Blue_Opossum

Afternoon of January 7, 1973. Sunday. In-depth revision on Sunday, 22 April 2018.



Scene one: My dream starts with my semi-lucid dream self walking south beyond the backyard of my Cubitis home (the backyard being on the east side of the house) in late afternoon, close to the railroad tracks. I do not attempt to actively auto-script my dream but I do summon some schoolmates into the setting, which discernibly includes (in order of real-life familiarity) Toby, Brenda, Steve W, Tina, and Sharla. I contemplate experiencing a science-fiction adventure. Walking a short distance from my home, behind what would be the second house south of mine, there is an area where the railroad tracks had somehow seemingly been pulled upwards. Looking up at the bent and twisted railroad tracks, which are at least twelve feet in height, creates vague vertigo. The feature also reminds me of a ladder. From here, we soon come to an old wooden sign, with “FORBIDDEN LAND” (in two rows, that is “FORBIDDEN” written above “LAND”) sloppily painted in red. Despite the sign, I know we are going to explore the area.

Scene two: Eventually, after walking east, we find ourselves in a small isolated town of which has the overall appearance of Dodge City, from the “Gunsmoke” television series, though there are a few additional modern features. When we are inside a restaurant and there is noise outside, like amplified galloping and implications of an earthquake, there are people talking about this event as if it occurs on a regular basis, at a certain time each day around noon. We notice plaster falling from the ceiling as whatever it is passes by, down the dirt street. There are not many cars and most are from the early 1960s. There is talk of a giant white horse. It is said that it is a hundred hands high, which is about 33 feet. I realize that the damage to the railroad tracks was caused by the giant horse galloping across that area. Despite the damage it has caused to the buildings (apparently the people are always rebuilding), the giant horse apparently does not go after people.

Scene three: We make our way up a mountain, but I am on my own in the final view. I am looking down over a large field, mostly featureless except for a lake in the right of my view, though there is also a cluster of trees beyond. The giant white horse was a mother that had been looking for her foal which she has now just found. The giant foal is drinking from the lake, which is not much bigger than him. I sense that they will go north to another land and no longer be problematic for the town. My dream takes on a very peaceful and positive tone. I feel very happy upon waking.

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Threads of scene one explained: The vague vertigo is a dynamic of vestibular system correlation (and the lack of viable awareness of my real physical body as I am sleeping), even in the intriguing ambiguous railroad tracks to ladder association, a ladder implying the potential to rise up from the dream state or augment lucidity.

Threads of scene two explained: My subliminal conscious self chooses the “Gunsmoke” set in recognition of my dream being like a movie or television show (unrelated to real life), which has been the case in a number of other dreams. Additionally, I typically pick the farmland to the east in such dreams (though it sometimes resets to being back closer to my house) as I was unfamiliar with its overall real-life appearance as I had never gone there and could only see some of it from my backyard. This way, my lack of experience with what the area looked like benefited the imaginary layout of my dream (even though my dreams do not render locations correctly anyway, to avoid associations with waking life memory). The restaurant in scene two seemed modeled somewhat after my middle school’s cafeteria, though was only around half the size. The attention to the plaster falling from the ceiling is a focus on liminal space division while in the dream state. It is more linked to vestibular system correlation than is doorway waking symbolism (or other subliminal anticipation of the dream ending).

Threads of scene three explained: In this dream, the emergent consciousness factor, more commonly rendered as an animal in childhood dreams, is the giant white mare. In the final waking event, my dream self, perceived as the foal, due to its incomplete nature while in the dream state, is found by way of the preconscious transition, without any conflict. This is a type of coalescence event which activates consciousness. The final dynamic is the very common water lowering waking symbolism, key autosymbolism for leaving the dream state since early childhood.

Conclusion: The main concept of this dream (the giant horse) was borrowed from the “Arizona Midnight” episode of the “Gunsmoke” television series seen the previous week (January 1). There was also an incidental association with the large plastic black stallion Aurora model that was of a much larger scale than all of my other animal model kits.

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