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The main character of this dream is Rosso the Crimson and she is in an newly built temple somewhere in a desert. She is still a Tsviet from Deepground and they are fighting alien looking creatures reminiscent of the Predator.

The dream jumps ahead and it is now many years later. The temple is now ruined and looks as if it has been abandoned for hundreds of years. There are groups of people doing excavations in the area. Rosso is with Vincent Valentine telling him about the fighting that the she and the Tsviets engaged in there before, though she is recounting it as if it were a dream. As she is speaking what she is describing appears as a flashback with her words as a voiceover.

Rosso tells Vincent that she was commanded by Weiss to kill anyone she came across, alien or not, and to show absolutely no mercy. She gleefully fulfilled her orders, revelling in the bloodshed, until she came across two naked little girls in a courtyard in the center of the temple. They cower and cry in terror and she found that she could not bring herself to kill them.

Back in the present Rosso tell Vincent that she does not remember what happened the the children, but being a homocidal Tsviet, she probably killed them. Vincent says that he doesn't think that is true, because the excavators have not found remains of any children, though they have dug up many alien skeletons, confirming most of Rosso's kill count. Many of the bodies are found buried in front of lion headed statues of the ancient Egyptian goddess of war and transformation, Sekhmet.

The dream flashback again, and Rosso is leading the little girls out of the temple. Three enemy aliens approach and move as if to attack. Before they can Rosso asks if there is a safe place to take the children, but aliens tell her not to bother because the little girls are dying anyway. The creatures tells Rosso that she should creamate their bodies and bury their remains in the desert. Rosso praises the three aliens for their wisdom before slaughtering them.

Back in the future Rosso again tells Vincent that she does not know the fate of the little girls, but Vincent again says that he does not think she killed them, citing again that lack of children's remains. Rosso fears that she did end up following the alien's advice and killed the girls somewhere out in the desert in which case their bodies would never be found. Vincent tells Rosso to stop believing in her fears.


Dream ends there.

I haven't documented my dreams for a while, so I lost a few. Here are the ones I remember (from while on vacation and afterward):

Dreamed that I had to go get my grandfather (grandpa M) and bring him somewhere - a party, or something. It was sort of important. Along the way, we got dumped into a (freezing) river. He sank to the bottom, and I had to dive down and search around for him and drag him back up, worried it was too late. Every time we got to the surface, he got dragged back down again and I had to fetch him. Amazingly, none of this killed him, and we got to the other side.

Dreamed that I lived in a house - sort of decrepit, or maybe more like a trailer, or cobbled together, but anyway, it didn't have enough walls, some parts were just... open. I knew that there were dangerous things and people living in the hills and was constantly worried, especially since the house was so exposed in the parts that didn't have walls.

Dreamed that I had a little brother/cousin/kid/whatever, a toddler, only I was unable to take care of him, so a former classmate of mine took custody of him. I felt like shit since the main reason I couldn't take care of him was that I didn't have a good enough job. Even so, the place they lived in was very bare, almost no furniture, and not very safe. There was a part on an upstairs landing with no rail at all, period (for some reason, I knew a giant planter was supposed to go there, but there wasn't there and that's why there was just a drop with no railing).

I am living with my parents in a run down townhouse apartment, in a small town, amidst a heavy temperate forest. I am younger than I am now, appearing in my early teens. The town house has three levels, but each level is not directly on top of the other, but rather in a cascading design, going down a slight hill:
_____
_____\_____
___________\_____

The living room is on the top level, the bedrooms on the middle level and the kitchen and bathroom on the lowest level. Outside the lowest level is a small clearing in the forest with a creek. The main door is on the top level which opens to a path to the other houses in town. The entire house is an open concept building that has no roof and the walls only go up to waist level on the two highest floors and ankle level on the lowest floor. The house contains all of the amenities of a regular modern house, but some of the tiles on the floor are cracked and being pushed up by foliage growing underneath.

The dream starts off with my mother and I in the kitchen. I am sitting on the stairs that lead to the second floor and looking at some of the broken floor tiles. I see a different coloured pattern in a crack that does not match the surrounding blue and white tiles and go over to get a closer look. Before I get there I can see that is a large brown and grey snake that looks thick and stubby, but it quickly disappears into a hole that I guess goes underground. I identify it as a "bushmaster" in the dream, even though it looks more like a cottonmouth because of it's stout body shape. I tell my mother what I saw, but she does not believe me and says that we have never had problems with animals in house (desipe it being so open to nature).

I see the snake several other times in several other places in the house, but no one else ever sees it and they never believe me when I do. One day I am in my room on the second level while my parents are in the living room on the top floor. I have been sleeping in a small dark blue tent so that the snake cannot sneak up on me in my sleep. I crawl out of my tent to find some of my laundry all over the floor in front of the tent. When I pick some of it up the bushmaster is hidding under some shirts. I try to scramble back into my tent but the snake quickly slithers underneath it.

I try to scream but I cannot and want to run but my legs are like deadweights and I cannot even stand up. I try to move and scream but all I can manage are pathetic gasps because my throat is dry and I cannot create any intellegible sounds. I am so scared and I want my parents to come and get me, because I know they are so close, and though technically they should be able to see me over the low walls, I am ignored and my distress and terror go unnoticed.

The snake lunges menacingly at me and I try to crawl away pulling myself along the floor with my arms, but I cannot get very far. My parents finally notice me dragging myself on the floor and crying but when I tell them of the bushmaster they do not believe me and tell me to stop being silly and get up off the floor. For some reason they cannot see the snake, or rather I feel that they choose to ignore it for some reason. I am still desperate to get as far away from the snake as I can but I am exhausted, physically and mentally.


I was then mercifully awoken by a ringing telephone.

Morning of December 23, 2008. Tuesday.



In this dream, I vividly see a black fog. However, it then becomes connected to the “Swiss cheese” effect that I have not had in many years. The “Swiss cheese” effect seems related to “evil” (or at least negativity) as well. The three who seem to cause the “black fog” effect are also in my dream. Normally, I would see this as a warning - and it may still turn out to be as such. I think the “Swiss cheese” idea is somehow related to being able to see important truths or environmental facets to some extent even when much of the truth is not visible otherwise, or perhaps more mundane facets are blocked to clarify the “message” or to “force” the seeing of it via the “holes in the cheese”. (This “Swiss cheese” actually looks like a vertically floating slice of Swiss cheese, but perhaps more like a dark 2-D energy pattern, partially with the effect of a blurry flyscreen.)

One of them does some sort of maneuver to hurt my family and ends up slipping on wet stone and breaking her head on the floor (the setting seems to be some sort of ancient castle); it seems very realistic and “correct”. I feel resolved in this - that the danger is less than before. I even feel good about it, thinking it will symbolically be a part of the real world (vindication) as well.

Also, I had an amazing visionary dream, so beautiful as to be breathtaking in its large-scale nature and feeling of closeness. Thousands, perhaps millions of people, mostly girls of various ages (up to about twenty or thirty years) and from every culture and race imaginable - all equally beautiful regardless of skin color - from the lightest to the darkest, in all shades - singing throughout many scenes and environments, including some sort of place of worship - but far too large to exist in reality I would say, as it seems bigger than a city. I try to single one entity out, but it is impossible - as there are too many (although I am aware of each as an individual when I see a particular singer). They are singing for me (and my family) and the survival of my kind(?) or “species”. A few times, there seems to be far more of them than humans presently on Earth. The scenes are different, though. At times they seem to all be wearing a white robe; other times, various forms of elaborate (even bizarre) jewelry and costumes. There is something like a light remaining after their eyes and mouths open and close, which seems egg-like, of a shining, but “ancient” bronze-like property, which seems inter-dimensional or some such and having a different nature than their supposed origin (hard to explain). There is bright light. There is love. I have a slight uneasiness. They are like angels that can eliminate the human race with the blink of an eye at the right time. I feel an eerie sense of hearing this singing of a “higher power”. They eventually seem infinite as I study in awe. They are without end. I had similar dreams around age eight.

There is someone with a knife who is trying to kill an emu. There is a strange distortion in this in that there is a picture of it where it has hundreds of small wings. There is also an idea that my wife had another baby, but it is on its own and outside (although this is anachronistic in that it occurs in an older home in the USA before I met my wife). This “baby” is more like a smaller featherless emu - I am somewhat angry over how the emu/human/baby is seemingly on its own. I pick up my baby emu/human/mother/son(?) Many people are near me, including slaves from both Egypt and more modern times. There are flowers tied to a cage (recurring during this time period only). I ask an African-American (who seems to be from the 17th century - there are a mix of people from different eras) about working in a business office in his last “incarnation” and also talk to some supposed Egyptian slaves and others. There is a strong idea in my dream that “slavery” (relative to the human race in general) as such, now works at a more advanced, precise, and negative way than ever before (but far more subtle). A man goes up to an “infamous” woman and stabs her in the back at the same time she is stabbing someone else in the back, presumably out of revenge(?) She is not fully human, though (part emu?). Oddly, she tells him to stop doing what he is doing even though she should be dying at that point. The man seems to consider taking the knife out or becoming more violent to stop her from completing her act. I am not sure how it ends.

There is some sort of conspiracy involving Mesopotamia and the Tigris and Euphrates rivers - something to do with a “secret code” evolving with the alphabet relating directly to “clues” passed down for and by my “species” to survive in the world with the dominate species of “normal” humans. It goes on and on and on for seemingly an hour or so, but I can remember none of it.

Beautiful visionary states arise out of another “black fog” dream. It apparently has different implications than usual. The “black fog” is more and more solid, some sort of entity which becomes a gigantic face looking up from Earth into the sky. A face made of black soil, burnt wood, muddy water, and smoking ashes. The sky becomes a “face”. The “Sky-face” is made of ocean water, and cloud (water-vapor). I am trying to work out who is who. Is it Yin and Yang? There is a feeling of movement and spiral-related changes. I am not sure if the black fog in this case is “evil” and the sky is “good”, but I am aware of the relationship of “opposites”. The great “Sky-face” seems to invert when I fly around it (similar to the Necker cube illusion - that is - looking into a hollow as from the inside of a mask rather than from the outside). This divine(?) being immediately inverts itself instead of turning its head to make its face look in the opposite direction from where it was looking.

In real life, an emu named Mary was killed (this being the only time I ever dreamed of an emu being stabbed by a man and my dream’s scenario actually occurred in real life a block or so from where we live and at the same time as the dream). Link: http://www.abc.net.au/news/2009-02-0...-killer/281998

(There is a "trigger warning" on the content of this dream.)

I am in a ruined and abandoned building that looks like it used to be an office or conference center of some sort. I am hiding on the inside from "bad people" on the outside who I fear will try and force their way in if they see me. I scavenge materials from around the building to create a shelter for myself in the front of the building in a room that looks as if it was once a lobby. Most of the material is an old ripped up tent or peice of canvas that is coloured yellow, which I throw over a table that is leaning to one side.

I hide myself inside my makeshift shelter to get away from three stray dogs that have suddenly appeared and are sniffing around and will not leave me alone. The biggest of the dogs, a black lab, forces its way into the tent and starts ripping it to shreads. The dog does not attack or threaten me in anyway but I grab it by the scruff of the neck and force it into a submissive position laying on its side. The dogs leave me alone after that and soon disappear.

Now that the tent is completely destroyed I gather together chairs and small tables to hide under even though I am aware that if anyone looks inside the building through the lobby windows that why will be able to see me. I notice shadows and shapes of people moving near or past the windows and freeze in terror. Then it happens. A man in a blue military uniform passes by a window and looks in. I try to hide myself behind a pile of furniture but he sees me and starts trying to bust the front door down, which I tried to barracade with a few chairs.

The man marches in and beelines to where I am hiding. He grabs me and ties me to a support pillar in the middle of the room. He uses a large bowie knife to cut off my shirt. He then foddles my breasts before raping me. A line of similarily dressed military men file into the building and do the same, one after another. They all ignore my screams of protest and terror.

A lone soldier dressed in green suddenly appears in the door way, weilding two handguns, and with lightning speed shoots all of the blue military men before they have a chance to retailiate. He then gently removes my shackles and carries me out of there. I do not know how long or how far we walked but he takes me into a lavish suite in a ritzy hotel and lays me on the bed. The hotel apparently has its own hospital and the soldier summons the hotel doctors to come and care for me. He dutifully waits outside my door on guard and carefully scrutinizes everyone who comes to the room. The soldier does not hesitate to kill anyone who he thinks is suspicious and the people he does kill happen to have blue military uniforms hidden under their doctor coats.

After a while the medical staff leaves and the soldier and I are alone. Despite being horribly brutalized I feel extremely grateful towards him and I lead him to the bed and we make passionate love to each other. The next day he is gone and I cannot find him even though I search every floor of the hotel. Indeed the hotel iteself is now devoid of all people and staff, even though all the lights are on and it looks as if it should be full of activity. I am alone and feel confused and abandoned.

This is less of a childhood dream and more of a childhood dream fragment.

I am in my own neighborhood. It is wintertime. I encounter a robot that looks like Jonathan. (Persistent dream Nemesis) Don't ask me how I know it is a robot, I just do.
Well it is a robot, but it has a rubber skin to make it look like an actual person. I start having a fight with it for some reason. The robot is ridiculously strong, it can pick me up with one hand and throw me about 10 yards, and it does so repeatedly.
I eventually climb onto the robot's back and try to break its head off. I hear a snapping sound and see that the rubber skin has ripped around the neck and that sparks are flying out of the joint.
I am exhausted and beaten. I drop the defeated robot. I look down the street. About 20 of these robots are walking in a row shoulder to shoulder towards me. I run to my friend's house and bang on the door begging him to let me in. He will not. As the robots close in, panic takes hold of me and causes me to wake up.

Dream starts off as an underwater exploration thing. The submarine surfaces in a two storey warehouse where the lower levels are submerged and the upper level is not. There are several men who are exotic tatoo artists and they start drawing designs on the side of the submarine. On the upper level of the warehouse there are many young girls, including myself, and we are all dressed as ballerinas. An instructor arrives and gives us the task of putting out small fires that have appeared around the second floor. Water is provided on rolling carts that have buckets of water on them. When the fires are out the instructor divides the group of girls into two, saying that one group will go home while the other group will stay and learn how to dance, but I wake up before I learn which group I am in.

I had a dream that there were gigantic plant-beasts living in a friend's pool. For some reason, one of them decided that it wanted to eat my brother (who, for whatever reason, in this dream was also a plant). This culminated in scrambling through a maze-like complex of buildings, until the monster could be subdued by others.

In the dream, I was hanging out with S and T, I was really pissed at S and refusing to talk to him, T and I were going to some sort of party at somebody's ranch... at the end of the night, we left (my mother came and picked us up) and I realized I'd forgotten to say goodbye, so we turned around.

I am a young east Indian woman living in an impoverished area with near a beach. I live with my husband, his parents, and another woman whom I call Auntie. My mother-in-law (MIL) and Auntie dote on me because I have no family of my own and I am pregnant. My husband and my father-in-law (FIL) work long hours during the day and are not around very often. In many ways the family is very traditional, but in other ways surprisingly liberal, as they permitted the marriage to my husband even though I was already pregnant with someone else's child. MIL and Auntie are convinced the child will be a boy, FIL remains silent on the issue, and my husband (who is always very kind to me) thinks it will be a girl becuase everyone else thinks it will be a boy. I do not tell my family, but somehow I instinctively or psychically know what the gender of the child is, and it is a girl.

The dream jumps ahead a few months and I have given birth to a girl like I knew I would. Despite wanting a boy, MIL and Auntie are happy to have a new addition to the family. The dreams jumps ahead again (it does this frequently) to when I am pregnant with my second child. I psychically know the child will be a boy but say nothing to the family since I know they are all hoping for a boy anyway. About the time I give birth to my son, FIL retires and it is up to my husband to support all of us by himself. We care very much for each other but we rarely get to spend time along together because of family obligations or one or both of us being too exhausted.

The dreams jumps ahead again. My daughter is now five years old and my son is now two. I am pregnant yet again. I have grown very close to MIL and Auntie but their traditional superstitions have them believing that bad fortune will befall the family soon. Unlike the previous pregnancies I have trouble telling what gender this child will be. I think it is a boy, though every time I close my eyes, put my hands on my belly and concentrate, a horrible sense of coldness and dread overcome me, but not because I sence anything evil, more like I am being engulfed in a vast, endless dark void. I do not tell anyone of these feelings.

Bad fortune does seem to befall the family early in my pregnancy though, as my husband loses his job, Auntie turns to prostituion for money, MIL falls ill and FIL becomes very depressed. FIL will not eat and soon he falls sick and dies. We have very little money from Auntie's street walking to buy food, and thus definately cannot afford to pay for creamation or ceremonial rites, so we have no choice but to leave FIL's body rotting in the streets just outside of our dismal hovel. MIL is soon consumed by a similar dispair that took FIL and we all fear that she will die soon. One night Auntie goes out to work the streets and never returns and all we can do is assume the worst.

When I am eight months pregnant a tall skinny man arrives at the door of our meger lodgings and claims to be my brother (he does look like one of my bros in real life actually). He says that he is worried about me having so many children and thinks that I should stop. My husband and MIL throw him out and warn him never to come back. The next morning there is a basket of fresh white lotus flowers outside of our door, which I am able to sell to street vendors and pedestrians for a few coins each because they are considered good luck by many people. MIL wants me to keep one for myself but I ignore her and sell the last one because I want to be able to afford to feed my newborn when it comes along. Almost immediately a terrible pain erupts in my abdomen and blood starts gushing from my vagina. I somehow make my way home, but it is too late - I have miscarried what would have been my second son. MIL and my husband are very sad and they shun me for awhile, which makes my grief over losing my third child even worse.

The dreams jumps ahead again and our family is experiencing more favourable times. I am close to MIL again, who is no longer sick or depressed, my husband is employed again, our surviving children are healthy and being educated, and I am pregnant again. This one is going to be a girl and I tell my MIL that I am able to predict the gender of the child, but didn't say anything before out of fear of being accused of insanity or witchcraft and being thrown out of the house. To my surprise MIL is very happy at my psychic ability and tries to convince me to use my powers to make money. I refuse because I fear that if I reveal to some expecting couples that they will have a girl rather than a boy, they will then voluntarily abort the female fetus or abandon the baby girl upon birth (which is a very real problem in India actually).


The dream ends there.

I believe this may be a past life dream.

The beginning and middle of this dream are too fragmented to remember. Here is what I can remember from the ending.


I am walking my friend's dog (a sheltie) at night. It is snowing and there is a frozen fountain to my right and a throng of people to my left. The people are lined up along a train track with digital cameras and photo capable cell phones in hand, waiting eagerly in the cold for a train. There is supposed to be a dragon riding on the train but it is invisible and will only occasionally appear on camera. I drop the dog leash and join the crowd, suddenly having my own camera, just as the train approaches. It is a freight train and all of the cars behind the engine are flat slabs. The night sky is suddenly aflame with hundreds of flashes that make it difficult to see but I just close my eyes and click away. When the train is gone, eveyone reviews their photos. One by one they discover that the dragon has not appeared for them. I check my camera and find that in some shots there is an image of a long chinese looking dragon laying on the the flat freight cars. The dragon has black and grey scales, and white fur(?) and claws. In some of the pictures the dragon appears to be fading in and out of visibility. Since many people in the large crowd are angry that they waited in the cold for nothing, I am reluctant at first to reveal that I have captured the dragon's image because I fear a violent reaction. Some people walk away in dissapointment, but others stick around and congratulate me.

Original entry dated July 22, 2008:

Dreamed something about a restaurant... something about houses in a suburban area, it was a nice area... something about being a con artist, trying to talk people into buying a restaurant... and we were eating chocolate bars with forks and knives. That's all that I remember.

November 23, 2008
Had a creepy dream a few days ago:
Dreamed that someone was standing outside my room, in the dark, and would whisper "Bubble! Come here." I would wake up and look around and go back to sleep, and it would happen again. It happened 3 times before I finally yelled at them to shut up. It didn't happen again.

Random nightmare about Nazis, but for some reason they were dressed as circus clowns.

The next night I had a dream I was playing a shitty internet Flash game that kept crashing. It was all about some sort of reverse-World of Warcraft world and one of the main characters in it was an annoying sea goddess.

Followed by a weird nightmare that was like a combination of a documentary on drug runners and Stephen King's "Christine":

Dreamed there were these guys who gathered and smuggled this plant you had to chew to get high. If you got caught you were looking at a lot of time in prison. Somehow, in the dream, I got coerced into helping these guys. Unfortunately, the feds showed up, and I was the only person who didn't have anywhere to hide. For whatever reason, though, they didn't see me, because I hid the only place I could think of - behind the place's guard dog.

This was followed by a sequence that's scrambled in my brain but led to me standing outside of a rundown/abandoned shack. I'd driven there in a small fuchsia sports car, it looked like a newer Mustang. There was a broken down car there. The house was inhabited by the ghost of a small child; the broken down car was possessed. Little kid ghost was terrified of the car. I approached the car, and the inside began to fill up with water which streamed down the windows as the engine revved. Like any sane human being, I flipped out and ran back to my own car (whose door was open) while little kid ghost tagged along (by holding onto my hair?). I said "you can't go with me, I don't know what to do with you" but it cried and was insistent and I was about to be run over by a possessed demon car, so I didn't argue. I had trouble getting into my car because my legs wouldn't cooperate for some reason (I was so scared my knees had locked). Somehow I managed to hit the gas and take off, with the possessed car in pursuit. I managed to lose it along the way - I guess it couldn't go outside a certain radius - but my own car was out of control, I was cutting people off and driving in the wrong lane of traffic, and my brakes didn't work. I was yelling at little ghost kid to hit the brakes, but all it would do was cry. I then pulled up outside of a small family restaurant owned by a Yugoslavian family and walked inside. In the dream, I knew the family, but didn't know how to explain what just happened.

Something about... a museum... or some kind of exhibit... there were menacing punk rockers... or really like a combination of that and 50s greasers...

Me being upset because they turned my sculpture into some sort of weird hanging chandelier piece and it wasn't accurate to the concept drawing at all...

Something about... I don't know, Broadway opera singers in weird pink fluffy costumes and big fake wigs floating through a giant cotton candy machine.

Then I was fighting with Mom about plane tickets, she'd bought tickets home for everyone but me...

Had a creepy dream that I was in a house in the middle of nowhere. It had belonged to long-dead relatives, one in particular a woman, who had left behind a quilt and some other odds and ends, but all were relics from the 1800s. In any case, the house had little ghost-children who wandered around outside and on the porch, even during daylight. They wanted me to come outside and play. I was understandably reluctant.

Then dreamed I was swinging, only I couldnt get the swing going, and when I did, I kept falling off.

Dream starts off with my dad and myself at a giant church which is also a busy tourist destination, though the denomination is not clear. The building is square and seems identical on each side, and it five several stories tall. The outside of the church has bricked pathways that encircle the building and each each side (compass direction) of the building is painted different bright, solid colours. I cannot remember all of them but recall that the south side of the building was painted dark blues and either dark purples or greens. The crowds are made up of many people of different backgrounds, as well as non-humans. There are alien like creature that look like they just stepped out of a science fiction film like Star Wars, while others are antropormorpic animals, dressed in human clothing. No one is bothered by the wide range of non-human creatures, as this is quite normal in this dream world and though I am not bothered by it, I do take note of it because in the dream I have never encountered non-human civilians before.

There is a a small castle or fortress to the north of the church, that is much bigger and made of plain grey bricks. The whole place is set upon a cliff and a tan brick wall keeps people from falling off the edge into a churning ocean. Between the pathways and buildings are elaborate and beautiful gardens filled with many fragrant flowers. It is forbidden by law to touch or damage the flowers and benches are provided all along the cobbled pathways so that people can sit and admire them.

Along the pathways themselves are many sculptures, both abstract and figurative, that seem to have nothing to do with religion, made in a variety of different media. My dad and I are between the north end of the church and the fortress, looking at a brown (bronze?) sculpture. My dad asks me "Do you see him?" and points up. There is a little figure of a burly, bearded man dressed as a lumber jack and carrying a large axe over his shoulder. The rest of the statue itself looks like a crude replica of the Eiffel Tower. My dad is reading a plaque on the side of the statue about what it represents. I leave him to have a quick look around and encircle the church (and thus discover its different coloured sides) before I find my dad on the east side looking at some plastic, light blue and white triangular peices that are slightly curled, that I think are supposed to represent waves of water or something.

I am feeling impatient because I want to leave the crowded pathways and look inside the church, for that is I thought we had come there for. Eventually we do made our way inside, through the south entrance (as that is the only one open, the others are sealed). The inside seems warm and inviting, everything is made of wood and it looks like a simple cottage with a long hall down the middle. To the immediate right there is a small dining room where several (Christian) nuns sit around a dining table in front of empty plates and glasses made of fine porceline. They are dressed casually (wool sweaters, cotton skirts, slippers) and their nun headresses are grey, not black. They at first ignore us and the stready flow of people coming in and out of the entrance. I notice, and point out to my dad, burning embers on the dark brown wooded floor of the dining room, which the nuns have not seen or simply ignore.

We begin to stamp the embers out, as some of them are quite large and could possibly cause a fire, and only then does one elderly nun take notice of what we are doing and joins us in our stamping. When the embers are out she provides no possible explaination of what could have caused it but takes us on a personal tour which ends at a cramped but homely kitchen at the end of the hall. Many of the rooms along the way are sealed with heavy wooden doors and I cannot see inside them, while others are open, though windowless and dark and look mearly like the inside of a chapel with rows of pews and alters filled with candles, some burning and some not. Despite this there are not religious icons or statues anywhere and the only indictation that the building is a church so far is the casually dressed nuns walking the halls.

The elderly nun (who looks like the mother from James Cameron's Titanic) takes us to the second floor which is a special priviledge that the rest of the tourists are not afforded apparently, and it is much different in style the the main floor. Monks in brown cloaks wander the halls silently and avoid making eye contact with anyone and go out of their way to walk around. The walls and floors are made of plain grey bricks and there are many twisting passageways along the hall that go either up or down, yet do not contain stairs and hare been paved smooth and flat.

I ask the nun why this is so and she merely responds that it is to accomadate the many tourists in wheelchairs or those pushing strollers. She also mentions that the basement levels can only be reached by these twisting passages. At the end of one hall there is a large bay window and to the left of that there is a large red curtain from which silent monks enter and leave. A black man with a white turban, dressed in a dark blue robe decorated with silver five pointed stars and crescent moons, stares silently out of the window with a very sad expression on his face. He glances over his shoulder briefly and makes eye contact with me, before quickly looking away and returning his sad gaze out the window. I have a strong desire to speak with him, as I sense he holds much wisdom, but I do not because he seems so sad and unapproachable.

To the right of the bay window, there are two of the twisting passages, one going up and one going down. From the windowless passage going down an eerie green glow eminates. The passage going up has a single wooden frame window with a vase of daisies and seems more welcoming.

As I sit there and contemplate which passage I would like to take, the one going up (consciousness, the easy path) or the one going down (unconsciousness, the harder path) a tour group emerges from the passage going down. It seems to be a group of children lead by a middle aged man but they are all wearing radioactive protective suits that cover there whole bodies and trudge with great weariness as if their trek has been long and arduous. The sight of them needed such protection to explore the lower realm kind of scares me into impulsively running for the passage leading up. I quickly look over my shoulder and notice that dad is gone, as is the man at the window, and the hall is empty of monks, but the nun remains and smiles warmly at me, but she says nothing. Despite her reassuring glance, I scramble up the ascending path with no thoughts or expectations in my mind, like a scared animal being chased by something unseen.

The dream changes. I am suddenly in the castle north of the church, in a grand passageway that while still twisting upwards, is decorated with artworks and elegance befitting of a royal building. It is also much wider, does not slant so steeply and is lighted by large windows bordered by elaborate tapestries. People still wander the halls, but instead of nuns and monks, are woman and men dressed richly in Renaissance fashions of courtiers and aristocrats. A few of them saunter by me and sneer as they do so. I am not dressed as finely as they and instead have on a simple brown dress with a grey undershirt and light grey apron. I have read hair and know immediately that I have transformed into my deam incarnet, Kalima. I look out one of the large windows and can see the square, multicoloured church still surrounded by gardens and sculpures, though the cobblestone pathways are empty of modern-looking tourists and filled with merchants and vendors, peasants and aristocrats, human and non-human alike, bustling around in a budy medieval townscape.

I cannot consciously recall the previous part of the dream now and though I can sense that I do not belong here, and feel out of place, the farmiliarity of everything I am seeing makes me think that I have always been here. I unconsciously grasp at something hidden underneath my collar: a small silk bag containing a polished peice of jade hangs around my neck on a thin strap of leather. I keep it hidden because I feel that if anyone saw it, they would believe that I had stolen it, as it would seem too expensive for a mere peasant as myself to own such a thing. Beyound sentimental and material value, this peice of jade is magical and allows me to see beyond the constraints of the physical world, as well as grant me some minor magical powers. Through the Jade I can see the Truth at all times, and if someone were to discover it and take it away, I fear that I would be rendered powerless and blind.

Touching the Jade, I can feel its power, which pulsates with a warm but sharp electrical current, even through the rough cotton of my shirt and the thick silk bag that contains it. It jars my consciousness and I suddenly remember what I am supposed to be doing, though the sudden awareness is fragmented: Meeting friends. Finding and freeing a captive lion. Saving a King. I cannot compel the peice of Jade which, while still apart of me, is like an entity all unto its own, to show me more and I know that it reveals only what I need to know and it is up to me to figure out the rest.

I decend the winding passageway down to the main floor of the castle and meet a group of people whom I know are my friends. We came here out of curiousity at first, to see the castle, though later for an important task revealed to me through the Jade. My friends, who are all older than me by a few years, know of my power, and trust and protect me with great care. They are all humans except for one, who is a small antropormorphic ant like creature (about two inches tall) who is very wise and acts as our teacher and guide. He usually rides on someone's shoulder, since he is much too small to keep up with us walking on his own, and he greatly fears being crushed to death by being stepped on. All of us are orphans and outcasts and we have no one else in the world save for each other.

We find a lion in a cage and release it before the guards and discover us. We make are way through the lower parts of the castle and it is confusing and maze like. We are captured by some guards and brought before the King. My peice of Jade suddenly sends me a message about the King's life being in danger. I try to tell him so but he doesn't believe me. The lion captors have some how recaptured the lion and now use it as a weapon, making the poor creature attack and kill anyone it comes across, and beating it severely if it does not comply. The captors are just outside of the throne room when a soldier comes and tells the king what is happening. He finally believes me that his life is in danger and I use my magic peice of Jade to create and illusion so that my friends, the King and I can escape. We follow a secret passage revealed by the King behind the throne and it leads to the outside of the castle, but over the ocean and we have to jump into the water.

When I get out of the water I am seperated from my friends in the crowds of people outside the castle and for some reason my peice of Jade transformed me into a lion. I am immediately captured by the cruel lion tamers, who take my peice of Jade without which I cannot revert back. The King meanwhile regroups what soldiers he has left and surrounds and captures the would be assassins. I discover that I am able to revert back to human form under my own power and so not need the Jade. My friends and I are rewarded and we are no longer poor peasants. My friends take up residence in the castle, but I feel out of place because I vaguely remember my dad looking at the art outside of the castle and I leave to "find my way back home."


The dream ends there.