Morning of December 31, 2015. Thursday. New Year’s Eve. This dream “came out of nowhere” in the sense that there is no discernible connection to recent real life events or concerns other than upon closer examination perhaps. It begins as a typical “finding and gathering comic books” dream. There is a point at which my wife Zsuzsanna and children and I are walking through a mostly undefined but implied alleyway, one area being near a pawn shop. There is an offset dream of moving through an alley and street that is actually more like the aisle of a store. There are various books stacked horizontally on the shelves. I realize they belong to some neighborhood children (rather than relevant to a rummage sale or yard sale as in similar dreams) and do not take them. The main scenario involves going into an unfamiliar post office. Two younger males work there as postal clerks, at least one (or both) of East Indian descent. Somehow, it becomes known that there are random unclaimed items in shelves in the back. One male gives me a small package as if just giving them to random members of the public to get rid of them (loosely based on an old Spirit comic book Valentine story I read recently). To my surprise, I see that the package is addressed to me, with my first and last name clearly discernible (and it does not change when I read it again). It also has “1997” on the postmark and thus is apparently something I ordered in that year (which was the third year I had lived in Australia from February 9, 1994). The postal clerks seem cheerful. I wonder why it was never delivered though. I open it up and it is a model airplane, a Northrop F-20 Tigershark, with “F-20” clearly visible on the model. (In real life, my oldest son had started a model airplane collection of about the same size but not as far back as 1997.) Later, while still in the same general area, though in a hall of the building where the post office is, I notice that the model F-20 is of a very unusual appearance. It takes on the essence of a paper Christmas bell, though also is reminiscent (from the frontal view) of a slightly squashed carnation. This of course is absurd, as only something of expanded radial symmetry could be made as such, but I do not question its appearance. I hold it and look at it feeling slightly puzzled. Relying on what is available on the Internet relating to any possible meaning, one could get completely confused. I do know the East Indian postal employee represents theft, as my return ticket for refund (worth a few hundred dollars) was apparently stolen by this postal employee who refused to register it (and this was in the news later concerning other mail including numerous packages) and thus there was no record regarding its disappearance. Looking at the Northrop F-20 Tigershark, its being a model long past due in getting by mail (or “communication” in general), the paper Christmas bell appearance, and the association with the partly squashed carnation is quite complex (it is almost like an airplane-shaped carnation if that is even possible, but it swirls and slopes somewhat to the left from the frontal view - and again there is the idea it was somehow made in the manner of a paper Christmas bell though I do not recall building it in this way). The Internet gives different associations for yellow carnations, though most include rejection or disdain, though if I did not consciously know this, any interpretation as such is meaningless. Personally, it probably relates to mortality as another dream of this day did; suggesting a powerful aircraft becoming like a partly squashed flower, either relating to life energy becoming less viable or something aggressive becoming peaceful. Still, it could yet again relate solely to the waking mechanism, the energy of my dream “returning to the garden bed”. This is one of those oddly clever composites. The waking transition is quite long. It starts out with a typical flying symbol, the model airplane, downsized as a normal-looking model at first and quantified in the post office setting. Near the waking stage, the model airplane looks more like a paper Christmas bell, a bell also being a waking metaphor. It also has the essence of a flower, as in “garden bed”. My dream self is puzzled at these unusual atypical layers at the waking stage.
Updated 04-08-2017 at 09:56 AM by 1390
Morning of December 30, 2012. Sunday. Reading time: 1 min 50 sec. Readability score: 63. In my dream, I am in an open field in an undetermined location. It seems to be late morning. At least two soldiers are present, one possibly a lieutenant. One is using binoculars at times. (I am unaware of directional orientation as is sometimes the case even with unfamiliar settings or distorted composites sometimes including it.) A flock of birds, possibly ducks, flies overhead. There is something about “retaliation.” I am unsure if the soldiers are referring to the birds or an unseen human enemy beyond. They have a model white plane without any detail on its surface. They send it into the flock of birds by remote control. I anticipate something dramatic will happen. One of the soldiers looks at me curiously for a short time. The airplane seems to have gone out of sight and crash-landed in a marsh. It seems to be my task to get it. I wade through soft wet ground near a river. I grab what I think is the model aircraft. Upon my return, the soldiers are now duck hunters. The airplane I am holding is now a duck decoy. They seem to be annoyed that I have “retrieved” it as they are still using it. I give it to them, and we do not exchange words, angry or otherwise. Vestibular system correlation, which has occurred in at least one dream per sleep cycle for over fifty years (typically more, especially in the first stages of sleep), has infinite dynamics. Certain incidental elements are part of it, but outcome stems from levels of non-lucid or lucid control of anticipation of the waking process. I have documented and decoded thousands of such dreams, and the nuances are always unique (just as I have never dreamt of the same place, in the same way, more than once). In this dream, the simulacrum of emerging consciousness is a projection as the model airplane. The remote control aspect is the reactive representation of RAS mediation, the preconscious avatar as the soldier with the binoculars. The transition stems from the fact that this was not my last dream of the sleep cycle. In those, RAS personification is more dominant when present. The change comes by way of reinduction (water as sleep). There is the transition of “toy” airplane to “toy” duck. The duck is not alive, which means less chance of a hypnopompic trigger under these circumstances. (This is also true when I see a picture of such as a helicopter rather than a present or moving one.) Reactive representation (autosymbolism, though not restricted to Herbert Silberer’s usage of the term as all dreams are a result of it, not only hypnagogia), has many different possibilities. Although there are not that many variations of the waking process, the nuances are seemingly infinitely unique.
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