rshort1202

I have showed up to some house for some appointment. The house is fairly large and very well kept. The natural lighting is soft and I don’t initially notice anyone else here. I then see a boy about my age in plain clothes who I assume works here. I tentatively ask if they’re still taking appointments today. He informally but not unkindly says yes and asks my name. I tell him and notice a few closed doors along this hallway that I assume must be the rooms for the appointments.

I’m with Jessica and Julia somewhere. A random man is bringing us to his house, I think for a party? I’m not sure how we found this man or vice versa, and I think there is a vague acceptance that this isn’t the safest thing to do. I think he is driving us there and we approach the place. The house is massive, on a huge stretch of land. We look at each other in awe. It’s dark out and the house is lit from the front and the ground, making it even more impressive. It looks more like the White House than an average house. Palatial is the best way to describe it; there is even a toroidal water feature in the front with a massive planter in the center. There are marble steps and the landscaping is immaculate. It also feels like we are fairly far away from anything else. Inside now, the place is completely empty. I think the man has also disappeared. I start exploring. Every room is impossibly clean, like a model. The floor plan is open, yet complex. It seems corners serve to divide space more than do walls. There are multiple floors and I keep ascending. There is one room with a tan couch against the wall and a small, old TV awkwardly in the corner. I imagine sitting on the couch and having to turn to see the TV. I notice that all of the TVs in this place are antiquated.

I am going to design a house for someone (for Kreg - for a class?) It starts with me not wanting to, but I then take interest in it. I start sketching a pool that’s pre-existing or being added to the yard while I talk to Kreg on the phone. It’s long and narrow, with some angular changes that seem to only be for aesthetic. This lot is also long and narrow - only 30 feet wide. I am now on the phone with Zoe and telling her this. I tell her that the average house is that wide, without including the setbacks. I get the idea that I’ll have to design this house long and tall. It may be in a mountainous setting, as I’m imagining it with a cabin look. I imagine the second floor protruding on the back side to cover a patio, possibly with a hot tub. Now it seems as if I’m actually at this house, pretty much how I’ve been envisioning it. I’m showing it to some unfamiliar guy about my age. It is pretty impressive, long and low, dim and with plenty of dark wood.



I am at what seems like the GSR or something similar with Brittney. It is somewhat crowded, and masks are not a concept in this dream. I think we’re going to get a beer at one of the places here. The tap handles at the first place I’m not impressed with, so I suggest going to the other one across the way. There were three taps of domestic beer and then a bottle of what looked like a German beer but that I wasn’t sure about. At the place across the hallway space I notice at least two good taps - Revision and something else. I think we get drinks there, and now we’re taking them into a restaurant. The guy here questions our age, I guess because we’re bringing in alcohol?

I am in a house. It sort of feels like the 695 house and like there have been some renovations. Someone is showing us the new rooms/spaces. They are still empty. There are also some unfamiliar people here. One is a man who when I pass by once is briefly naked. I just see it out of the corner of my eye, not sure if he’s changing or what the scenario is

I’m in some house with Melissa. The house seems of fairly good size, dim, sparsely but maturely decorated, and like its an old construction. We have a baby, maybe just under a year old?, who grabs a book from a row of them along the ground. I notice that she immediately grabs her foot, just like the baby on the cover. I say that she’s so smart already and think about how intelligent she’s going to be. Then I say something like ‘come here, let me hold my family.’ The baby crawls into Melissa's lap and then Melissa sits on mine. I wrap my arms around them and it’s a very blissful moment.




I’m outside in some parking lot with some people from work. They are all laying on the asphalt. I think we’re going to go out, but after seeing how late it is (~12) I decide to go home. I was thinking and/or they were talking about where to get a Black Russian. I walk to my car, which is parked alone at the end of a row against a building.

I am in some house. I think the family is here too, and I think we’re staying here. The house is large and older and kind of reminds me of Opa’s house. In a bedroom I start looking at a picture at about eye level. I get close to it and realize the eyes of the female in the picture are staring straight at me. I quickly glance away and so do they. I wonder if that was just my reflection or not… when her lips slowly pull into a grin. Later, I’m telling someone this and trying to find the face, unsuccessfully, in a very thick paperback book.

I am somewhere, by a park maybe, with my parked car. I step outside the driver's side to drink some water. In either a mirror or my peripherals I notice that the back door is open, so I shut it. Now, when I step out again? I see that it is open again. Finding this kind of weird, I close it again. This happens one more time and at this point it is pretty disturbing as there is nobody around and no way it could have happened by itself. I think I assume it must be a ghost.




I am in an unfamiliar house. It seems dim and sparse in here. I notice a small family approaching and get weird vibes. What looks like a teenage girl starts trying to open the door. I’ve locked the door knob and the deadbolt but she is somehow able to open them, so I have to keep pressing the door closed and relooking these. It is somewhat a struggle to keep the two balanced. At times she makes startling progress, but I think I manage to keep her out.




I am in what I think of as a Vans store but what looks like a grocery store. I’m probably thinking this due to all of the Vans merchandise on display. Specifically I notice some high up (like above the meats or dairy section of a store’s display). I notice some teenage? boys that seem to be wearing Vans head to toe. I think about what it would be like to completely wear only one brand. At some point I am in an aisle with Mom and some others. I think there is largely an absence of masks, and it doesn’t feel like a bad thing.




I’m with Makayla and we are parking at the front of some store. It is average to large for a retail building, with a curved exterior. The area seems rather desolate. As we get out of the car a happy looking black man approaches and compliments us for getting out of a semi truck’s way/letting it do something. He just seems very content and sincere. I envision this semi truck in the center ‘lane’ of what looks like pyramid highway, and I’m assuming this happened earlier in the dream.




I am following, through a forested area, a river that is not too wide yet gives the impression of depth. It appears fairly peaceful but has a very strong current. The water seems so clear and pure.

I am with Makayla in what looks like Dad’s neighborhood. It looks very similar except that it’s on a fairly steep hill. We’re walking around an exposed bend and through a red truck’s window I see the silhouette of a female figure. She appears to be putting on clothes, or at least that’s what it looks like from my brief glimpse. We get closer and I see that it’s a young girl and boy (~10?) in the truck, and after a moment I wonder how that could be. Now, we are past the neighborhood. This area looks like open Nevada desert with slight ravines here and there. Down in one of the larger ones I notice a house. It looks like the past’s idea of something futuristic - sleek and vertical pipes/tubes, slightly sprawling and complex. I think this one is all a dull red. There is really nothing on or around it that would designate it a house. The whole feeling of and around it is lifeless. I think we pass a few more odd structures that I label ‘house’. I think or say something like ‘oh Nevada, you’re so weird.’ There is now a large rock pile visible at the top of a slight incline. It looks like red rock and/or granite and is maybe 30 feet tall. They’re arranged so there is an open space beneath them. I briefly see someone passing through this space, overriding the thought of being completely alone out here. We approach it and see that there are a few ornamentations on it, one being a series of steel rungs to form a ladder. I climb up a few, turn around and hang from one arm, lifting my shirt to just above the nipple, telling Makayla to take a picture. I think I’m making fun of Ziah? A few people, a type I definitely wouldn’t associate with, arrive, and Makayla is instantly preoccupied with them. This kind of annoys me. I’m in the open space beneath the rocks now, and it is filled with different stickers, posters, pictures, writing, etc. It is strange and I really like it. I am alternately wearing a mask, wearing it below my chin, and holding it at my side. I notice a man without a mask walks in with a baby stroller. He’s now with a woman in the corner of the ‘room.’ There is a window above them and a man tapping at the outside of it, apparently to get their attention. I look at the man and point to the couple (*though this makes no sense, as he’s already seen them).

I am in Brittney’s new place (it doesn’t really look like her new place), with Melissa. It seems dim either outside or in here. Right now, it’s just Melissa and me in the living room, and I don’t see Brittney. The living room is long and narrow, including a couch, tv, fireplace, and sliding door at its end. Each is staggered to give an illusion of multiple areas within the one. I tell Melissa that I like this, but she doesn’t seem to be listening too closely. I get up and, thinking that was all of the apartment, discover a new space. It is seen only from the kitchen and is another small living room with a bedroom at each end. It doesn’t have much décor but does have some random things on the floor. Now, we are about to go somewhere. I am outside, down by the pool. There is a deep washing machine inset in the ground, through which I am looking for shorts to put on because it’s going to be warm out. The clothes seem damp, and I toss them into the empty pool as I go. Once I’m almost all the way through, it occurs to me that it made no sense to throw them all in there. I consider spreading them out a bit so they’ll dry? Now I am by a larger, black truck. It seems to only have two front seats, one of which is just a space and not a seat. I don’t think I see a steering wheel. I think this truck is either Russian or belongs to a Russian, but I refer to it as Ivan something in my head. I am now driving the truck. It is dark out and the truck seems more normal inside. On the display screen I see a text pop up, someone asking if I’m on my way. There is an option on the bottom to change the language.

I am in some building. It seems to mold around the surrounding terrain and/or go below it. The architecture is minimalistic but sleek, dark wood and darker walls. Everything seems angular as well. I am looking for a restroom and find one, an opening, at an angle, in a wall. I enter and follow it, a longer hallway. It seems both open and private, and I love this effect and its subtle opulence. I think before I fully get into the restroom I arrive at a corner that opens into a larger space. Off to the left the building is open to the terrain, a rock grade with a small trickle of water. In front of me is the main opening, a vault type space, the far side of which is a wall coming out of the terrain, with a large, high window. Through the window I see some tables and two old men sitting at them. I take a picture of the scene and when I look back at it, the men look ominous and familiar. (They look like Ken Rose and the old customer at work with a ponytail and pebble mask). I think I take a turn and end up making it to the actual restroom.




I am in a car with Vladimir Nabokov, him in the driver’s seat and me in the passenger’s. He has a piece of paper, on which there is a line of symbols that I think repeat. I’m not sure the objective here, if there is any, but he’s found a clever way to pencil in a few to perfectly look like the outline of a house (he gets two or three on the larger sheet). I think this somehow correlates to his last name.

I’m at work when Reilly’s mom Cully comes in. She recognizes me and seems happy to see me. We talk for a little bit.




Something about a seemingly endless house.

I am in a large house that seems to be up on a hillside. I think the house is Jim and Rhianna’s. (It reminds me of Harry’s house, including where it’s located). I’m in the large pool room, and it seems that the walls are almost entirely glass. Looking out, the landscape cascades down almost immediately after the house in a series of small but steep hills. They are the typical desert sand, sage, and stone. It is rather beautiful with them in the foreground and a view of the entire city in the background. It seems to be evening, and I imagine hiking/exploring through these hills.

I am with Dad and Makayla, trying to find a hotel room. I think the number includes 2,6, and 4? It seems we are walking through a hotel building, but it also looks like a large house, with the entrance to each room looking like a doorway. At times it seems we’re in a different hotel, or maybe it’s just that the theme has changed. Watching the room numbers as we go, we come up to where ours should be but is not. We comment how this makes no sense. Now we’re in a portion that looks more like a typical hotel, and I think Makayla spots our room. The door is open and reveals a room I didn’t really expect. It is very small for a hotel room, and three beds of varying sizes are taking up just about all of the floor space. There is a ledge on the wall with a row of thin-curtained windows. They seem to be lightly illuminated from behind the curtains. The beds are topped with very thick and bohemian-patterned comforters that help give the space a comfy feel (it also reminds me of the Enchanted Forest in Placerville). I see a door that must be to the bathroom and wonder if it is nice. I’m also initially worried about getting good sleep with the beds being so close together. We all settle onto a bed, and I say something like ‘I would love to do mushrooms here.’ Dad looks disappointed/irritated, but Makayla seems to agree.

I am outside with some others. We are following a middle aged British lady to a house that must be hers. We nonchalantly ascend an impossibly steep staircase as she tells us about the house. I make a comment about the architecture, in admiration of it. I also tough the black façade (it’s steeply inclined, almost 90 degrees) and rock on my heels to put weight on whatever I’m standing on, finding it to feel hollow and not altogether sturdy seeming. We are inside the large house now. I think the others are some of my coworkers and we’re staying in a room with one of the residents. Mine is a girl, maybe in her teens. This room is large, upstairs, and completely baroque. The color scheme seems to be greys and dark wood, but every surface is ornamental, sculpted, or decorated. There is a shelf along the entirety of the far wall that is set with china as if for a meal. I find it odd at first but then come to like the idea. The bed is in the center of the room and impeccably made. The feeling is somewhat sterile, but maybe more so refined and elegant. I see Eric in the room across the hallway. I go over and close either his door or the door to this room, hoping he doesn’t find it suspicious. I say something that the girl takes sexually?, which puts me off because this is not at all how I meant it.

I am in a large and opulent house with an unfamiliar girl. There is the sense that the family is out for some amount of time. I am carrying this girl, she, and probably me too, completely nude into a large bathroom. The space is lots of tile, I think L shaped, and with a tier or two. There are many in ground tubs, either hot tubs, bathtubs, or both. Each seems to be a different dimension and lit from within by its own color. I walk very carefully as I carry this girl at chest height facing me. I then lift her, while walking, this being feasible only by her extreme petiteness, and bury my face between her legs to begin going down on her. It is unfamiliar, sweet, pungent. We then near a pool and I start setting her down. Now, the couple? that lives here shows up. They see us, and the situation is slightly awkward. Now, I am walking through the house and it’s like the family is gone again. Each room is indicative of that, shades drawn, lights off. I can walk for a while and find a new room at each turn. I’m now outside and looking at the house. It is angular and somewhat modern, and off-white. I notice that the windows are reflective so they can’t really be seen though.




I’m with Laynie in a store that must be in a mall. Behind a rack of clothes I see a preteen girl throw a thing of makeup into her pants/pocket behind her back. We also see her friend bringing makeup items towards a fitting room and begin taking bras off of hangers. I think we agree that we’re going to stop them even though we don’t work AP anymore?