• Lucid Dreaming - Dream Views




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    Blue_Opossum

    1. An Ocean Journey Model

      by , 06-15-2018 at 06:06 PM
      Morning of June 15, 2018. Friday.



      In my dream, I am in a mostly undefined setting of which cannot be determined to be indoors or outdoors, though it does not have the typical essence of bilocation. It seems near late morning. I am involved in adding to an ongoing model and story about a journey by sea, though the features of this model sit on the picnic table or hover in the air slightly above it when implied to be within the ocean depths. Other people seem to be present watching and listening to my narration, but I do not actually see anyone else.

      The ship seems to be a schooner, sailing from left to right in my view. I talk about the dangers that might be encountered. I slowly add an unrealistic number of rocks. The model schooner is about four inches in length.

      As my dream nears its end, I add more and more squid, which hover in the air (though implied to be below the ocean’s surface in this model) which are slightly bigger than the ship. A couple of them roll up (left to right) and transform into snails that continue to hover in the air in the seascape’s implied depths. I slowly become aware that I am dreaming and had been non-lucidly testing vestibular system correlation, which I have been doing more of in my dreams in the last few months. (This correlates with another recent dream with different autosymbolism based on the same dynamics, where a solid pipe became a hose, and the eardrum was represented as a hissing valve I “popped”, more related to the illusory “ears” of the dream self.)



      The majority of my dreams since early childhood have vestibular system correlation autosymbolism of several different types. (This includes flying, falling, hovering, and rising dreams, which are unrelated to waking life, despite the multitude of people who continue to propagate falsehoods about “symbolism” without understanding that dreams are autosymbolic.)

      Although this could be considered an extension of the usual water induction process, there is no water present (though WLWS is implied). It additionally includes the hovering factor of vestibular system correlation as well as the visual rendering (by way of the virtuous circle effect of developing a deeper and deeper understanding of dreams and clarity of mind stemming from both lucid and non-lucid dream control).

      The vestibular system correlation is represented by the transformation of squid into snail and visual analogies to the inner ear; that is, semicircular canals, vestibular nerve, and cochlea.

      What little waking life relevance (always literal) is present is based on my youngest son’s friends recently to leave the region on an oceangoing yacht, where they have otherwise lived for a long time.


    2. Playing Guitar for a Break Room Crowd

      by , 06-15-2018 at 11:24 AM
      Morning of June 15, 2018. Friday.



      I am carrying an acoustic guitar, walking around in an unknown large room of equidistant picnic tables, similar to the break room of the factory (Northern Engraving) I worked at in the 1980s. The lighting is dim but it is clear enough to see. At first, I am mostly lazily strumming an up and down series of chord progressions that are not musically interrelated; C, D, E, D, C (in Majors). The chords are not fingered correctly even though the guitar is perceived as having the standard tuning. I mostly move my left hand, fingers all in a row, down and up the neck, leaving the second string open, which would not result in a proper sequence of chords either by fingering or by more desirable musical progressions. What I am playing would, for example, imply a C Major chord being F#, B, E, A, B, F# which is incorrect.

      Danny Trejo sits with others, facing me, and watches me from another part of the room. He looks at me as if he is very annoyed by my activity. I start moving my left hand closer to the sound hole to create chords of a higher pitch, sometimes playing only the first four strings, though with the same unrelated down and up sequences of three Major chords. Eventually, it seems to sound better and takes on more of a song-like quality.

      I find myself walking near another group of tables and playing both rhythms and melodies. There is a fuller sound, but of which would not be possible in real life, as the melodies and rhythms are simultaneous. A girl unknown to my dream self (though meant to be a rendering of Lucille Starr as in 1965) is soon walking to my right, having stood up from a nearby picnic table. She starts singing very harmoniously in French. (“Quand le Soleil Dit Bonjour aux Montagnes” / “When the Sun Says ‘Good Day’ to the Mountains”.) I continue to walk around playing intriguing melodic patterns as the singing continues, until my dream fades.



      Autosymbolic threads of the dreaming and waking process: Other than the transformation of the preconscious personification in the waking transition (by way of non-lucid dream control) to the emergent consciousness factor as Lucille Starr (who represented my subliminal memory of Zsuzsanna as I woke), most of this dream is based on literal factors and literally focused awareness (rather than the typical autosymbolic focused awareness).

      Literal threads of dreaming and waking process (dream state indicators): The song itself (“When the Sun Says 'Good Day’ to the Mountains” as a waking process reference and “Je suis seul avec mes reves sur la montagne”, sang in English as “I’m alone with my dreams on the hilltop”.)

      Non-lucid dream control evidenced by: Transformation of the preconscious waking autosymbolism from Danny Trejo being annoyed to Lucille Starr singing joyfully on my right. (Waking orientation is typically autosymbolically rendered as to my right as I sleep on my left side, which is less exposed to the real environment.)

      Present real-life-related literal threads: I follow Danny Trejo on Twitter but we do not post to each other. I am joyful in being married and with a loving family for over twenty years.

      Past real-life-related literal threads: I produce music, but I do not play acoustic guitar as much as when I was younger. The Lucille Starr song was one shared between Zsuzsanna and me before we met (as well as being a song from my childhood) and is very nostalgic for me. She sent a copy to me on cassette.



      Abridged and simplified on Friday, 15 June 2018. I offer thanks to the casual reader for their time and interest.