Morning of July 21, 2018. Saturday. Reading time: 3 min 2 sec. Readability score: 80. In my dream, I am Cadbury (the butler) from “Richie Rich.” Nothing in my dream had anything to do with anything that had been on my mind lately, though was based on dream representations from many years ago. It was surreal but intriguing. Two girls are visiting a neighboring castle in one scene, though the backstory implies that their father does not want them here. They live in the castle where I am serving as a butler. I am in an unusual room that looks as if it is part of a garage. The girls are annoyed when two of their pets come over; a dog (like Toto from “The Wizard of Oz”) and a cat (our youngest cat from real life). They are talking to the owner of the castle when this occurs. I take the blame, and they make comments while calling me Cadbury. Perhaps I had left a door open. The girls round up their pets, and we make our way back to our castle. We come to an area where we have to walk on a very narrow ledge before reaching the front entrance of the castle. It is high above a large body of water. Without giving it much thought, and before getting onto the ledge, I push one girl (the one carrying the dog) so that she falls to the water far below. The other girl does not notice and keeps going despite how difficult it is to stay on the ledge. Her cat walks across on its own. I realize that I am carrying a small empty plate in my right hand. I let it go, as I have to have both my hands free to hold onto the corner as I put my legs around to stand on the ledge. It falls far below into the water as well. I vaguely wonder if it will serve as evidence if they find it, as it would have my fingerprints on it. I soon become very annoyed in trying to walk on the narrow ledge and decide that I have to try to get into the castle by a different route. I find myself walking on parts of a submerged house. It is near another small residence. The castle is now at a distance. I try to balance myself as I eventually find myself walking in another area near the castle. It is an entire section of the castle that had also been submerged on purpose and is face up. It had been this way for many years. There may have been a conspiracy with the past residents of the castle. Thus, this big section was deliberately submerged. Despite its size, it still moves up and down somewhat as I walk upon it. As I walk, I make larger and larger waves that eventually slam into the castle, going under the door. The sense of weight and momentum and the setting, in general, is incredibly vivid and realistic, as is the sound and movement of the water. “Cadbury, what have you done?” calls out a voice. The large wooden door opens, sliding upward. Two unknown men are present. I see mud on a big television to the right, but I see no evidence of water anywhere, even though an extensive amount had just washed under the door. “You were told not to use this entrance,” one man says. I assume he is the owner of the castle and my boss. We stand near the entrance. One man gives me a drink that seems to be red wine. The castle owner makes some derogatory comments about me and wants me to clean the area. “I shall be taking my leave of you, sir,” I say formally. “I do not like you, and I do not like this place.” The other man says I can still stay and seems very friendly. I wake at this point. The last part is the typical meeting of my dream self with the preconscious and in this case, the interconsciousness as well. The preconscious avatar, whose task it is to wake me with dominance and annoyance in some cases, is my “boss.” The interconsciousness is often more cheerful and helpful. It partly relates to marrying and being with Zsuzsanna instead of a classmate. There is too much to it to get into here. Zsuzsanna (before I met her in waking life) pushed Susan off a castle structure. That castle was in orbit around Earth.
Morning of July 20, 2018. Friday. Reading time: 2 min 14 sec. Readability score: 66 (8th-grade education and above). In my dream, I am at the south end of the hall of the Cubitis house. The time is unknown. I am facing the doorway to the southwest bedroom. There is a plastic box of items to the left of the doorway. Another is near the middle of it. Although I cannot discern all of the contents, I see more than a dozen empty toilet paper rolls atop other items in the leftmost box. I vaguely recall that Zsuzsanna’s younger sister Judy lives in the room, but I do not see her at any time. (In reality, the bathroom was on the opposite side of the hallway as this room.) There is an absentminded transition to a more vivid setting. The implication is that I had walked north to the Cubitis house’s living room from the hallway, yet I am now in what seems like a simultaneous presence of the Loomis Street house’s living room and the lounge room of our present home. There is a recall that I had been making small rockets. It is likely that I might have used some of the empty toilet paper rolls in my project. I must have done it during what seems like a missing stage in my dream’s sequence. It now seems to be late evening. Mentally, from perhaps outside the house, I launch a small rocket as my experiment as I stand in the middle of the living room, facing the front door. I do not expect much to happen at first, but I begin to feel wary. I am aware of its trajectory in rising up and to the right. I am aware of it, though I do not see it. I hear a slight sizzling. I might have made the small rocket too powerful, as I had quickly put it together without any measurements. There are a few moments of silence when I consider what might occur. Suddenly, there is an extraordinarily loud explosion that vividly echoes from everywhere outside the house. It shakes the whole world. I wonder if I will have time to tell Zsuzsanna before our planet disintegrates. I wait for the light and consuming fire. Instead, I awake. Dream content and explanatory notes: The incorrect representation of our bedroom is a common dream feature occurring a few times through every sleep cycle, typically rendered in the beginning or end of a dream. It is usually only a subliminal factor of being in bed. As they are primarily composed of anticipatory and reactive representation, in subliminal, liminal, and lucid states, dreams neither have symbolism in the conventional sense nor are they a result of memory processing. As I was near a doorway into a bedroom, it implies a reactive representation of being near the waking process. The empty toilet paper rolls were a biological prompt, though my need to wake was not intense. The association with cylindrical forms, from the empty toilet paper rolls to launching the small rocket, was intriguingly unique. Typical temporal errors are present as is the integration error of the Loomis Street house with the Cubitis house (where I have not lived since June 1978). My dream simultaneously combines our lounge room with the Loomis Street house’s living room (where I have not been since February 1994). The representation of the cessation of my dream was more magnificent than usual.
Morning of July 19, 2018. Thursday. In my dream, there is the usual snake scenario, though there are different factors as is typically the case. Our two youngest sons are present in the unfamiliar room. The setting is meant to be the house we are now living, but it is not familiar. There is a small snake that does not seem much of a threat. It slithers off into an area of miscellaneous items; mostly toys. We see a big green snake. As it slithers out, I swing at it with a sword, though I miss the first time. I chop off its head in my next attempt. The nature of my dream changes. Some unknown people are present, but I do not see them as intruders. The setting now seems to be a discernible variation of the Loomis Street house. They are going somewhere. An unknown female is leaving her daughter behind in the back of her car. That seems a bit unusual to me, but I think I will check up on her later. Later, the setting changes into what seems to be a variation of the Barolin Street house. I hear a noise on the porch, and I go to check. I consider it might be one of our children, though it now seems late at night. After I open the front door, I see an unknown boy on the porch in the semidarkness. He seems to be an East Indian of about fourteen years old. He is standing in the center of the porch, which is larger than it was in real life. “What do you want?” I ask him. He does not move, and I become slightly annoyed. Perhaps he is a neighbor’s son wanting to sell me something, though I remain unsure. I consider that he might be intruding deliberately. I do not know his motive. “Suzi, could you get my gun?” I call out to my left. The boy looks concerned and turns to leave. "I was just kidding,” I say as he is exiting the porch. After this, there is awareness of the world soon coming to an end. I sit on a couch across from Zsuzsanna, and she seems concerned. It is now morning in an unfamiliar lounge room. (It is still implied to be our home.) My dream self does not register the sudden change in time as is almost always the case. The world is going to end today. I am not sure how I know. I feel wary of this idea. I think back and understand it somehow relates to an encounter I had with someone. I am in an anomalous state that I cannot resolve consciously. I know it is from a previous dream encounter, presumed to be from before the snake event. Although I know I am dreaming I do not know I am dreaming. I soon wake with the full realization that I had been dreaming, feeling relieved. Still, I cannot resolve the enigma of knowing I was dreaming, yet not knowing. It was as if my dream self knew I was dreaming without my conscious identity knowing. Although this has happened on other levels repeatedly since childhood (especially in non-lucid dream control), it has never been expressed in this specific way before. The porch showdown with the preconscious avatar (a common form of RAS mediation since early childhood) had different dynamics than usual. The mood was different and seemed more like an interconsciousness avatar. It was even more like an external entity, though this might have been illusory. The “end of the world” scenario has occurred regularly since childhood. I rarely have anxiety in dreams, but in this one I did. I think it might have been heavily influenced by “Dream Replicants and the Emergence of Simulacra” by Richard Catlett Wilkerson, as I had also been writing a series of pages about emerging consciousness simulacra. For example, one part in Richard’s text read, “More currently, Carl Jung, and then James Hillman have suggested that even the ego in the dream, who I think of as me in the dream, may also not be me. Linda Magallón has also suggested we give the dream a higher existential reality and address the dream and dreamer and dreaming process as a kind of entity.” Ultimately, it represents my subliminal knowledge of my dream ending. The snake scenario, in this case, is typical RAS modulation (which is very common in most people, yet somehow no one ever catches on even with some websites featuring a few dreams a day with the same content). Here, it only served to shift my level of consciousness rather than wake me. Cutting off the snake’s head was autosymbolism for subliminally separating from my conscious self’s identity for a time, as in other dreams. (Snakes otherwise signify different aspects in other dream types when not a segment of the RAS factor, often human intestine, umbilical cord, or electrical cord warnings.) Green shows up more in a particular band of awareness, midway through the dreaming process (also signifying peace and balance depending on the hue), followed by yellow (unification stage of the dream self and conscious self), orange, and red. Red, however, usually only dominates when I have slept too long in the last dream of a sleep cycle.
Updated 11-17-2019 at 07:14 PM by 1390
Morning of December 20, 2017. Wednesday. This dream seems to indirectly stem from another (“Lounge Room Enterprise”), though the setting is now like a movie theater, though with the essence of our lounge room. I still view it as a public place. The time has changed to be more near the evening. The movie playing is “It’s a Wonderful Life” (from 1946). I am sitting in the second row from the front. As I am watching the movie, I look to my right and see who may be an elderly lady. She reminds me vaguely of my mother (though is not her). Other unknown people are present. At one point, James Stewart, in the black-and-white scene, partly emerges from the screen, seemingly pointing a gun at someone in the first row, which makes me slightly wary of where I am sitting. I am wondering how real the movie will be. I decide to move to a different seat and walk to the left to the aisle. I look back, noticing that what I had thought was the female patron is now a big pillow, which was upright in the seat. There seem to be more of them in other areas. I feel a bit puzzled and begin to wonder if there was supposed to be a gun in that scene. I go back to see that the screen is mostly flat, but again walk back to the left. I find a door that goes into an area behind the screen. I become very puzzled, because I do not realize that a movie is only two-dimensional. There are a couple empty boxes in what seems like a storage area. There was no preconscious modulation here when the avatar (Jimmy Stewart) initiated. The precursory event did not seem directed at me. I must have subliminally projected my conscious self identity into another avatar during RAS mediation as is sometimes the case. However, no drama ensued, and I ended up in liminal space (the storage area being autosymbolic of this state as a precursor to waking). The movie theater is autosymbolic of mediating the dream state. The presence of pillows was also a typical dream state indicator. Readability score: 73.
Night of July 18, 2018. Wednesday. For this page, I will review, with more clarity, some of the potential attributes of the dream state. The utilization of these pages as a virtual course or study guide in developing a greater clarity of mind is possible for some, but likely not for all. Do not be tricked into believing the following factors of the dream state are directly related to each other. One can define “vividness” as to how aware the dream self (subconscious self) is. One can define “lucidness” as to how aware the conscious self (waking self identity) is. One can define “modulatory factor” as to what extent the subconscious self can shape or control the ongoing dream or the dream state itself whether or not it is aware it is dreaming. One can define “realism” as to how realistic the dream is in contrast to being surreal and unlike waking life factors. One can define “cohesiveness” by how the dream progresses. Remember though, that the subconscious self lacks a viable sense of time and linearity (temporality). Additionally, the types of vestibular system correlation are a factor if one wants to establish and mediate or modulate virtual physicality. As described before, the challenge is to balance the illusion of physicality with the illusion of space (as well as directional orientation). In many dreams in childhood, I lucidly and non-lucidly became incorporeal. In some dreams, invisibility was my choice, while still maintaining virtual physicality. Take a look at the list that includes vividness, lucidness, modulatory factor, realism, and cohesiveness. Try to come to terms with the truth by practicing pairs of reasoning in contrast to each other, all of which are inherently true. For example, dreams may be lucid without the factor of control. There are vivid dreams that are not realistic. You can sustain and control dreams without lucidity. There are visually realistic dreams that do not have viable temporality. The list goes on. Such variation explains the nature of emerging consciousness simulacrums. You can perceive illusory physicality as problematic or project that anticipation into a simulacrum or avatar. Again, the most common potential for this is flying or falling. Walking is inherently more difficult when the focus is present. In the highest levels of lucidity, the feeling of walking is more thrilling than flying. That is because the illusion of weight and momentum is so well-defined (as well as augmented tangibility). Flying dreams sometimes have this, but it is more defined when closer to the conscious self identity as it exists in waking life. Before I close this page, I will address a couple of habitual types of focus and projection regarding simulacrums of the emerging consciousness. Again, the vestibular system correlation is a factor, which can lead to flying, falling, rising, hovering, and many other situations. Another obvious factor is to what extent RAS is active and to what purpose. (For example, environmental noise, ultradian rhythm, biological need, and so on.) To what extent; subliminal, liminal, or lucid, is the subconscious self aware of being asleep in bed? Readability score: 48
Night of July 17, 2018. Tuesday. In continuing from page one, in simplifying the context and detail of simulacrum maintenance, I will focus on the attributes of the emerging consciousness in various circumstances. How does one know how to mediate or modulate the dynamics of vestibular system correlation? It is a challenge. Orientation is erroneous and illusory in dreams for a few reasons. A dreamer standing or walking while his physical body is asleep in bed is only one reason. Oneironauts dismiss the notion of interpretation. It comes from a mindset that does not understand what the dream state is. Several key factors must be understood and utilized. I will again make a note of a few here. Lucidity, vividness, and dream control are all different factors of the dream state. If someone claims that in becoming lucid he or she can then control the dream state, he or she is propagating a common misconception. (This is especially true with lucid dreamers who show no comprehension of the dream state.) All it takes to control dreams is understanding dream state autosymbolism. It does not require the conscious self identity, as the preconscious link to the unconscious mind supplies the subconscious self with the essence of comprehension without the direct awareness it is dreaming. I believe that an intelligent person can learn to be more familiar with their reticular activating system and how it works. Dream state symbolism (autosymbolism or simultaneous symbolism, of which is concurrent with the sleeping, dreaming, and waking transitions as well as a result of thoughts rendered in REM sleep) cannot correlate to waking life symbolism. Knowing this is only the beginning in building a viable knowledge of the dream state. Literalisms, from the self or the interconsciousness, create an ambiguous enigma. There is no way to resolve this as waking life thoughts sometimes have the same ambiguity. Threads of prescience resonate with the autosymbolism of the dream state. Utilizing facts that you can validate in your own time, you have an exponential advantage over typical mindsets that have a passing interest in dreams. These mindsets can be seen on the Internet, typically exchanging their skewed jargon, often borrowing it from invalid sources and playing games based on a misconception. In addition to understanding that lucidity, vividness, and control of the dream state are not dependent on each other, one needs to understand that the subconscious self is not the conscious self. The preconscious is not the conscious self either. The preconscious and its avatars serve to build metaphorical bridges from the illusory subconscious self to the conscious self, sometimes by creating conflict scenarios to force the dreamer to awaken. The interconsciousness establishes links to the transpersonal; that which exists without the dreamer. The mystery I have often pondered is why people create devils to chase them. Reticular activating system modulation creates unpleasant scenarios for some people far more than others. It should only come into play either when there is a health issue or a genuine concern for the immediate environment’s status. Prescience may also be a factor (even though many people do not believe in it so thus ignore it). It is otherwise normal to maintain a subliminal, liminal, or lucid sense of vulnerability while sleeping. That is how dreams evolved in the first place. Consider that a person is usually undressed while asleep in bed. It is, of course, a reason for having dreams of being undressed in public. Consider that there are people who believe that being undressed in the dream state has a so-called interpretation. One could argue that it is a bizarre trait to exhibit such an extreme example of empty-headedness. For me, such a situation is moot, as I am always subliminally, liminally, or lucidly aware of being in the dream state. It is biology. Additionally, experience and understanding manifest the virtuous circle effect, especially after years of developing clarity of mind. Readability score: 51.
Morning of July 17, 2018. Tuesday. In my dream, the setting is an isolated version of our present home, with the erroneous factor of being in a large field. The roof is different from what it is in reality and is more like the roof of the Cubitis house. We have neighbors who live nearby, but not as in a typical suburban area. It seems to be late morning in my dream. Threads of my conscious self identity are scant, but I am aware of my marriage and family. Vestibular system correlation begins in the form of the approaching winds of a storm. Zsuzsanna and I are outside. I see a tornado. It is not a threat and seems unusually thin. I non-lucidly mediate the weather without my dream self becoming lucid. As time passes, there are a few more tornadoes. One of them moves toward our house. As I anticipated, one of the tornadoes turns, moving into our house, tearing the roof off, but not doing any other damage. “Oh no, not again,” I say, without much emotion or excitement. (This is a reference to the natural disaster that we survived in November of last year.) There are several large sections of boards scattered about the yard. (I do not see steel roof sheeting as in reality.) There are also sections of tar paper (which I have not seen in real life since the 1970s). An unknown Hispanic male, apparently our closest neighbor, comes over to look at the damage. He exhibits a cheerful and helpful attitude. My dream self automatically correlates with the factor of non-lucid dream control (with no discernible trigger) and I start to realize that I can will the roof to become whole again. Pieces of the roof fly up and go back onto our house so that the roof is complete. At one point, I hold onto small rods that are part of the foundation of the house and wiggle them around as the top of the house rebuilds itself. (This is an attempt to reinduce my dream or to get more sleep, as it represents the vertical pipe of the outdoor faucet near the front of our house in reality.) I wake shortly after this. There is no exploration of indoors in this dream. It all takes place outdoors. Readability score: 73 (likely to be understood by a reader who has at least a 7th-grade education).
Night of July 16, 2018. Monday. The emerging consciousness factor is one of several factors in the establishment and utilization of lucid and non-lucid dream control. This series will briefly address dreams based on this factor. Dreams originally evolved out of a need to establish a degree of awareness while sleeping, to determine concurrent environment threats or concerns. From here, additional processes came in, with the reticular formation being a part of the process, two key factors being hunting and evading. Abstract thought and autosymbolism began to develop. Autosymbolism developed from the biologically diagnostic stages of dreaming and waking. Religious fanaticism transmuted predator forms into the delusional fixation on so-called devils and demons. In modern times, such “demons” still have the attributes of animals but are often transmuted into domesticated animals (such as goats and bulls), which is anomalous. Awareness of the subconscious self, through which in non-lucidity has no intelligence, temporality, viable memory, or even inherent tangibility became a dominating factor, which came about from the augmented self-awareness of more developed individuals. In modern times, the majority of people do not clearly remember their dreams, and even when they do, lack any understanding of them. In contrast, people like me are not only able to recall their dreams but retain the memories of them indefinitely as well as typically understand their meanings as they are occurring, with additional hypnopompic revelation also being a common factor. In non-lucidity, the subconscious self is isolated. It does not have a viable link to either the unconscious mind or the conscious self identity as in waking life or as in lucid dreaming. However, because of the virtuous circle effect in working with and understanding my dreams from early childhood, non-lucid dream control is a factor of importance. I often have more control over my non-lucid dreams than many others have in lucid dreams. My knowledge of autosymbolism is one of the reasons for this. Remember that autosymbolism is not symbolism in the conventional sense. Many people mistakenly believe and propagate that dreams contain waking life symbolism, which is typically not even possible. In fact, many so-called interpreters fuse literalisms into dream content and pretend they have interpreted something that is often a self-evident factor. In non-lucidly attempting to establish my link to the emerging consciousness, virtually infinite possibilities arise. The catalyst is the vestibular system correlation of the waking process. It varies. The focus may center on physicality or the level of discernment of the space around the illusory physicality. The mode of the dream self and its fictitious body varies from dream to dream. Many people like to pretend that the dream self’s illusory body is like their physical body. It is a bizarre fallacy of which most people never attempt to resolve. A challenge of both lucid and non-lucid mediation and modulation of the dream state involves vestibular system dynamics. It is easier for me to fly than walk in dreams. Flying is natural and automatic. So is falling. A dreamer should not pretend that vestibular system correlation has an association with waking life other than biologically. For example, the first falling start of each sleep cycle is more defined, vivid, and intense when I had walked more in real life. Pretending that muscular literalisms are “symbolic” is a game of the unintelligent. It is chaff of the mindless and purposeless content of so-called dream dictionaries and the woo of so-called interpreters. In these entries, I will focus on the vestibular system correlation of type two. They will reflect upon the mediation and modulation of the physicality of emerging consciousness. Type one nuances occur in some examples. This entry has been scanned, reformatted, and corrected by AI. It requires at least a 160 IQ to comprehend. Public readability is only 38. I did not intend this. It is difficult for me to write at a level below a 160 IQ for this type of content. I will try to make other entries in this set clearer.
Morning of July 16, 2018. Monday. My dream takes place in a new variation of our present home. There is an unknown male present, though I do not perceive him as an intruder. There is an awareness of the Rose Street apartment, which eventually fuses into the setting as our present house is then on the second floor. An unknown male comes up the staircase into our home, and this male, I do see as an intruder. (It is the personification of RAS.) I non-lucidly modulate my dream and force him out. Other people are present for a time. (My perception is not clear due to non-lucidly modulating over RAS before the ultradian rhythm peak, as I went to sleep about an hour later than I usually do.) Before the preconscious avatar leaves my dream, I see him down in an alley, which is reminiscent of where Dennis (older half-brother on my mother’s side) lived in La Crosse years ago. I stay on the second floor at this time. There appears to be someone on their back in the alley, and this causes the preconscious avatar to run off. I am uncertain if it is a person or an arrangement of clothes and boots. I see a couple of other unknown people. “Is there anyone in there,” I ask. I am asking the others if there is someone “inside” the arrangement of clothing. Very curiously, Harriet Madeley (as Scarlett in “Waking David” from 2016), as the interconsciousness avatar, walks into our lounge room from the front door. (I do not become lucid at any point. I only remember the autosymbolic factors and dynamics of the dream state, of which I have often used to non-lucidly control my dream since I was a toddler. However, as I said above, my ultradian rhythm is skewed, altering my potential status of lucidity.) I follow Harriet, who takes on nuances of Zsuzsanna without my dream self being aware of this. We slowly walk down the stairs, which is difficult because each step has boxes and miscellaneous items on it. My dream becomes more and more vivid as I walk down the stairs, about four steps behind her. We are in what seems to be an outside area near the bottom of the stairs. I see what appears to be a corpse. The body is on its back. I associate it with Kristy Bruce (as Amy from “Waking David” - though she did not die in the movie). My dream starts to become more vivid as I gaze at it. Harriet, walking away, cheerfully says something about the corpse’s status and its identity. I do not recall what she said. I consider if it is a real corpse or street art. I wonder if it is papier-mâché. Her face is flat and skull-like, covered with wrinkled yellow skin. There is somewhat of an eerie feeling but no sense of fear. I slowly wake. The movie title “Waking David” had been on my mind (though did not dominate my thoughts), which had produced much of my dream’s autosymbolism. The interconsciousness is probably laughing at me for not perceiving the associations. It is presently very rare for me to use a staircase and not become lucid. I have used this factor in RAS mediation since I was a toddler. The corpse was autosymbolism for both my lack of lucidity and the inactivity of my physical body. The vestibular system correlation of using the staircase as a typical trigger to vivify and sustain the dream state was not as focused as it usually is, which was represented by the clutter on the steps. Factors of lucidity mainly stem from ultradian rhythm. (This is apparently why the WBTB method works for some who need to “attempt” to become lucid). I do not use so-called reality checks, as it biologically corrupts the purpose of the reticular formation and my dream self is not my conscious self identity. Additionally, it stabilizes my dream where I then think I am awake, so it does not work for me. The hand trick does not work either. If I suspect I am dreaming, my hands become more realistic and tangible, the opposite of what others claim. Readability score: 68. Correctness of writing: 100. Intellectual value: 75.
Morning of July 15, 2018. Sunday. My dream’s setting is a fusion of the L-shaped room of the King Street mansion and the lounge room of our present home. I am sitting on my bed as it was on King Street and facing north towards the window. My youngest daughter is sitting on the floor. I have one of her plastic toys; Peppa Pig’s yellow spaceship. It is part of a big computerized game, though is only a trial model that requires an activation code before it can function. A bag on my right contains many similar toys. I think of activating all her toys so that they become the full versions by obtaining the codes from inside them without contacting the company. Looking through the window of Peppa Pig’s yellow spaceship, I see several lines of computer code printed on a paper strip that seems to be part of a scrolling mechanism that is at the back. There are lines printed on each side of the paper strip, but I am unable to see the print on its opposite side. One line ends with the value 9876543210. I doubt that this is the correct code, but I still attempt it. It does not work. There is another number with a random sequence of digits, but that one does not work either. The third code is hexadecimal, with “EE” in it, the rest being numbers. I try that one, and something happens. An oversized toy bird beak emerges from the window of the toy rocket, generating an odd chirping. As the codes are so easy to find and use, I consider activating all the other toys. Study guide: 1) What are the two main autosymbolic factors of this dream? 2) This dream has secondary autosymbolism based on ultradian rhythm. Identify it. 3) What does yellow represent here? 4) What is a factor that reveals the subliminal awareness of being in the dream state? 5) Is there a possible interconsciousness factor here? If so, what? Study guide answers: 1) Vestibular system correlation as flight-related autosymbolism (in two simultaneous forms, bird and rocket) and precursory thinking skills correlation as the need to read numbers and enter a code. 2) The cuckoo clock association. 3) Emergent consciousness factor, which is a result of increased awareness of the light spectrum. 4) I am sitting on my bed. 5) Transpersonal communication with our youngest daughter while in the dream state. Remember that dreams are in real time, not a result of memory processing as disinformation agents propagate. Readability score: 71. Correctness of writing: 100. Intellectual value: 76.
Blue Opossum’s Dream Canon Page 3 Afternoon of July 9, 2018. Monday. Henceforth, these pages are to be the sole resource for resolving any potential for erroneous or ambiguous conclusions regarding any content posted in any of my previous entries since 2004. In this entry, I will start to go into more detail about the nature of both lucid and non-lucid dream control. I will look at the most dominating factors of going in and out of the dream state, including the most common (for me) forms of autosymbolism and literalism while deliberately shifting levels of awareness. These details will not yet be in any precise order. Some of the most common forms of both non-lucid and lucid dream control relate to the following: Jumping from a cliff or other high location in semi-lucidity has always produced extraordinary results for me. This augments and sustains vestibular system correlation. Physicality is amplified as well, including the sense of weight and momentum and blissful sustained effortless flight. Mentally creating a difficult door to open, usually an old wooden door, and then opening it, or as of late, rapidly flying and phasing through a large locked steel vault door to outside. This was pure bliss and happiness, and occurred in the state of dream self omnipresence (BEING the dream state itself rather than just being “in” it). In some dreams, I pull aside an entire wall as if it was a sliding door. This is very effective for me as well and greatly sustains and vivifies the dream state, where I am then able to summon more denizens as well. Using a staircase to go either up or down produces mixed results. The direction of going up or down is more about the level and extent of thinking skills. Each greatly augments the dream state. However, going down a flight of steps augments the summoning factor, where denizens automatically serve me without question, whereas going up a staircase also augments and vivifies the dream state, though is more about being more focused on material awareness, and with dream characters being more of their own essence. Coalescence. Sometimes I seek denizens out and coalesce (typically near a train station or lake in a dense forest). Other times, in blissful states, they leap into me as if I were an anthropomorphic swimming pool. These are human forms only, which appear as pale blue silhouettes. In normal dreams, such avatars often coalesce with me with a mutual hug. Preconscious avatar traits often include celebrity status, unfamiliar status (unknown person), a dancer, a detective or secret agent, and a knowledge of flight, sometimes angelic or with a divine essence. (These forms of avatars go all the way back to earliest memory and are always part of the same types of dream components, even usually in the same order.) The dancing factor is obviously related to fluidity of movement as associated with vestibular system correlation as analogous to a form of flight and augmented control of physicality and “balance” in liminal space. When the avatar is not personified, it often has feline characteristics, sometimes as an actual domestic cat. In other cases, the factor, when transitioning by way of the interconsciousness, is rendered as a very realistic bird that seems the most likely and direct autosymbolism of transpersonal communication, typically an exotic bird. The most vivid form is a resplendent quetzal or in some cases, a hummingbird. Birds also represent a specific level of vestibular system correlation, especially as they fly with little effort. In other cases, the preconscious avatar rapidly shifts within hundreds of different identities in a few minutes. This always triggers a sustained dream state and enhanced lucidity. In one dream, I was sitting on Zsuzsanna’s left (on our couch) which is how we rarely sit in waking life. Zsuzsanna was becoming different avatars, easily more than one per second. I sat there watching and realized I was in the dream state to my amusement, which automatically vivified the scenario. I created a difficult door to open (in this case, a rendering of our front door), opened it, and saw a long series of small stages on each side of the street. Birds were frozen as silhouettes in midair (which is another method of sustaining and vivifying the dream state). Each stage had a denizen devoted to my existence and focus. In this dream canon, I will give more and more past examples with actual dream content, trying to be as clear and direct as possible. I will also go into more detail about how dream state symbolism (autosymbolism) has nothing at all to do with waking life symbolism or the so-called subconscious as most “interpreters” (including “experts” and “professionals”) pretend. This might prove to be valuable, as I see more and more people turning to superstitious rubbish and common misconceptions. I am thinking of even including lists of self-evident questions so that some people might be able to decide or learn it for themselves. This entry is subject to change only for purposes of clarification. If any content reads as unclear or is perceived as ambiguous, contact me by way of messaging on one of the following sites (order of preference): Twitter (@BlueOpossum), Tumblr (Blue Opossum’s Dream Journal), or my Facebook account via the dream journal website profile. Thank you for your time and respect. This ends Blue Opossum’s Dream Canon Page 3.
Morning of June 29, 2018. Friday. I had been listening to one of my latest music productions, which has somewhat of a carnival sound, though has a strong reggae rhythm. It seems to be late morning. The setting is implied to be our current home. There is an unfamiliar male present in our bedroom, though I do not see him as an intruder. (This is the interconsciousness avatar.) Sitting on the edge of the bureau near the west window in our lounge room is the ventriloquist dummy I had as a boy. It was known as “Willie Talk”. As the music becomes louder, the dummy starts moving, taking on the essence of a marionette being controlled by an invisible force. (In the back of my mind however, I am vaguely aware I am causing this to happen.) It almost seems to have a human essence, though still moves like a marionette. The dummy eventually jumps forward onto the floor and starts dancing to the music. There is an amazingly vivid presence of rhythm and energy. He circles around the couch, in a marching jig toward our bed and I wake around this time. A ventriloquist dummy is an emergent consciousness simulacrum (see notes below), which is a form of neural energy that links the dream self, by way of the transpersonal interconsciousness, by way of the preconscious, to the conscious self identity. It is triggered by the reticular formation of the human brain and serves the same purpose as a preconscious or RAS avatar, that is, to initiate consciousness and the ability to physically move. In many cases, such an avatar is seen as going “back” to bed, though in some lucid dreams, it is seen as “waking” and leaving its bed, which is obvious autosymbolism for the level of dream self presence in the dream state. In other cases, it merges into the dreamer (such as in my “Part-Robot-Girl?” from November 17, 1989), an example of waking process coalescence (another very common factor of my dreams). This dream is a specific type of vestibular system correlation autosymbolism, of which goes from inactive (static) to dynamic as I move toward the preconscious modulation of the waking process (by way of reticular formation mediation). It is mostly an autosymbolic rendering of thoughts like “I have to get up now” that pass through the mind prior to waking for the day. Autosymbolism is very easy to trace back to the underlying cause. In simple terms, this means that my perception of my illusory dream body is not viably physical (as my physical body is asleep and beyond my immediate control), and as a result, my non-lucid association with my dream self’s “body” is ambiguous and is projected into the concept of a doll (serving as an emergent consciousness simulacrum), which then dances as waking process autosymbolism, even heading “back” towards our bed. (I have had many dreams like this since childhood, so I know exactly what it means, as I have been aware of the same process in subliminal, liminal, and lucid dreaming scenarios, simultaneously understanding the meaning, so even my need to explain it in the first place should be unnecessary to anyone of reasonable intelligence.) To validate this (and perhaps develop a better understanding of what dreams are and what they are doing) and what I have written in thousands of other dream journal entries, see “The Preconscious Mind and Gamma Band Activity in the Reticular Activating System”. This dream has ZERO to do with memory processing or waking life symbolism as disinformation agents claim (neither of which is even typically possible other than in apex lucidity). They are both autosymbolic and literal events synthesized in REAL TIME (mainly by the preconscious and interconsciousness) while experiencing REM sleep. Although this particular dream is not directly related to waking life (at this time), it most certainly has cause and meaning as all dreams do and most dreams are far easier to decode than most people habitually pretend. #stop_dream_disinfo_now (On Twitter)
Morning of July 12, 2018. Thursday. My dream is set in our present home, though it is rendered as somewhat larger. I am in the lounge room. A beautiful little parakeet, mainly an atypical mix of green, yellow, white, and blue, is hopping around from one of my hands to another, also up and down my arm. Zsuzsanna comes into our lounge room. The bird flies up and onto Zsuzsanna’s left shoulder. I have a vague expectation that the bird might fly off, but it continues to sit on her shoulder, watching me. I experience a sense of peace and joy. On one level, I realize that I am controlling the bird’s actions and behavior, though this is in the back of my mind. (This is similar to how, in apex lucidity, I manipulate vestibular system correlation autosymbolism when rendered as birds in flight so that they freeze in midair and become suspended silhouettes, though I am not lucid here.) This dream is NOT based on memory or memory processing as many so-called researchers or “experts” claim. This dream is NOT a result of events of the previous day as many people claim. The only traceable thread relevant to waking life is based on how our oldest daughter carries mice around, as they run up and down her arms, and I sometimes ask her if they might jump from her, but that has not happened. This dream is NOT symbolic in waking life context, which is typically not possible when not conscious and not lucid, despite the misguided claims of both “professionals” and random people in society. This dream is autosymbolic (simultaneously symbolic of sleeping, dreaming, transpersonal, biological, and waking processes) of transpersonal communication between Zsuzsanna and I (which occurs in waking life as a flash of “blue fire” in my left field of vision). Additionally; it partly stems from vestibular system correlation and the absence of the viable discernment of physicality when in REM sleep, which I have experienced in various forms in every sleep cycle since earliest memory. What, do people think the physical body flawlessly goes into the dream state and then back out when they wake? What do you think causes flying and falling dreams? In waking life, you have a real physical body. In dreams, you do not, as it is only a model; an ephemeral illusion. This is all moot, as my dream self’s focus is on exploring the nature of the dream state and waking process and its transition in anticipatory liminal focus, not waking life as a rule (other than when literalism and prescience are factors). #stop_dream_disinfo_now
Updated 07-12-2018 at 01:46 PM by 1390
Morning of July 8, 2018. Sunday. In my dream, I am wandering around, uncertain of the nature of my current situation. The setting is an ambiguous blend of King Street (where I have not been at all since 1994), and Stadcor Street (where Zsuzsanna and our family and I have not lived in years). It is rendered in a way that is about fifty percent of each, yet I am not confused by this mix and seem to be walking to where Dennis (half-brother on my mother’s side) used to live. I walk through a narrow alley toward an area that opens into a vacant parking lot. Three unfamiliar males approach me and I expect trouble. One male presses the small of my back, apparently with a weapon. It does not hurt, but there is a strange sustained sensation that always served before to immediately wake me since early childhood. However, I do not wake from this, though as I am not lucid, I am not aware of what it usually does to me. It happens three different times as I choose to try to walk slowly away to the entrance of another alley on the other side of the parking lot. Normally, this back jab event (rendered in dreams in a number of different ways) sends me nearly flying out of bed with its intensity. In this case, it is softer, but still dominates my otherwise illusory physicality. I almost suspect that it did not wake me (though of course I did wake eventually) due to getting older and I wonder if it indicates a biological change, though may possibly be a new form of non-lucid dream control. The parking lot is very common autosymbolism for a specific level of sleep, representing how the body is not typically moving (or is not supposed to be) during REM sleep. It is usually the last setting to be rendered when featured in a dream and I typify it as a liminal space representation (as a parking lot also is in waking life), though not a transitional liminal space buffer as a porch is.
Morning of July 9, 2018. Monday. I am in our present home in my dream, though which seems rotated from north to west, perpendicular to its real location on the corner (intersection). Our youngest son is building a biplane from Lego. However, when I look again, it seems he has changed it so that it is now a building. He is sitting on our youngest daughter’s bed (where he had slept temporarily). I puzzle over this. I visualize the Lego biplane as being vertical and upright, but then consider that I may have only been looking at the “skeletal” foundation of the building (even though it was an actual transformation typical of the dream state). This dream is based on very common (an average of more than once per sleep cycle) anticipatory autosymbolism for vestibular system correlation. This does not always result in actual “flight” or a direct change in physicality upon waking (such as a hypnopompic kick or common falling sensation). In this case, with the bed as the literal dream state indicator, with an airplane autosymbolism for physicality in regard to VSC, it simply represents standing up after getting out of bed, though is also an association with our youngest son sometimes standing on this same bed in reality. Some previous (posted online) dreams in which a biplane or biplane hang glider has featured include: Biplane Hang Glider Mishap, February 27, 2016 Biplane in my Pillow, April 4, 2012 Water from a Biplane, December 20, 2010 Biplane Directive, January 2, 1972 They are not as common as other flight symbols (that is, dream state contemporaneous symbolism of VSC, which is usually unrelated to waking life), such as helicopters, of which have featured in hundreds of my dreams since childhood, some featured in my entry “40 Helicopter Dreams”, posted on May 20, 2018.
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