• Lucid Dreaming - Dream Views




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    Blue_Opossum

    1. An Unexpected Late Night Visit

      by , 03-17-2020 at 10:07 AM
      Morning of March 17, 2020. Tuesday.

      Dream #: 19,447-02. Reading time (optimized): 3 min.



      Dream sequence 1 is predictable sleep-wake mediation of emerging liminality stemming from my instinctual recognition that dream state physicality is not real. An imaginary fence defines my skewed perception of potential liminality as a virtual barrier between sleep and consciousness.

      In this instance of the usual process, my dream incorrectly establishes that it is Halloween (an incidental association with the false identity of the dream state). Another error (to stop waking-life agreement) is that the fence on the west side of our house is not a solid wall. The events occur late at night.

      At this point, precursory liminality allows for my recall of Zsuzsanna (though the recall we have children initiates later in my dream). Additionally, as a result of the dynamics of this process, I have a viable recall of where I live in waking life (rather than the usual false setting). I am setting up a scarecrow, using some of my clothes, as a Halloween decoration. It is on the inside of our fence near the northwest corner. It is my instinctual analogy of validating my dream state physicality as false but still as a precursor to potential physical discernment. (A scarecrow has occurred as this signification in previous dreams, though statues and dolls are more common.)

      Dream sequence 2 is further activation of the foundational process as previously described and explained. It stems from physicality becoming a more emergent factor but also inclusive of disguised recall that I have a young daughter. As a result, an unfamiliar black girl (of about seven years of age) stands to the left of the outside of our front gate (from our porch’s viewpoint) where the mailbox is in reality (though it is not present in my dream). (Being near the mailbox location, despite its erroneous absence, is a factor of sleep-wake communication or, assuming enigmatic space is overlapping into my dream space, transpersonal communication, probably from our daughter.) She aggressively shakes the vertical bars of the fence, making an incredible racket. I tell her to stop, but she continues.

      “I’m going to get my gun,” I say through our open front door, though I am not serious. I want the unknown child to go away even though her presence is the result of deliberate summoning to vivify my dream, which it does, exponentially. (A gun is typically the result of the fictitious dream self attempting to maintain an illusion in contrast to the reticular activating system initiating, which is otherwise the natural progression of sleep-wake transitioning.) The child does not leave. I turn left to ask Zsuzsanna where the gun is. (Zsuzsanna sleeps on my left.) I have the false recall that I own a gun and that it might be on the DVD player (association with imagination, correlating with watching movies). The girl eventually leaves but comes back with her father.

      Dream sequence 3 establishes that emerging liminality changes the direction of my dream. The girl and her father are in our lounge room. At first, I see it as an intrusion. My dreaming status resets and loops with different events five times. In the third loop, there are about five members of the girl’s family entering our home, including her mother and an older sister. I am puzzled and ask them how they are doing this. One of them points at the outside of our front door, and I see that there is a silver key in the door’s barrel lock. Still, at this point, my dream has reset again, and the family is only now arriving on our porch.

      Suddenly, I recall that I have a young daughter (which eventually unlocks recall I have additional children). I think she might like to meet the unknown girl. I no longer see the people as intruders even though I did not ask them in. I look around, but I cannot find her. I ask family members where she is.

      Dream sequence 4 is the fourth form of liminality mediation when the unnamed man sits down on our couch to watch television. I notice that, as he is sitting down, a much older man than him on the television screen is sitting down, mirroring his actions, though he has a white beard while the man in our lounge room has no beard. I find this amusing, but I do not comment on it.



      The man on television, with his short white beard, correlates with my waking-life identity, triggering my waking.



      Overall, this is the same preconscious template as in thousands of previous dreams.


    2. A Near Mystere

      by , 12-07-2017 at 07:59 PM
      Night of December 6, 2017. Wednesday.



      Fading into semi-lucidity after typical hypnagogic lucidity, I go beyond a stream surrounded by rock faces into an open area. This shifts into an idea to manifest a perfect combination of sensuality and eeriness. I decide to integrate Zsuzsanna into the role of Mary Medina as in the Grimm Fairy Tales 2017 Halloween Special, but I mostly let it flow on its own without in-dream control (by way of spoken affirmations by my dream self as in some apex lucidity states). There is a sustained event with an incompetent makeup artist. Zsuzsanna ends up with only white face paint on her forehead. This scene seems to repeat after a reset.

      Although some of the setting looks somewhat like a sketchy version of New Orleans, some of the buildings appear as if they are cardboard facades about a block or two away. I ignore this feature and focus on intensifying the nature of my dream. Ghosts wander about, but there is not much eeriness or plot.

      The outcome is in a large dining room. About seven ghosts (in Victorian clothes) play Musical Chairs with six gold chairs with red velvet seats and backs. As they are ghosts, there can be no winners or losers as they just phase into and out of each other when trying to sit and stay on the chairs (and for example, two taking up the same space on the same chair). This scenario is so amusing, it pulls me out of the dream state with an almost audible laugh.


    3. Halloween Party in January with Skull Ring

      by , 01-31-2016 at 07:31 AM
      Morning of January 31, 2016. Sunday.

      Dream #: 17,940-03. Reading time: 1 min 10 sec. Readability score: 70.



      This dream branched off into today’s volcano and “circling the globe” dream (without any apparent waking transition or consciousness shift other than the second dream situation becoming more vivid over time).



      My wife Zsuzsanna, our children, and I are going to a public Halloween celebration. My dream self does not perceive the presumed October date as incorrect.

      I will be wearing a hooded cloak, though I perceive it as light-colored at one point rather than black (of which seems more suitable to my implied character as the Grim Reaper). There is minor difficulty getting it to fit.

      My only other costume feature is a silver skull ring which goes on the middle finger of my left hand. The skull is upright when viewed by others when my arm is naturally at my side. There is a slide switch in the back of it that makes its eye sockets shine with brilliant light, so bright that it would light up the street. I see the two beams, but they are not overwhelmingly bright.

      As with many of my dreams, I take to the air in flight without thinking much about it. I notice an unknown young girl also flying to the party, ahead of me by about half a block. In these types of dreams, I decide to fly while considering it a completely natural event.

      My dream changes into the type where I need to push through barriers at times due to the unusual maze-like layout of various unfamiliar buildings. At one point, there is a very thick window on a high floor of a commercial building. I attempt to push through it and eventually succeed. I walk or fly through walls, with slight difficulty at times. Mostly, I fly around enjoying the view.


    4. November Second Halloween (in three acts)

      by , 11-03-1973 at 05:03 PM
      Morning of November 3, 1973. Saturday.



      This is a long dream that started prior to real-life sunrise, continuing a short time after real-life sunrise, the carport (north through my bedroom windows) being fully illuminated as I woke up with the “I’ll just wake up now” resolved liminal state. As is often the case (recurring dream property, especially from 1969 to 1973), the eerie or threatening aspects of my dream break down or transform and become more mundane as the sun rises in real life - this can be seen in some of my other dreams, including several where bones become branches or picnic forks or a vampire bat becomes a non-threatening moth, etc.

      In the first part of my dream, I am aware that it is Halloween night, except for the fact that November second is usually “Halloween” in my dream universe. This is due to a strong influence from the Barbara Steele movie “Castle of Blood” (from 1964). November second was always the “night of the dead” for me, which was actually more dominant than cultural associations with “ordinary” Halloween, though I still “saw” it (and accepted it) as the “real” Halloween.

      Act One:

      The first part of my dream reveals that a few classmates had been to my house in Cubitis; I assume mainly Tina L, Brenda W, Toby T, and Steve J. I seem to be the only one directly in-dream until near the end, though. The very large antique wooden dining table in the living room, along the middle area of the east side of the house and near the windows in usual view of the backyard (but the curtains are mostly down in-dream) has three areas that display several small skulls made of hard candy, mostly on the left side of the table to my perspective, some on a transparent glass plate of fancy spiral relief patterns, some not. The three sets are of slightly different sizes. Many are of the glow-in-the-dark pale green as of the color of cereal prizes that glow in the dark. A few others are in different pale colors such as Pepto-Bismol pink (recurring dominant color), a pale violet, and a pale yellow - none are white. In the back of my mind is the idea that some of them may be poisonous. I am not sure why people would put poisonous candy on the table (and I am hoping more friends or classmates do not come in and eat them unknowingly), but I get two other associations, one being cough drops in the shape of skulls, the other being skull-shaped vitamins. Therefore, each set of skulls is either candy, cough drops, or vitamins, with perhaps a few poisonous ones in each. I am wary of them all, though, and do not touch any of them.

      Act Two:

      I go into the hallway with the intent of, I think, going to the bathroom, though I do not recall an actual need to. It may just be a random in-dream wandering. Suddenly, a large hairy bat flies down from the back door area near the ceiling and its face is so close upon reaching me, it would have logically hit my face - but instead - suddenly vanishes. This is rather puzzling. The bat had a grinning gargoyle-like face, almost smiling at me.

      Act Three:

      As it grows closer to sunrise, I hear dogs barking and snarling. Normally, I am wary of going onto the carport at night (or even early morning) in dreams, but not always. I open the front door and the barking is actually right in the carport. I see several dogs right there just past the doorway and immediately close the door. The dogs continue to bark and growl. After the sun rises, I open the door and Toby T is there and holding a large poster, but beginning to roll it up top to bottom (and which had been completely covering the other side of the doorway) showing dogs in various aggressive positions (a couple of them apparently leaping up towards the viewer), which is exactly what I had seen before. He explains that the sound of the dogs was from a cassette playing on the table on the carport. Thus, what I saw when I opened the door was only the poster. I am somewhat relieved and it was all in good fun, I suppose. I am also aware that the bat, which was fake, was what I myself had set up and forgotten about, triggered by my movement into the hallway and pulling a string with my lower leg, which caused it to fly down from a setup at the end of the hallway.

      Act one blends several associations, including the idea that sugar is “bad” for you, and so can vitamins if you take too many (especially, as I understand it - vitamin A, which has the highest toxicity if taken too often). On another note, I never really liked hard candy, which often tasted really bad to me and I could not understand how other people liked it or could even suck on it - horrid fake “cola” or “root beer” taste, fake horrid “citrus” and so on, that also make me cough just having it in my mouth and reminded me of sucking on the opening of a bottle of perfume (though admittedly I had never done that) and sometimes had an overwhelming soap-like taste. The cough drop aspect featured also brings to mind when a teacher at school gave me “candy”, which turned out to be an old cough drop - something I never confronted her on - just thought it was strange. It seemed to also be “warning” me about taking too much Pepto-Bismol, which I did not find out about in real life until much later.

      Act two mostly used the association with the opening of the original “Scooby Doo” television series where animated bats fly at the viewer. I also had a toy/fake rubber bat on a string which I ended setting up as in my dream for a bit of amusement.

      Act three shows my wariness and fear of dogs in dreams (curiously, which did not reflect real life to any degree) finally beginning to subside a bit as well as showing potential in-dream manipulation - that is, two-dimensional concepts made from what first seemed three-dimensional (the opposite of photo projection), thus a background latent ability to warp dimensions and planes of portals in-dream, almost in the manner of an implied hypercube. This recognition is delivered by my best friend. Toby T was somewhat like a “mirror” more representative of everyman, yet was not really like me at all at higher levels.

      Steve J represents conditional love or conditional friendship, almost in an incidental way, due to a childhood “I’ll be your friend if…” or “I’ll continue to be your friend only if…” mentality. Tina L represents a combination of absentminded humorous outlook and incidental or faux snobbery. Her last name was also a play on “linear” (with only the relative accent slightly different in each); that is, a logical western progression in contrast to Brenda W’s (who was the main archetype for my wife-to-be) more “gypsy-like” or “Wendy the Good Little Witch” (but brunette, not blonde) magical persona.

      This was a DDR dream I really enjoyed. The MITD (“monster in the doorway” waking transition, which is analogous as the emergent consciousness event) in the “final act” was rendered as just a poster of barking dogs that Toby had put up over the doorway to fool me (with a cassette of barking playing on a table in our carport). Everything was resolved to be part of a practical joke being setup by classmates.

      Updated 03-02-2016 at 01:09 PM by 1390

      Categories
      non-lucid , memorable
    5. The Orange Monster (non-lucid doorway waking symbolism)

      by , 10-30-1970 at 04:30 PM
      Night of October 30, 1970. Friday.



      There is a knock at the front door of my Cubitis home seemingly at night, which may be a trick-or-treater regardless of the possible later time (and the implied in-dream date may be a day later). My mother answers (I may have been doing something earlier in my dream but I do not recall that part). It is an allover short-haired orange monster standing there in our carport (but otherwise has all the anatomical form of a human). However, it soon turns out to be my older brother Jim, holding the full-head mask in the bend of his left arm like a helmet after removing it (and I also have a vague idea that it actually is a motorcycle helmet, though he did not have a motorcycle in real life until much later). He seems happy and optimistic. (I had not seen him for some time in real life, since living at North Monroe Street.) In real life, he was jovial and never “monster-like” in any way in my perspective, though he was overweight most of his life.



      This rather short dream had two precognitive layers. You might find it strange that saying a visitor showing up on Halloween after my dream was precognitive. However, this really was the first and only time we ever had a trick-or-treater (and it was after dark) while living in Cubitis for nearly ten years - and my mother answered the door. Not only that, it was an older and stockier teenager (high school student) who neither my mother nor myself knew the identify of, but he was wearing a homemade paper mask and not a costume of any kind. It seemed a bit eerie (and of the same slightly anxious mood as the door was answered while I had been in the same location as in my dream). The second facet was that my older brother Jim came to visit us later, which was the first and only time he had been in Cubitis. We did not know at the time that he would be visiting as such.