Blue_Opossum

Morning of August 2, 2017. Wednesday.



Actor Jensen Ackles features as my dream’s only known character but my dream self does not associate him either as an actor or as the Dean Winchester character from “Supernatural”. He drives for a short time and parks his car. He remains cheerful and is not involved in any of the mishaps. He watches the strange traffic events for a time.

I am in an unknown area looking at an unfamiliar street. There is a vague association with the Loomis and Gillette Street intersection in La Crosse.

I see a car that seems to be a replica of a Ford Model A. I expect another car to crash into it but this does not happen. Instead, the car inexplicably turns onto its side yet is still somehow moving through the traffic as such with no apparent surprise or concern from the unfamiliar driver. This event puzzles me.

Eventually, when I expect other cars to have mishaps, they do. At one point, someone drives their car on the external wall of an apartment building, about halfway up, defying gravity, and likely trying to get past the chaotic events on the street. It moves along horizontally with its wheels somehow remaining on the external wall.

In the last scene, I try to summon a car by will, knowing it will be mine. I see a white van, but I am not sure I want it to become mine, as I am envisioning a fancy car to show off to a few unfamiliar dream characters who are standing around near the curb. After some strange cars go by at times, some of them missing major parts, I eventually get into one when it stops. It turns out to be a 1940s Roadster that is only about half of its correct size. When I am in it, I can barely fit, but I still drive along until I wake.

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• I know this dream is unrelated to waking life for a number of reasons. Firstly, it is of a type of dream I have experienced since childhood and which stems from my interest in demolition derbies. This dream type also always occurs with a specific subtle form of lucidity, and the understanding of causing events with anticipation or focused expectation. It occurs when my dream self is unaware of being in the dream state, yet a subliminal thread of my conscious self identity understands that it is a dream, and thus is obviously focused on the nature and response of the dream state rather than waking life.
• The summoning intent and understanding in the last scene is typically more a factor of semi-lucidity and full lucidity, though I am closer to waking in this case.
• Jensen Ackles is the personified RAS precursor here, but does not become active, as my dream self subliminally initiates the waking transition.
• In many of my non-lucid dreams since childhood, cars are often too small for me to get into. A car in my dreams is typically an autosymbolic rendering of my real physical body as subliminally perceived in sleep, so as a result, the attempt of getting in a car creates a factor of ambiguity. That is evidenced here when a car still moves about on its side to indicate a connection to the fact that I am sleeping on my side at the time.
• This dream type, in which very little of my conscious self identity is extant, is more likely to hold more of the factor of instinctual dream control, which validates that dreams are more about the level of unconsciousness and the dream state itself than waking life (other than when prescient or as a literal carryover from waking life).
• An intersection is autosymbolism for neural gating in the dream state, metaphorically representing the choices of either continuing the dream or waking. Typically, as here, the street representing the direction of sustained dreaming is more likely to have dream-based autosymbolism (the car on its side as a reference of me sleeping on my side).

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Morning of August 2, 2017. Wednesday.



I am with my wife Zsuzsanna. We are with several unknown people. In the first scenario, we are in some soft of unusual park. There is an unfamiliar female, dressed somewhat like a carnival fortune teller, who supposedly understands things about rare creatures in the area as well as how to use certain herbs for health. Still, there is a point at which I decide to leave with the others without any of us really interacting with her. She tells me about how I had changed my mind about asking her something after I already gained my own information about something. It is not really patronizing; just an observation, I think.

I had taken the remains of two witch snakes that had died of natural causes. They are mostly like a snake other than having the miniature head of a Halloween witch. There is a painting of one in some sort of brochure, which I mention is not realistic because the head does not look right, being too cylindrical. An unknown male seems to have a different opinion, claiming that is how they look when alive.

I take the fangs out of the upper part of their mouths, though I arrange them as pointing upwards, front down on a surface. Each creature has three teeth, it seems, though I first think that there had been four. It seems that another male might have lost a couple when the surface was tilted, and they slid off, but after there seemingly being at least one with four teeth, it looks like only three from each. I mention how it seems that one witch snake was older when it died, due to its fang-like teeth being cracked (with thin lines) vertically, in the back.

Our group ends up walking in an unknown area, though it eventually resembles the grounds of my old middle school in Florida on the north end. I talk about how each tooth could be sold to superstitious people as some sort of object for healing. This seems amusing to me and I think I might be able to make a lot of money but then I consider that people might only be willing to pay twenty dollars each as another male gives advice and seems to agree.

I then talk about how we can create the “same” fangs to have a potential to make more money. I mention how if dirt is placed in the mouth of a clam that a tooth would grow from that location. (This is actually some sort of distorted memory relating to how pearls are formed in oysters. There is probably also a second layer of distortion based on the phrase “pearly whites”, referring to teeth.)

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