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    1. MDP #2 - Finding the Whereabouts and Fighting War Machine

      by , 06-24-2011 at 10:15 PM
      Type: DILD.
      Lucidity: 1 2 3 4 5 6 7 8 9 10
      Vividness: 1 2 3 4 5 6 7 8 9 10
      MDP Rating: ★★★★★

      This continuous lucid dream story will revolve around the aftermath of the films Iron Man 2, Thor, and The Incredible Hulk, which will not culminate in the Avengers team but something different. Many of the lines are rehearsed in daydreams so the actual dreams should play out relatively well. I don't know much about the Marvel universe (I've only seen the movies) and dreams are often unpredictable, so the story will probably have errors and mishaps, but I'll do my best. This is "part 2" of hopefully more dreams.

      My Notes:
      A bit less vivid than the last dream, and I lost my lucidity only a few minutes too early.

      I started up on the top of a building. Who knows how that happened for me to end up there - but somehow, I had this very recent memory of being inside the building, which was like a library: I was in a small, off-limits section, which had warm lighting, smooth, concrete or laminate-type flooring of a more saturated tan color, and beige walls. There were also lots of bookshelves. I was in this room because I was looking for someone's phone number.

      At this time, I was seeing from a third-person viewpoint for a few moments. I ventured toward a certain bookshelf that I somehow knew was important, and then I knelt down and pulled out a pale yellow book, only about 200 pages, that read "Phones" in bold, dark yellow, arial typefont on the side. I had pulled the book open to about a third of the way through, and I remember reading "Barry Vaven" and "Jurn (insert last name here because I can't remember it)". The text inside was incredibly small, probably six-point arial font, and the paper was almost translucent.

      Back to the top of the building - the outside atmosphere reminded me of the scene when Cobb was leaving the helicopter in Inception , except it was day time, and the colors of the entire scenery were a bit warmer in nature. The building was probably thirty stories up - very tall, and there were other buildings, many other tall ones but some shorter, scattered around in a relatively realistic way. There was a basic black, straight railing lining three edges of the top of the building I was on. I walked to the edge with no railing and looked down, seeing all the tiny cars move on the very-detailed streets. I did not see any street lights at intersections, though. I then looked back and saw stairs; there was no small building on top with a door, just a neat, square hole in the building with concrete steps going down it.

      I didn't take them though, because I became lucid. I looked around and did a nose-plug RC, which didn't allow me to breathe - if I was less aware, it probably would've stopped my lucidity there, but it didn't!

      I was very unsure of what to do now, being in a place that I had no idea how to teleport from, and I knew that I probably didn't have time to walk inside, go down the stairs, and find a door. Thank goodness I knew the people involved in this part of the plot, though.

      I looked out towards the city, still near the edge of the building but confident that no DCs would appear and push me over and have me fall. I stayed like this for a few moments, then I expected Betty Ross (Liv Tyler's biochemist character from The Incredible Hulk) to come up the stairs. I imagined there had been a meeting in the lower part of the building, a conference involving leading scientists, and it was over. Anyways, I heard her voice and turned around, only to find Natalie Portman's character from Thor, Jane Foster, instead. Her brown hair was down to a few inches past her shoulders. She was wearing jeans and a tan leather jacket; her shirt was white and had lace around the neck. I sighed and my head dropped disappointingly when I saw her, because I was trying to create a scenario and this wasn't what I had in mind.

      "Hello, did you ask for me?" She sounded exactly like Jane Foster.

      "No," I replied. "Sorry for the confusion. Is Elizabeth Ross around?"

      Then I saw Elizabeth come up the stairs - it looked almost as if she wasn't walking, but more floating up the stairs. The last two or three steps did look normal, though. Portrayed in Liv Tyler's image, she too was wearing a brown leather jacket, although it was a chocolate brown, compared to Jane's lighter, almost tan jacket.

      "Can we speak alone?" I asked Jane.

      "Yeah," she said lightly. As I was facing her briefly, Elizabeth has appeared right beside me; when I turned to see her, I jumped a bit because of how much closer she was - it startled me.

      Jane was gone now. That was weird.

      The words I wanted to use came out perfectly, thanks to a high level of lucidity. "I couldn't risk saying this inside," I began. "I know a lot about you, probably... more than I should, but regardless. I know about Bruce."

      She looked at me. I noticed that besides from the clothes, she almost resembled Arwen from Lord of the Rings - younger, in a sense, with longer hair, but I didn't want to be too picky about appearances. "I don't know who this Bruce is."

      "Now's not the time to bullshit about this," I said, a bit fearful that I was losing both my dream control abilities and her actual character. A DC had behaved in an uninformed way once before, even though they were the exact character I'd wanted to show up.

      "Do you know where he went? Where he is?" I pressed. I also asked this question again with a different wording, but I can't remember what exactly I'd said.

      "No. I don't know where he is. But I'm thinking he's in B.C." She was a bit more open than I thought she'd be; I was hoping she'd think I was working as a military agent at first. Then she said, "who are you?"

      "That's fine, thanks," I said, not wanting to struggle with any more dream control stuff.

      Then I envisioned a squadron of military personnel coming up the stairs. Still looking out over the buildings in the city, I spun around when I heard a loud, metallic "thunk" on the ground behind me. I didn't expect that, but I did expect a confrontation - four or five men, in dark grey S.W.A.T. outfits and all holding metal, rifle-like guns, were crouched over them slightly and advancing towards me. Elizabeth spun around and started to panic. She said something inaudible.

      "They're not here for you," I said, "they're here for me. I got information from them, and they didn't like that."

      "What?" She sounded dazed, but incredulous.

      "See you later," I told her the, starting to back up while keeping an eye on the people walking towards me.

      And, I didn't mean to trip and fall off the side of the building (more like spin around and have an epic jump off the edge), but I did trip. Somehow, the edge of the building got way closer than I envisioned it before. My heel landed on the edge of the building and slid off, sending me backwards. I felt the air, and felt the dream start to blur vertically around me; on the way down, I was just saying angrily, "fuck, fuck, fuck, fuck." I was certain I would lose the dream.

      I didn't have more than three seconds before hitting the ground below, not feeling much of an impact at all; rather just the feeling of slowing down very fast, as if I'd landed and had sunk down a bit - but no, my feet were not in the cement; I'd landed normally. I looked up and noticed the building was much shorter than it was before; it was only three or four stories high now. I saw Elizabeth look over the edge, now wearing a white coat, but I didn't see the other people anymore. I did look around me, at street level, and observed a white strip of crosswalk rectangles; I was on the sidewalk, and there were no cars whatsoever. I looked around for S.H.I.E.L.D members. I didn't see anyone, but then I saw Whiplash's full-armor suit from the end of Iron Man 2 land in front of me, right on top of the crosswalk I'd seen earlier.

      I was annoyed. I was expecting War Machine, but I hadn't visualized enough. "Wrong guy," I told him sternly, in the way I'd tell a character in a play to do something. "Go back, when I turn around, War Machine had better be there." I turned around and looked back; War Machine was now there - his suit looked thicker and slightly larger, especially around the shoulders and feet, but that was fine.

      "You", I said in fake surprise. "You're still working with these fools?"

      "Sorry man, I don't want to do this."

      "Too bad, you're here now. Come on. Fight me. Set an example for everyone else up there."

      War Machine held his arm out and fired a small, long bullet at me (it was just positioned loosely on top, without any attachments to the armor); it almost looked like that "ex-wife" thing that totally failed in the movie. This one, however, exploded when it hit me. I used my invulnerability, a very simple power, which let the fire slide right around and past me. The fire spread out and impeded my ability to see for an instance, but then it floated around me, as if there was a current in the air.

      The air was filled with disbelief; I actually tried to make sure of this because I knew I was starting to lose my lucidity, and I wanted to keep the fight going with the same style and using the same plot. "Stay lucid, I'm dreaming, for crying out loud!" I said to myself.


      As I become less and less lucid, the fight became less realistic. I got to hand-to-hand combat with War Machine, in which the blows only landed softly. When I was hit by a punch or another attack, I'd feel a bit of an impact, but then it'd slide off me like I was made of jello. When I punched his armor, I'd feel my hand flinch slightly, which I definitely didn't want to happen (not unless I was an ordinary character with no special abilities). At least I didn't lose in the end. He flew away a good two or three minutes afterwards; after he landed the last blow, in which I wiped my hand across my mouth and smirked confidently.

      Updated 05-16-2023 at 07:01 PM by 28408

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      lucid , memorable