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    Blue_Opossum

    Heat and Smoke

    by , 12-19-2015 at 06:19 PM (229 Views)
    Morning of December 19, 2015. Saturday.



    In my very vivid dream, my family and I are back living on Barolin Street (the large house no longer there in reality, having been moved). It seems to be late at night and I am on our front porch with a young version of my brother Earl (deceased) and his last wife Cindy. I am nearest the front entrance, Cindy being to my right, and Earl being to her right. We are all seated on small kitchen chairs. My brother and his wife are facing an electronics setup though I am more to the side of it, what is seemingly a cassette deck to record their conversation and possibly singing. This cassette deck is sitting on a larger feature, which is some sort of computer. There is also apparently a radio. (This is probably associated with a recording which Earl and his first wife Beverly created at North Monroe Street in 1967 with a guitarist of the region, Don Keys, including their singing and his own double-tracked guitar parts on reel-to-reel, which was transferred to cassette copies.) This is where I had a setup in real life prior to our moving, though not exactly as in my dream.

    Over time, the face of the vertical-load cassette deck seems detached and loose and is out by about half an inch. I also notice that the front of the computer tower is slightly protruding with a gap. Eventually, I feel a bit of heat and smoke begins to come out.

    There is a temporary strange shifting of the situation, like an offset dream within a dream but oddly just as vivid (without a seeming consciousness shift, which is atypical of dreams within dreams). I am then on the far right of the setup and my oldest son, seeming only about twelve years old again, is to my left. I am telling him that he should sit back from the smoke as the smoke seems possibly toxic if too much is breathed in, though at this point, it seems a “normal” part of the recording process and to be expected of the electronic equipment (even though in the main scenario it is not considered as such at all).

    Then, I am shifted back into the previous scenario again, exactly the same as it was. I do not really pay any notice to my having shifted into the offset dream but continue trying to work out what is going on with the equipment. The smoke is not that thick but seems to annoy my brother and his wife and becomes more problematic. It mostly drifts northward through our porch.

    My brother Earl shows me his wife’s bracelet, which had been sitting atop the cassette deck. “Look,” he says to me, “it’s melted”. He seems slightly annoyed but not angry. His wife Cindy looks on without emotion.

    I then notice that my black wallet (of synthetic plastic) had also been atop the cassette deck and has partly melted. It has even come apart into two sections, all of the contents having been singed. I am only slightly concerned. I am not sure if we will continue to work in a session regarding what we had been doing (recording from the radio or Earl singing with his wife).



    Because a cassette deck has two cylindrical rotating features (and especially being a machine), it is obvious now that it is a subtle metaphorical form of the Merkaba. Frankly, I cannot imagine how I have missed this all this time - talk about being “slow”. (In fact, this setting reflects when I experienced it the strongest when wide awake, complete with the intense cilia-like imagery. This also means that I will be able to get additional clues out of a number of past dreams that I had not fully decoded yet.)

    The cassette deck being the (partnered) Merkaba is even more obvious with the additional elements which validate this likelihood. Firstly, the melted bracelet is that which symbolizes lack of bondage to something mundanely habitual; in other words, it augments spiritual freedom (or not being “chained” by society’s limited understanding and unrewarding material pursuits). (A melted bracelet equates a removed handcuff.) Secondly, the melted wallet means dynamic spiritual freedom in another way, in the sense of the melted identification card - that is, losing static and mundane associations with any previous presumed identity - or being free of non-dynamic restrictions caused by being “labelled” by either government or consensus or even a particular individual.



    In another way, it could also be a reminder of the ephemerality of the Merkaba. (Certainly, something melting does not always have this association. For example, I have two well-documented dreams of melted bicycles, both having been preceded by having a small amount of alcohol in real life. It is clear to me that, as a bicycle represents both cellular processes and the ability to define travel through “narrower paths” - as well as yet another form of the partnered Merkaba evidenced by the two rotating wheels - that alcohol interferes with cellular processes - “melting” or killing brain cells - and interferes with intended steering or desired direction as well as spiritual relationships.)

    Smoke often represents real-time communications with consensus consciousness and (potential) changes of thinking in the dreamer (or the “burning” or dissolving of previous ideas or circumstances). In this case, aspects may be “toxic” because of the limiting nature of some levels of collective consciousness; that is, people who refuse to move on by holding labels over a person or circumstance; they are mentally “stuck” on one time period (or fixed memory) and one illusory facade without the ability to understand transience or natural change, as even rocks are transitory.

    Why was my brother Earl rendered in this situation? Since childhood, I always referred to him as the “doubting Thomas” of my family, so at one level, he is the “skeptic” within my consciousness.

    Some people have the idea that “being free of restraint” (melted bracelet) and “losing invariable identification” (melted wallet) can only be of negative implications, when that depends on the circumstances. My experiences with the Merkaba tell me that something outside of myself is needed to balance my place in the universe (in other words, my soulmate). My wife Zsuzsanna and I had also made cassettes of our singing together, mostly when we lived on Gellibrand Street in Clayfield. There are sometimes many layers to consider in a particular dream, depending on its type. This one seems to have more actual meaning than usual (though not just because it was vivid and non-lucid).


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    Tags: porch, smoke, wallet
    Categories
    non-lucid

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