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Sunday, 13 October 2019

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In this informative dream journal series, I will clarify how vehicles appear and function in the ways they do in my dreams based on over 50 years of experience and validation in my life as both an instinctual dreamer and natural lucid dreamer.

First and foremost, the isolated (with the exception of enigmatic space and quantum entanglement) and illusory mental model of the dream self (that also lacks the viable memory of conscious identity because of its disconnection from the unconscious mind, chiefly in non-lucidity, to prevent false memory building) does not have the potential to control the physical body during sleep (though sleepwalking seems to be an exception, but that is not a subject of which I have experience). Even so, that factor does not stop my dream self (by way of preconscious monitoring and accommodation) from creating the imaginary dynamics of physical movement and virtual travel.

Since early childhood, there have only been a few basic practices and variations in the modulation of vehicles that I will explain in this series. When it comes to the drop (vestibular correlation experienced as an imaginary fall, typically during the natural waking process), dream modulation often varies as analogical to controlling a potential sneeze, which is possible, though somewhat unpredictable (depending on the depth of sleep).

I typically experience two types of short dreams at the start of each sleep cycle (before entering longer hypnagogic sessions). One is the right leg kick (usually correlating with the same dream content, that is, walking and falling, more intense when I had done more walking earlier that day, which proves it is a result of physical causes stemming from muscle dynamics and not personal reasons by way of the popular but asinine notion of “interpretation”) and the other is the spasm in my back, like a jab, that is extraordinarily intense, though the foundation of its dynamics specifically stems from liminality (that is, being between dreaming and wakefulness with separation of conscious identity from viable physicality) and the extent of cortical arousal. As such, dream content varies, though with the same types of autosymbolism that represent stages of dreaming.

I will review various dream features and events from my 50 years of dreaming history. Vehicle renderings mainly stem from my dream self’s desire to subliminally, liminally, or supraliminally enhance the potential of imaginary physicality and the illusion of movement. The kind of vehicle (for example, car, train, bus, truck, boat, airplane, helicopter, flying saucer, and so on) establishes co-occurrence with the dreaming stage and specific dynamics of vestibular arousal, degree of expectation of the drop, and extent of physical dynamics and muscularity in sleep as well as the residual level of melatonin.

It needs to be understood that not all vehicles in my dreams exhibit co-occurrence solely with my imaginary dream state physicality and its status as I instinctually or lucidly anticipate and match induction, dreaming, and waking stages (including the drop). In some cases, associations with the bed I am sleeping in become part of the vehicle-rendering process, either directly or ambiguously, and then it becomes a signification that the vehicle is more representative, in an imaginary sense, of the bed (and my contact with it) than my physicality is. It also depends on incidental shifts that match shifts in consciousness, particularly preconscious processing. There are also cases where a vehicle correlates with legitimate physicality, including in a premonitory context.

I will now elaborate on the specific causes of dream content and variations of the fundamental processes, the main focus on imaginary vestibular dynamics, and their control (whether instinctually or lucidly).

I will reveal an interesting note on how a vehicle bumping or rubbing against another one was rare in my dreams until after being with Zsuzsanna and sharing a bed with her. This occurrence stems from the anticipation of our bodies bumping together during our sleep. It does not mean my dream is demonstrating literal co-occurrence with such monitoring (other than when there is physical contact), as it mainly stems from anticipation as with the drop.

Now, I will go into the specifics with dream content and comparing and contrasting processing factors.

In “Overpass Mishap” (September 22, 1974), I instinctually phased out of my imaginary physicality (and my dream) by passing through the roof of a taxi as I anticipated the drop. As the overpass collapsed, I was simultaneously in flight. The car, being an illusion of my fictitious dream body as I looked down, became like a Matchbox car in this case, the setting becoming like a model of the town. Lucidity is not required to control dreams. All one needs is an understanding of what dreaming processes are. The instinctual essence already exists, as it is not biologically possible to be unaware of being asleep while dreaming.

I could easily compare this with “The Suitcase and the Stolen Sweepstakes Entries” (September 20, 2019). In that case, rather than anticipation of the drop bringing about waking, I instinctually used it to vivify and sustain my dream, which eventually shifted into cognitive arousal processes. (The drop rarely occurs more than once in the latter half of the sleep cycle and usually only once at the beginning.) When the driver (a teenage girl) deliberately drove off the edge of a second-level parking lot, I had no concern as I felt the movement of the bus falling to the perpendicular street below.

I should emphasize how dreams preconsciously distort reality to prevent waking life associations and false impressions. For example, in my first dream above, although the situation came from a recent real event, the taxi was heading north into town rather than taking me south to my home in Cubitis, and in the last scene, transformed into a downscale model. In my second dream above, the parking lot was an altered version of a ground-level parking lot. (There were no elevated parking areas at the front of the shopping mall in real life, revealing how dreams distort settings based on the drop or waking process anticipation.)

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