• Lucid Dreaming - Dream Views




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    Blue_Opossum

    1. Bruised Persimmons

      by , 08-17-2018 at 07:33 PM
      Morning of August 13, 2018. Monday.

      Reading time: 1 min 40 sec. Readability score: 64.



      In my dream, I am about 14 years old again. I am living in Cubitis, with my parents, though the usual ambiguity comes in later, where I have at least a few threads of my current conscious self identity, and I am aware of my oldest son, though perceived as younger than he now is. However, I have no recall of our current address as is often the case and my presumed age in my dream is not in conflict with my real current age even though my son would be older than me if my dream self’s age is correct.

      The north area of the living room has a large table. My parents are selling fruit, and members of the public come into our house to buy it.

      An unfamiliar older woman comes in to get persimmons. However, she mentions that they have bruises, and I see that most of them are in a bowl and probably overripe. She seems very cheerful and friendly but leaves without buying anything.

      Later, my son seems upset, and a strange yellow fluid flows out of his right eye, on the right side as he cries, almost building up like a wave of cake icing. It seems bizarre to me, and I know something is not right, which causes me to wake up rather than resolve it while still in my dream.



      For now, I am going to assume there is no precognitive thread here related to health. Yellow is what I use (both in infra-awareness and lucidity) to initiate clarity of consciousness in the dream state (and have done so since around age three). Coming from the right side of his right eye, it is a direct association with moving toward the waking side in REM (Rapid Eye Movement) sleep. (I sleep on my left side for the most part.) Autosymbolism integrating subliminal, liminal, or lucid awareness of REM itself is not nearly as common as the vestibular system correlation from balance or imbalance of the illusory fictitious dream body with the real physical body in sleep.

      The rest of the content comes from two different events, one being Zsuzsanna’s mother leaving overripe fruit on our porch that spoils, the other from having so many passionfruit, that some are becoming overripe.

      When I lived with my parents in Cubitis, they had a store for a few years. Business was on the carport or in the shed (where my father also raised and sold rabbits and fishing worms), not inside our house.


      Tags: fruit
      Categories
      non-lucid
    2. Sarcophagus with Stained Glass Lid

      by , 08-17-2018 at 01:19 PM
      Morning of June 1, 1998. Monday.

      Reading time: 1 min 52 sec. Readability score: 52.



      Deliberately stepping into the dream space, I find it is a comfortably dark room that has walls, floor, and ceiling of gray stone. I am unaware of the presence of a door or doorway.

      What I first think is an Egyptian sarcophagus is present in the center of the room. It is mainly rectangular and lacking detail. In semi-lucidity, I realize it is a representation of the fact that I am asleep in bed.

      Moving closer, I see that the lid of the sarcophagus is like a stained glass window of a Christian church, although it portrays an unknown British king rather than a religious scene, the imagery of which resembles the king of diamonds in a deck of cards. A yellow light is discernible from under, shining through its semi-transparent sections despite the multi-colored stained glass, and I fall into it (deliberately, leaning forward) without fear, cracking it open and immediately being “back” in bed.



      Explanatory notes on dream modeling and processing:

      My physical body is asleep in bed, not moving, and that is the foundation (and trigger) of the rendering of the sarcophagus. I am aware of the cause while in my dream aside from the fact its foundation is semi-lucidly scripted. (In “Stargate,” the sarcophagus is used to restore the physical body to full health and that was my original intent here.) The details mainly stem from associations with two Alan Parsons Project albums, “Pyramid” and “Turn of a Friendly Card.” (On the cover of “Pyramid,” Alan Parsons is sitting up in bed in a room with an orange and yellow glow. “Turn of a Friendly Card” features the king of diamonds in stained glass.)

      The color yellow is a factor I have used all my life (in both infra-awareness and lucidity) to initiate emerging consciousness and dream state revivification. It is not a factor of absolute dream control in every case (only RAS mediation, which is unpredictable due to ultradian rhythm peaks and lows) and is typically more likely to bring about waking and preconscious manifestation than intended reinduction.

      Deliberately leaning and falling forward, or jumping from a window or cliff is a method I have used since childhood to intensify and sustain a dream, though it does not always work as it occasionally triggers VSC RAS modulation. In contrast, the breaking window is a metaphor for dream state cessation as in the 1971 TV movie, “The Deadly Dream.”

      Notes added Friday, 17 August 2018. As of this date, creating a large locked steel bank vault door that replaces the front door of a house, and rapidly flying towards it from a bedroom (to phase through it into whatever is beyond in the front yard) with total faith and confidence, is the most viable way I have found to vivify and sustain the dream state.