the physical body being inactive in sleep - more specifically, my subliminal awareness of Zsuzsanna also being asleep). An elephant, the last “toy” to enter the room, is autosymbolism for the waking alert factor in this case, due to how it “trumpets” (initiating the return to waking consciousness). Once my fictitious dream self subliminally accepts the dream state indicators, RAS modulation begins the waking process. Additionally, this is also a form of doorway waking symbolism, as the “toys” walk in through the back door from outside. (There is no personified preconscious factor as the “toys” hold this role.)

      Updated 11-17-2019 at 07:30 PM by 1390

    4. The Solar Storm that was not

      by , 11-25-2017 at 08:07 AM
      Morning of November 25, 2017. Saturday.

      In my dream, I am with my wife Zsuzsanna and our children as we presently appear. The setting is unrelated to real life, though my dream self lacks the memory and awareness of our real living space as is often the case (depending on the depth and extent of sleep). It may be sections of streets and buildings modeled after ones in La Crosse (America), Brisbane (Australia), or both.

      Over time, I become aware of the typical “something wrong with the sun” scenario. There are streams of plasma reaching Earth. At one point, far above the horizon and over the unknown city, I notice streams of plasma moving outward from a central point. There are a few resets of this dream. There is a scene where the sun explodes like a small fireball in the sky, but later events where the sun is still present.

      Eventually, the end of the world is assumed, though I am not that fearful of what is to come. Many people run around screaming as pieces of the sun slam into skyscrapers but there are unusual distortions in later events.

      For example, a blob of plasma from the sky heads toward the middle of the street. Instead of an explosion, the blob slows, stopping a few feet above the street, and transforms into a giant transparent pale orange puppy (about ten feet high) that then walks slowly about on the street.

      After a time, I start to realize that, despite all the streams of plasma hitting the city, there does not appear to be much destruction. One crashes fairly close to me and I am unimpressed and consider that it is not real (though not with viable lucidity).

      There is another change without a cohesive transition. Members of my family and I, including Zsuzsanna and at least our two youngest children, are now riding in a car with an unknown dark-haired male driver of about forty. Streams of fire and plasma hit buildings on opposite ends of the street we travel through. However, it is learned that the falling plasma is created by some sort of machine on Earth and is only holographic, with no physical repercussions. This also explains why there appear to be no destroyed buildings at this point, though the event is still continuing.

      This end of the world dream is somewhat atypical in being revealed to not be a celestial event as in many other such dreams. However, the majority of my common end of the world dreams since early childhood often present “something wrong with the sun”, rather than for example, “something wrong with the moon”. There is a logical reason for this…

      As a dream occurs while unconscious and typically not during the main part of the day (other than during an afternoon or early evening nap), a dream, based on circadian rhythms factors, will symbolize the nature of the conscious self identity as the sun, because the sun is associated with wakefulness and the moon associated more with sleeping and dreaming. As one is asleep and dreaming, “something wrong with the sun” occurs far more often simply because one is not awake. This is validated by fairly rare “something wrong with the moon” dreams occurring at a different time in the sleep cycle than the “something wrong with the sun” dreams. In fact, the specific dynamics (studied from when I was only a child) relate directly to the specific time within the sleep cycle, which validates it has little to do with “interpretation” and more about biology and not being conscious at a specific time.

      “Something wrong with the sun” in a dream is simply a metaphor for not being conscious and being aware of the real sun. How hard is that? Dreams, after all, are all about distortions, errors in memory, and the failure of thinking skills that naturally comes from being unconscious (other than literal prescience, which is not limited to the dream state anyway). An “end of the world” scenario is often just a result of the dream inevitably coming to an end when more sleep is subliminally desired, though all factors must be looked at closely, though not in wrongfully assuming that the “I am” of the dream state (personified subconscious, which has no viable memory or intelligence) is the same as the “I am” of the current conscious self identity.

      It is rare for the personified preconscious (in this case, the unknown male driver) to passively sustain the dream state since its purpose (via RAS) is to mediate waking. However, my dream self had already worked out it was not the end of the world, though I did not attain viable lucidity prior to waking.

    5. The End of the World and Discovering the Sleeper (Prescient)

      by , 09-26-2017 at 03:26 PM
      Morning of September 26, 2017. Tuesday.

      Dream Series: The Experience of Prescience, the Inexplicable Dream State Phenomenon. Part 1

      My wife Zsuzsanna and our children (mostly as we appear now in reality) are living in a house that is similar to our present home (and implied to be our present home), though it has a fictional second storey.

      Over time, I become aware that the sun is too hot. I mostly become aware of this upon going to the second floor with Zsuzsanna, which is mostly featureless and resembles the second floor of the Loomis Street house when the apartment was empty, as there is a singular window on one side of the large room and a ceiling sloped on both sides. (I have not been in this house in real life since 1994.) I feel intense heat and so I realize that we need to go back downstairs. I assume that the world is ending, but I do not feel very emotional about it. I tell our youngest son that the world will be burned up soon. Still, I want all of our family together for “the end”.

      In the last segment of my dream, we all go into our oldest son’s room. Zsuzsanna and most of our children are present in the room. Our oldest son is seemingly not present at this time and I become concerned about his well-being. Eventually, Zsuzsanna and our youngest son slide out a cardboard storage box from under our oldest son’s bed (in the same location as it is in reality). (The large cardboard box has similar colors and sparse imagery as that otherwise found on a pizza box.) Our oldest son is sleeping in it. I am relieved, though I still have concern about his health and hope he will wake soon.

      Friday, 30 March 2018: What I presently understand about this dream, based on the following real-life event: From exactly one week after this dream, in real life, our oldest son had to spend four days in the hospital from severe food poisoning where I then held the same mood that my dream self had.

      Despite The Sleeper factor (as well as the rendering of the bed) otherwise being a common dream state indicator since early childhood, signifying the subliminal recognition of being asleep, it was specifically linked to very detailed prescience in this case. Our oldest son being in a cardboard storage box under his bed seems to be a subliminal association with both a pizza box and a coffin, and as such, could have been a very specific warning had I paid more attention.

      Additionally, on November 7, our oldest son’s room is where my family gathered for protection from the storm, though this proved to be futile, as the roof had been torn off and rain poured through the ceiling, though of course it was not the literal end of the world.

      Dreams in which there is “something wrong with the sun” have been very common since early childhood. The usual cause of this is based on the conscious self identity not being viable within the dream state, as the sun symbolizes the conscious self identity in the context of clarity of awareness and with viable thinking skills (which do not otherwise exist in the dream state). Some people might catch the play on “something wrong with the sun” regarding our son, as he did have a fever in his severe illness. This specific association could be coincidence, but since the validated-as-premonitory thread “something wrong with my son” could very well be the autosymbolic trigger in this case, it might not be coincidental.

      It may also be relevant that the Loomis Street second-floor window is to the east in reality, and this is where our oldest son sleeps in orientation to where Zsuzsanna and I sleep, as a window has been validated long ago to signify unconscious communication with someone else in some cases.

      The fictional second floor implied to be of our present home is possibly a transpersonal factor (interconsciousness) related to a certain band of liminal space (though is otherwise only an emergent consciousness factor). Dreams that are dominantly prescient also typically lack the usual RAS mediation found in other dream types.

    6. Being Calm During the End of the World

      by , 06-26-2017 at 12:26 PM
      Morning of June 26, 2017. Monday.

      I am back on Loomis Street (where I have not been since February 9th of 1994 in reality) within a typically distorted dream-self identity of not being with viable memory beyond that of my eighteen-year-old self. I am in the living room of the Loomis Street house. There had been details that the world will be having strange weather, which has something to do with the sun. At first, my dream seems to be based on only unusual weather approaching, but not that threatening. However, the concept changes, becoming far more dramatic, before my dream ends.

      My mother is alive and seemingly well and in the west bedroom of the Loomis Street house. I have no memory of her passing in 2002.

      It seems to be afternoon. I am in a state where I decide to play around with the world itself by spinning the entire atmosphere, clouds and all, as fast as possible. That is, rather than causing Earth to spin faster or to slow down, it remains at its present rotation as I spin the sky around, north to south. The clouds are white and fluffy against a bright blue sky. The realism is extraordinary as I look out through the porch windows and watch the clouds dart across the sky as I willfully spin the atmosphere. I am doing this to show a few other (unknown) people what might soon be happening naturally due to the celestial events. This goes on for several minutes.

      Eventually, the celestial changes come and the sky changes. Very unusual clouds appear in the sky. I sense people’s fear while not feeling threatened myself.

      For a time, the sky looks much like an analogue television screen that is not fully on the channel. That is, there are diagonal lines and flickering bars across the sky. There is one very loud thunderclap. Looking at the sky again, it resembles an empty multicolored spreadsheet, with each cell randomly billowing downwards slightly, the whole expanse with somewhat of a wavering effect.

      I know I should see my mother. She sits in her bed in her room and seems upset, saying how it is “the end of the world”. I do not feel any sense of fear or even concern for humanity. I calmly accept the fate of the world and of myself.

      It is obvious that this dream utilizes liminal dream control and originates mainly from my current conscious self identity and understanding of the dream state (virtuous circle effect) than anywhere else (even though I have no memory beyond my late teenage years while still within my dream). That is, I know I am creating my dream, and yet my dream self identity is not aware of this at a viable level. It partly comes from having looked at a childhood dream from 1971, that was in turn, based on having seen the movie “Crack in the World”, the childhood dream association of which also influenced at least one other dream of this date.

      The evidence is not only obvious, but continuous on different levels. Firstly, I am able to spin the entire sky with no effort. Secondly, the sky then becomes like a television display not being on the channel. This is direct evidence that I view the sky as something I can willfully change as if with a television remote and that my thoughts are still based around liminal dream awareness. Then, the next stage utilizes an emergent focus on critical thinking skills (which do not viably exist in the dream state) when the sky then becomes like a multicolored spreadsheet, as if waiting for my conscious thinking skills to ascend and fill it with organized data. This same focus makes me subliminally aware of the waking symbolism - that is, dream state cessation as an “end of the world” metaphor (which has been a common form of waking symbolism since early childhood). (Why would dream cessation symbolism relate to the conscious self in a negative context? This is the ridiculous mistake I have seen people continuously make all my life with so-called interpretation, which I learned to dismiss at a very early age in light of truth.)

      The fact that my dream self has no fear of this supposed end of the world is more evidence of liminal dream awareness and potential control being a major factor. Why should I care if my dream ends? It is a perfectly natural event. Even more obvious is the “return to bed” metaphor (yet another subliminal thread of acknowledgement of being asleep in reality), even though, in this case, it is typically distorted to a different time and characterization. The real puzzle still remains. What determines the status of my dream self (regarding altered age and time distortion factors)? What determines when and where any precognitive threads (or “input” from the collective unconscious or the Source) dominate the patterns?

      Updated 05-14-2018 at 06:45 PM by 1390

    7. Villiaphim and the End of the World

      by , 05-05-2017 at 11:05 AM
      Morning of May 5, 2017. Friday.

      This is a very long dream (with only some scenes posted in the online version), but the basic scenario relates to a typical “end of the world” situation which often simply symbolizes dream cessation as a circadian rhythms factor, especially as many of mine relate to the sun. Still, “end of the world” dreams additionally seem to have a factor that is more long-term, which I suspect is also of additional biological symbolism.

      The main scene is viewed in the nighttime sky, seemingly to the west (as my dream’s setting seems to be a distorted composite of Loomis Street and our present address, though with the emphasis on Loomis Street in America in the last scene). There is a beautiful coin-like disk hovering in the sky which is just above the moon. The moon and this disk are both about the same size, the moon probably about twice as large as presently viewed in reality. (In my dream, it is a full moon, though in reality, it apparently is moving past the first quarter at 65% visible.)

      The face of the coppery disk seems to have a mix of Orion and Sagittarius as one character. It is directly above the moon. Bright beautiful rays of light are flowing out from each feature, mostly upwards. I am somewhat wary, as I consider the disk will probably alter the moon’s orbit. The rays are a mix of gold and blue. The imagery amazes me for what seems like at least fifteen minutes.

      This turns out to be real-time symbolism for shared dreaming between Zsuzsanna and I, Zsuzsanna being the moon and the Orion/Sagittarius composite being my dream self level of consciousness. Even though the moon and the disk do not make contact, the thin rays (which actually appear as separated dashes and hyphens at times, in a perfect circumferential span) cross over each other. The moon seems to be pulling the disk into Earth’s orbit.

      Next comes waking precursor symbolism and typical dream signs. I go up to the top of a hill (real-time conscious identity symbol) and there is a tomb that has been revealed due to the celestial events. The temple around it is fairly small, part of it serving more as a solid base that is only about the size of our bed. A group of unfamiliar people gather. I look closely at the tomb. It is of a young girl who is also an angel, with the name of Villiaphim. (This is a dream-generated name I have never heard before.) Curiously, there is a modern silver latch attached to the closed coffin at somewhat of an angle. I reason that this was added the last time the temple rose. I am thinking that I will now open the coffin but end up talking about the overall setting.

      As I am talking about the details of the tomb that I recognize (such as the number two, in pairs of various orientations, forming the different symbols that Zsuzsanna and I had matched over the years, including the two facing another mirrored two as the “heart on the horizon” symbol), the personified preconscious shows up to become the usual nuisance it often is when I do not recognize my level of consciousness as a vivid dream. This time, he is an unfamiliar male teenager who makes fun of my inability to see the coffin as real-time bed symbolism.

      The question mark sequence (in a set of four steps) appears engraved in a short squarish column to the left of the tomb. I am about to explain how the question mark was created by the collective unconscious to be found and used by Yang incarnate in his quest for Yin incarnate when he (the personified preconscious) starts mimicking me about my fallacy to not realize I am simply dreaming about the bed my physical body is in rather than an ancient coffin. He traces his finger over the engraving of one of the twos, copying what I am saying in an annoying cartoon voice. I am annoyed and start chasing him in a circle around the tomb. (This is subliminal coalescence recognition, stage one.)

      As I am doing this, I shift to being with Zsuzsanna in the backyard of Loomis Street. I expect the sun to explode on the horizon (and it seems afternoon now) and it does. I know it is the end of the world, but I do not feel any fear. Zsuzsanna and I hold each other. Curiously, the sun had been just below the northern horizon, which of course is not possible. Still, the fire comes from the north as Earth burns. Just as the typical waking coalescence begins (while hugging Zsuzsanna), there is no mild abdominal jolt or other biological waking dynamic yet. Instead, I look around and see the fire only a few feet away, wondering what had happened, and why I (as my dream self) am still aware and in my dream. The ground is covered with what looks like runny egg yolk as well as egg white. Zsuzsanna and I are lying on the ground at this point. I reach over and pull the oversized “egg” from the ground (some of the “yolk” running out over the grass) and consider that about half the surface of the planet will now have to have this stuff peeled off as the “egg white and yolk” solidify a little more. Humanity will survive. I wake up to find that Zsuzsanna and I are in the same positions in bed in reality as we were in the waking symbolism (though this is not always the case).

      As I have written often before (but certainly not every time it happens), at least one dream per day (of the six to twelve I more clearly recall, not including all dream types) apparently comes from Zsuzsanna’s mind rather than mine, which are always thoughts she has that I could not possibly have known about, and it often follows a specific pattern. (This general rule occurred long before we met and has been validated virtually countless times.) It is also usually one of her more sustained thoughts relating to something that is different than usual. In this case, it related to her thoughts about runny egg yolks when she was frying an egg for herself (which is not a regular activity - and I have rarely had fried eggs in my lifetime).

      Updated 05-14-2017 at 09:56 AM by 1390

    8. Balloon Travel, Dodo Birds, and Meteors in the Distant Past

      by , 10-25-2015 at 04:25 PM
      Morning of October 20, 2015. Tuesday.

      I and my wife Zsuzsanna, and our children, must be living in the 1600s. I assume this because we are living in an unknown region where there are eventually a lot of dodo birds walking about. The building we live in seems vaguely like the Duffy Street apartment, though. My father (deceased February 14, 1979) is alive again and appearing as he was perhaps in the early 1960s. At one point, I have a wall-to-wall array of comic book stacks (they all look new), though each stack being only about six or seven issues high at the most. I eventually realize that this would make it difficult for my father to walk through the room (from a room on the other side of where I am), so I gather them all up into one higher pile, being only vaguely concerned about the numerical (issue number) order at this point.

      The main concept is impersonal and relates to some sort of mountain-like structure, an isolated ridge which is much longer than its width, so much so, it seems there is a potential of it falling over at one point, and much of it contains small caves and a network of tunnels. It is apparently full of various kinds of fossils as well as living dinosaurs. There is a scene where a small duck-billed dinosaur (Hadrosaurid) comes out of a cave and bites lightly at my hand (though I do not feel threatened). There is another scene when I am watching the dodo birds where I also see a supposedly extinct animal that looks somewhat like a cross between a wombat and a guinea pig.

      I inform a group of scientists (dressed as if in the early 1800s rather than 1600s) I seem to be informally working with that the mountain will likely fall over if they try to elevate it. Regardless, they somehow attempt to elevate the very large feature to possibly see the contents of underground caves. The whole feature somehow tips over once in midair and becomes upside-down before aligning back to ground level. At least one brontosaurus inside one of the many caves is seen falling over during this event. I also hear numerous pieces of bones and fossils falling about.

      Later, I am standing with my wife Zsuzsanna in a large oblong hot air balloon, which is what they had earlier used in part to elevate the mountain. The oblong basket is large enough for a whole crowd of about twenty people, at least. We are at one end and the rest of the people, including scientists, are at the sides. It seems to be a beautiful night, and we are looking out over London as it was a few centuries ago.

      Over time, looking at the beautiful nighttime sky, a few light clouds here and there, we notice unusual bright white lights streaming slowly downward in a few different locations. These turn out to be small meteors (which are unrealistic, as real meteors would move much faster). They sometimes even arc in a different direction before hitting the ground. With great visual clarity, I watch some of them hit various parts of the streets, leaving a large hole and cracking the ground a fair distance. There are also a few fiery explosions, which are very enjoyable to see. In the far distance, a much larger meteor seems to destroy an entire area when it hits. Eventually, there is a vague concern that a meteor may come to near where we are, but that does not seem very likely. It does not seem to be the “end of the world”, just the end of London in the distant past. Throughout much of this dream, I felt very cheerful and happy.

    9. Star Storm and Being a Lamp

      by , 09-13-2015 at 03:13 PM
      Morning of September 13, 2015. Sunday.

      I am in a seemingly isolated area that feels somewhat elevated (such as some sort of “floating” featureless room), in semi-lucidity, enough to know that my conscious thoughts can make and shape my (unscripted in this case) dream. I think about a snowstorm for no particular reason and I watch a few snowflakes swirl through the air outside, in the darkness of seeming night, seemingly looking west (considering the vague focus and orientation of our real bedroom). I see no land features, just the snowflakes. After a few minutes, I see a blizzard though I do not feel cold at any point. I feel a deep sense of peace for a time, watching the snowflakes swirl around.

      I eventually get a vague idea that I am looking into outer space rather than looking outside and into a snowstorm, and then I eventually realize that I “actually” am looking into a “real” outer space scene. Now, stars and planets are swirling around, crashing into each other with brilliant explosions. I am somewhat amused that a simple blizzard transforms into such an amazing chaotic event that seems to imply “the end of the universe”. I start thinking of the scene being reminiscent of “The Wizard of Oz”, where Dorothy is watching all the strange imagery through her window. I even do a vocal “doot-doo” version of the scene where Miss Gulch is riding her bicycle.

      I soon get the idea that the little melody of Miss Gulch’s bicycle ride is not really that suitable for the end of the universe, so I try to vocalize “The Ride of the Valkyries” but keep shifting into the “National Geographic” theme. No matter what, I cannot grasp the melody from “The Ride of the Valkyries” without it switching to the other tune. I “realize” that the two pieces have much the same music but with slightly different timing and accented parts. The exact “The Ride of the Valkyries” melody keeps eluding me and I get more and more frustrated that I cannot remember it correctly. In the background, the “National Geographic” theme keeps distracting and even “teasing” me every time I get a little of the other tune correct.

      From here, I see that the end of the universe has changed into a basketball game. This seems reasonable, as a sphere is still bouncing about the “cosmos”. I watch passively for several minutes.

      “Could you move?” says a young friendly female voice from behind me. Indeed. I find that I had not been looking out a window (even though I was - my dream just typically changed as such), but sitting in front of a large television where a basketball game is being broadcast (and perhaps the other scenes were relevant to a cowboy show followed by a channel changing to an astronomy show followed by it being changed to this basketball game). It is a young version of my wife, seated on a couch and wearing a light pink robe, but in a scenario that implies it is years before we met. “I didn’t know girls watched basketball,” I say. I get up and suddenly stop when I see two people I do not know coming into the room. They are likely token parents of Zsuzsanna’s in this scene. So, obviously, I transform into an antique brass floor lamp. The “father” comes over and pinches my nose and my “bulb”, implied to be at about the same level as my head, lights up the room a bit better. Zsuzsanna has an extraordinarily mischievous grin growing on her face, as she seems to be eating popcorn.

      Remembering that I am dreaming (rather than my lucidity being consistent throughout), I decide to try to come out of my brass floor lamp camouflage. This is difficult and I succeed only in wobbling my base while rocking side to side, making a curious clanging sound on the wooden floor. The other male looks around curiously, but then continues to chop some spring onion in the kitchen.

      Well, I cannot move as a lamp, so I might as well wake up, which I do.
    10. Self-Decoding CME Dream

      by , 08-05-2015 at 02:05 PM
      Morning of August 5, 2015. Wednesday.

      More. There is always so much more. Just when I had finished “The Macaroni and Spaghetti Mystery - Solved?” (August 4, 2015), the Source decides to start playing with me again and confirm at least some of what I already knew, yet alarm me with another end-of-the-world dream. It carries much the same theme as “Explosion on the Sun” (April 26, 1972). I believe, just as with an atomic bomb, a catastrophic CME mostly only represents the waking process and the transition of energies between different levels of consciousness. I know this from “A Place in the Sky” (November 26, 2014) where I was able to “pause” the nuclear event (though it was still occurring extremely slowly, though so slowly as to not be perceivable or represent any kind of a threat) and thus my dream did not end and it became more vivid (though not quite to apex lucidity - though it did not “need” to be) and longer than usual.

      In this dream, I am living with my family in a completely unfamiliar building. My mother is alive again and there are a few bags of books apparently from the library. We llive on the first floor of a building that seems somewhat commercial as the windows are like glass walls. The residence seems to be in a larger city. Along with books, there are also some music CDs and movies. For some reason, I find myself looking for a certain CD and cannot find it anywhere. I also note the variety of books, some quite large. I say something aloud about wandering why she had checked out so much as she will not have time to read all these books, or in fact, even finish one of them.

      However, I realize that Zsuzsanna had also likely checked out several items from the library, including several children’s books. There are at least four larger bags full and I continue to search for something I was sure was there before but cannot find it now (recurring dream situation).

      Meanwhile, around this same time period, there had been some solar flare and aurora activity that was not threatening in any way. It seems to have stopped. The time seems to be just after noon.

      I notice one very odd DVD cover, a movie I am not familiar with and I am very surprised my mother had checked it out, as it looks like a very amateurish adult (X-rated) movie. I then see that the unlikely DVD had somehow duplicated itself so that there are now two copies, though this does not trigger lucidity. The cover is extraordinarily ugly and disturbing and vaguely reminds me of a vampire theme (though is more lamprey-like facially). It features a girl with a huge perfectly circular mouth, so large as to almost be twice its normal size and it almost seems I can make out gills on the inside (on each side). I find myself staring at this imagery in a typical “frozen” surreal dream event (similar to “Dennis the Cyclops” from June 1, 1988). The “lamprey girl” apparently seems to only serve as an oral sex vessel in the movie (I assume), though this does not make much sense in afterthought, as her mouth is far too large to be able to give pleasure in any way. As I continue to gawk at this horrendous image, an unknown female (possibly an implied secretary or nanny) comes into the room and asks me about the solar flares and CMEs, as she says “the sky is flashing again”.

      I go out to the front room and notice that the sky is indeed flashing (that is, the light in the room is cycling as brighter and dimmer in perfect timing). I look out and see a very vivid and realistic scene of strips of plasma coming down from the clouds and setting things on fire when they hit. It seems like it may be the end of the world. Through the glass walls on the opposite side of the room, I see Julia (from “Under the Dome”) running towards our building with her side on fire and smoke coming out. (This scene was obviously influenced by the “Ejecta” episode of “Under the Dome” though it is not her that is killed by the fire.) I first thought she was my wife (before she got closer to the windows) but then I realize my wife is probably safe inside. Still, I wonder how long this will last and if it really is the end.

      Shift. I remember the entry “The Macaroni and Spaghetti Mystery - Solved?” and realize what I wrote was correct, though there is more. Though macaroni does indeed represent the human brain (because of its appearance) and implied mental energies, “macaroni” is also an in-dream play on “my corona” (my crown). This causes me to reflect on another layer of “As the Worm Turns” (May 17, 2014). The worms falling out of my hair and becoming dried elbow macaroni are a play on the loss of “my corona” (my crown) in that I was leaving the dream state and no longer the king (though I was not lucid in that dream anyway - it was just more vivid than usual).

      Also, the typical day-to-day precognitive layer follows (though as stated before I do not always document it online); my wife opened a letter from the library shortly after my dream and it said she had one overdue CD - which included songs from the “Twilight” (vampire) movie. I had no way of knowing this otherwise.

      This also influenced me to have another look at “Dennis the Cyclops” due to it reminding me of the “lamprey girl” to some extent. Here are my words from that entry from my dream of June 1, 1988: “The ‘Dennis the Menace’ comic prior to this date was a gag where he said 'Guess what, mom! All the mirrors in the house look like ME!’ (and the one on this date - not yet seen at the time - having him ask Mr. Wilson, who is digging, 'Who buries the worms here in the first place?’ - nothing I know of relating to any 'explanation’ for this imagery other than the eye being partly mirror-like).”

      Note the “worms” play again right after the unusual reference to what could be a play on Universal Mind (“All the mirrors in the house look like ME!”). Also, June 1, 2001 (not only exactly thirteen years after my dream but also exactly thirteen years after the “worms in the ground” panel he drew) is when Hank Ketcham, the artist of “Dennis the Menace”, passed away.

      Updated 12-01-2015 at 02:54 PM by 1390

    11. Taken by an “angel” to an area of “eternity”

      by , 08-02-2013 at 02:02 PM
      Morning of August 2, 2013. Friday.

      Dream #: 17,028-03. Reading time: 2 min 32 sec.

      It is unclear why the world is being “stopped” by God. It may relate to the endless clashes of culture and religions or the fabrications by governments and businesses to serve their interests.

      I am in a business building with others, though unsure of where my family is. The world gets increasingly warmer but stops at the threshold where life would end. The drama begins when darkness suddenly falls. Most people are afraid, but I am partly aware of what is coming.

      Time passes, and I feel movement around me. I rise to float into the air, and so do all the others. It is not like flying but floating without gravity and with no control with the danger of randomly bumping into someone or something and while going at different speeds. It does not terrify me as it does the others. I tell them that God has taken gravity away from the human race. (This may be an influence from recently seeing others on the Internet writing about how “good” or “bad” gravity is.) The planets and stars are beginning to vanish.

      More time passes, and the end is coming. I feel a sense of awe and a slight regret. What will happen to me? The world will cease to exist. Suddenly, as all the gravity is gone and most people in the world are very close to death, the doorway is brighter and a strange being of light and shadow, an angel, appears in a cloak. It looks like a “plant of light”, but also seems human at times. Its head, hands, and feet are each like a glowing, swaying cedar sprout. (I do not recall the Biblical reference “swaying like a cedar” in describing Behemoth’s tail. According to some, Behemoth is a hippo or elephant.) At times, the angel’s head and limbs look like a glowing elephant’s tail. The being formally calls for me, using my full name, saying it once. I fearlessly maneuver myself toward the angel. I hear no other name. I feel slightly strange at being the only one called at the “last minute”.

      I feel very emotional, crying in thankfulness. The angel becomes a “throne” after carrying me through the doorway, hovering in this other dimension. It is Eternity or Heaven, or something similar, yet I am the only human here. I notice other angels, too brightly glowing to make out much detail, all to my left. I am joyful because I still exist. I am vaguely aware, after a seemingly long time that this is not final, as I am slowly waking. I have a false awakening that I am telling my wife about my previous dream, saying how it had aspects similar to Christianity, though no thoughts of names or specific identities.

      My dream had a sense of bilocation. When I was in Heaven, I was also aware of floating within the Cubitis house’s southwest bedroom, its door facing me from a short distance off to my right.

      I think there was influence from the “Outer Limits” episode “Cold Hands, Warm Heart” (with William Shatner) that I have not seen in over twenty years, regarding the appearance of the angelic being.

      The angel head and limbs with the appearance of an elephant’s tail may relate to quashing my childhood fear of elephants.

      In another dream, I become a big blanket while flying and phasing through walls, as well as soaring high and fast in the night sky. I was also a human and undressed, using it to cover myself, more so to shield my body from tree branches rather than for moral reasons. It transforms into suitable clothing when I land.

      I also had a dream about an unusual snowmobile, which turned out to be precognitive, part of an unexpected scenario for an educational session the same day.

      Updated 06-06-2019 at 05:51 PM by 1390

    12. "End of the World" yet again…

      by , 07-07-2013 at 01:07 PM
      Morning of July 7, 2013. Sunday.

      Like many (if not most) people, I have had numerous “end of the world” dreams throughout my life since birth (one of the first ever involving an elephant shooting lava from its trunk). I would not call them all nightmares, though, as they are often filled with good feelings and only minor negative emotions in some parts.

      This dream was much the same in some parts to my wife’s dream - with no “cues” or prior expectations of any kind. This has happened to us many times even before we were married, for about twenty years now, on a regular basis.

      This dream has four main sections (and a few minor ones). In one, the first, there is a big thunderstorm late at night. I seem to be living near the White House (which is to the north about three blocks away), but it seemingly is actually a large observatory (or somehow became one - the basic domed design not changing at all). The lightning is strange and thick in the sky and mostly horizontal between clouds instead of striking the ground and sometimes has an unusual reddish tint. It seems in part to be caused by the Earth going out of orbit. When I go outside, I do notice that what had supposedly been the White House all that time was “now” an astronomical observatory or had for some reason been changed into one for “emergency” purposes. The main large telescope (primarily pointing to my left - to the west - at about a forty-five degree angle at first) seems to be under control by either a supernatural force or by the Earth going out of orbit while being somehow manipulated by very strong magnetic patterns around the region, as it is moving about uncontrollably in a strange way, which eventually causes damage to the building and later on, the entire region - and I become aware that many people near the area are killed by earthquake-like activity. I take note of the many strange clouds moving about, almost like a tornado, but not quite. Soon, though, there are no clouds, which, for some reason, means “the end” (which is rather odd, since I have often seen little or no cloud cover on certain nights - but in this case, they seem to sweep through the sky all at once in an “unnatural” way and vanish). The Earth is out of orbit, and not many days are left for humanity.

      There are also two sections (seemingly between or during the times of the main storms) which also seem to be a different day for the garden one at least. I own or at least “control” a very large amount of land in Australia, acres and acres into the distance. I have this huge area of land divided up into various rectangular plots for thousands of different plants, primarily fruits and vegetables. Some of the ones closest to where I am standing are strawberries, carrots, and celery, but there are also many plots devoted to very rare kinds of mostly edible plants. Each plot somehow has an underground computer keeping each individual garden at its optimum temperature, light, and moisture for the plant to grow as correctly and healthily as possible. (I am not sure how the “light” aspect is monitored, as it mostly seems to be under open blue sky as far as the eye can see.)

      In another part of my dream, my wife and I are going west, to live near the ocean or at least visit the (unknown and unfamiliar) area and enjoy its beauty in a very remote region while there is still time. I look out over the incredibly beautiful ocean’s surface at the many multicolored reflections. After about what seems like ten minutes or so, I mentally try to create a dinosaur-like creature, and a glassy, transparent plesiosaurus head begins to rise and form, but stays crystal-like and slightly translucent and never shows more than its head only - about ten feet away from us. Of all the “chased by dinosaur” dreams I have had in my life, I was somehow aware that I had created them at one level at the beginning foundation of my dream, even though they sometimes got a bit out of control and “too real”. In this dream, though, I seem to be doing it mostly for nostalgic purposes as I know the creature will be friendly, but due to the Earth being out of orbit, the magnetic tulpa energies are chaotic and with no sustainability, even with a six-by-four (or eight-by-six?) matrix with Moore–Penrose pseudoinverse implications. I feel a bit sad though the head does not vanish, but the creature will only exist in a "what if” state until the Earth’s very last hour, having a head only “floating” on the water (or seeming to) and not even a neck or body - or perhaps its body is there and under the ocean’s surface in an invisible form.

      The last section has to do with the final “out of orbit” conditions. I am with an unknown man and feel myself begin to rise in the air, as Earth is losing its gravity, of which I make a verbal note to the man and shout this to some other people as they are also rising up into the air. It is not at all like the common flying or even hovering dreams for me; I am simply floating up with a sense of there really being no gravity in the building and there is also an uncommon sense of weight associated with my movements that I cannot seem to control - I am about halfway up to the high ceiling. The man and I notice a woman of about thirty. She has at least six children of all the same age with her (about six or seven years). At first they all seem to have ice skates on (but remove them) - but then they are all dancing and singing and enjoying the growing loss of gravity (we are all inside some sort of larger building, seemingly a hotel lobby or something but somehow connected to a sports arena and large casino or some such). The man seems very angry and yells at her, regarding the idea of her dancing when “it is the end of the world” as very “wrong”, perhaps even insane. He announces “The 9.8 meter per second squared constant is flying the coop as quickly as we are!” It soon dawns on me that it is the man who is crazy, because why would it matter if you were dancing as it was the end of the world anyway as at least you would “go out” happily in a sense.

      Oddly, though, the women and her children are then back on the ground as if gravity is then normal for them (but they seem mildly dejected), and then they prepare to go shopping and on to living normal lives again, as perhaps the Earth is “back in orbit” after all.
    13. The Eternal Fire (precognitive and life-enriching)

      by , 09-13-1990 at 03:13 PM
      Night of September 13, 1990. Thursday.

      This was a partly recurring dream a few months prior to making first contact with my lovely wife-to-be.

      The world is ending. Or is it only a play/movie from the mind of Ödön von Horváth? (who I had read of at the library, based on an earlier dream). There is supposedly a true story (at least possibly true relative to the quote if not the event itself) - Ödön von Horváth was once walking in the Bavarian Alps when he discovered the skeleton of a long dead man with his knapsack still intact. Von Horváth opened the knapsack and found a postcard reading “Having a wonderful time”. Asked by friends what he did with it, von Horváth replied “I posted it”.

      No, the world really is ending, apparently. There is a fire that is consuming the world. It is a fire containing the souls of all of the people who had died under Hitler - or so this seems, as some sort of epic movie-like plot. Their shadows move (walking about) within the fire as it spreads across the planet. It reminds me vaguely of certain concepts from “The Fog” from 1980. Though it has been a common theme since earliest memory to attempt escape from something by going around the world away from it, in as straight a direction as possible, and sometimes back from the other side, this particular scenario is new and unique to this dream series.

      For some reason, they are moving in the United States towards Wisconsin (from the west), where I am living at the time of my dream. There is great awe and fear near the seeming opening of my dream, although not quite nightmarish. Also, for some strange reason, only my brother Dennis and I are actively planning to get out in time.

      There seems to be enough time to get away at first. They seem about two blocks west of where I am living (but the fire stretches north to south, as far as the eye can see in both directions).

      My brother and I get on our bicycles to leave. We start to ride south (not really away from the fire, but parallel to it for some reason).

      Suddenly, as we are riding our bicycles, with knapsacks as well as a bit in the back bicycle baskets (I am even aware of the “Having a wonderful time” postcard in his knapsack), my brother somehow immediately has a glass of water which he throws in my face from his left hand (while still steering the bicycle with his right hand). As it splashes my face, I become much more aware and my dream more vivid, but still not fully aware that I am dreaming. This, in turn, causes me to think a little more clearly…why in the world am I riding with my half-brother who has a swastika tattoo on his hand? Wouldn’t that “attract” the supposed entities in the fire in a negative sense? However, at the same time, I get the strange impression I am “leaving” my girlfriend (”mystery girl”) or wife and am starting to question the nature of the setting.

      We come to an area on the south-side of La Crosse where there has been some sort of earthquake damage. It is too hard to ride a bicycle there, so I get off and walk. There are “brittle” burned plants everywhere even though the main fire is still behind us.

      I turn and look at the fire, which is about as high as a five-storey building. One of the “souls” in the fire is female and now seems quite alive and passionate, seemingly having spent her lifetime looking for me as I, her. I stop and decide to become a part of something I could not possibly have “escaped” from, anyway.

      Then it seems that I got it all wrong. These people were not the “ghosts” of those who died under Hitler, but the energies of spirits looking for their partners in life or “twin flames”. Fire is life. Ashes are death. Should I tell the world that there was nothing to fear after all? I wake…

      Updated 04-20-2017 at 02:03 PM by 1390

      non-lucid , memorable
    14. "The Flying Saucer"

      by , 07-19-1979 at 04:05 PM
      Morning of July 19, 1969. Saturday.

      This dream, looking over notes and doing a bit more research, seems to have been influenced by the following real-life events and associations:

      1. “The Day the Earth Stood Still” (original movie from 1951).

      2. Visits to a parking lot near a store at an early age (not sure where, somewhere near Port Charlotte, I think) where an elephant would perform tricks near our car. It terrified me when I was much younger, but as I got a older, the fear subsided. My mother had said that I had yelled for them (my parents) to roll up the windows of the car when we first went there when I was really young. An older sister still has photographs of these events.

      3. Movies in the earlier grades in school about Pompeii and volcanoes in general. My wife said she had dream influences from such movies as well. I dreamed of volcanoes fairly often during my early years and once in real life, was startled by a sudden hailstorm which I thought was lava and volcanic rocks pouring down on our roof (this was a few years after this entry’s dream) and so I ran and hid in the closet until I realized what it was. Due to the fact that there was a large rutted metal section as the roof over most of our carport, it was really loud.

      4. The “Uhny Uftz” episode of “The Dick Van Dyke Show”, first seen September 29, 1965.

      Contrary to what my dreams sometimes presented, I was never alone in a car at an early age.

      My dream begins with my becoming aware of being in the middle of my backyard and assuming it is Sunday, late morning, perhaps around ten. A shadow appears on the ground, which is perfectly round, moving southward over our neighbor’s house. Perhaps it is a cloud, but perhaps not, so I go inside. I get a very vague sense of a “poisonous cloud”. Inside, in the living room, a man on a news report is talking rather unemotionally about a flying saucer having been sighted.

      I am slightly lucid, so I decide that I will take control for a time and visit Brenda W, a female classmate who lives north of me. We go back to my house and I notice the news reader is still talking about the flying saucer and some sort of (I think) toxic gas or some such. Brenda is laughing because when the man is speaking on the television, certain things he is saying seem to be going on outside in the backyard at the same time as each spoken reference (round shadow, flashing light, strange hum…).

      Later, Brenda seems to have gone home and I am seriously annoyed at this, as I want to spend the day playing with her (more like “playing house” even though I was quite young at the time). I decide to go back to her house. Soon, though, the round shadow appears on the ground, but I do not really look up. I start walking faster and faster, first trying to hide under trees, but eventually I start running and turn to go south towards town where there may be bigger and safer buildings and more people - and I have a vague idea that Brenda may also have gone there instead of going home.

      Amazingly, I run so fast and “perfectly” that I manage to run straight down the wall of a gulley, then turning about at fully ninety degrees upright again, treading effortlessly and swiftly over the surface of the deeper stream - only lightly splashing the surface, and turning my entire body again at ninety degrees and going straight up the wall on the other side - and then continue on as if nothing strange had happened, my only concern being that I had wasted a few seconds by not running in a straight, horizontal path!

      Eventually I am in town (Arcadia) and I do not notice any people around. Even though it seems to be the weekend, I notice a few cars in the elementary school’s parking lot and think it may be a meeting of the teachers - or perhaps a few alarmed people did not know where else to go for safety.

      I notice that the flying saucer seems to be landing, so I go to duck down near a car (but do not yet get into the car). It lands and looks just like the spacecraft from “The Day the Earth Stood Still”. The “door” of the flying saucer opens and…as I start to climb into the front seat of the car to hide…

      Out walks a large elephant…

      The elephant lifts its trunk straight into the air and out sprays a massive amount of lava and volcanic rocks. I jump into the car, but I notice the volcanic rocks quickly stacking up over the front window of the car (almost in “fast motion” animation) and so…it is the end of everything.
    15. A Small Robot

      by , 07-03-1977 at 01:03 PM
      Morning of July 3, 1977. Sunday.

      I seem to be in another time period, possibly in the distant future (as the buildings look futuristic). It may or may not be Earth. There is a large city; some of the buildings being with dome-like tops, but there are no people around. Apparently, everyone has cleared the streets because of the supposed end of the world soon coming. As the world is supposedly going to end, a very small robot, looking vaguely similar in some ways like R2-D2 from “Star Wars” (except a bit smaller and more squarish) slowly moves down the middle of the wide street - and there is a feeling of terror sensed (not from me, from the unseen people of the world or region). It almost seems amusing to me in afterthought, as this small robot will be the sole cause of the world (or human civilization) to end.

      The area in my dream also seems to be bilocated with my Cubitis driveway as the robot approaches our carport from the west.

      Updated 08-09-2017 at 07:31 PM by 1390

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