I'm in a nodescript house, sitting at the kitchen table with another girl and her mother. They're talking while prepping diner. I'm not really helping, mostly I listen to their chatter and the sound of cooking. The room is sunny, with long rays of lights cutting the walls. The night falls, and we're in a park, under the streets lamps. There's a man with us, with short brown hair and a pâle, blandly handsome face. He's talking to the mother, very close to her. The girl is frightened, hiding behind me. Her mother disappears and the street lamp over him goes out. He laughs and introduces himself as Lucifer. He moves for the girl, but I take her arms and run. We go from light to light, until I have enough and pull a knife. We turn around and the girl grabs the man. Spoiler for don't fear the devil: She pulls his head up and I slash his throat, again and again, the skinsplitting on the fleshe, bones and cartilages. The flesh is dark, almost purple, wiry and pulsing. I keep at it, the knife slipping easily through all, until I decapitate him. The girl keeps her hold on his hair as the body slumps foward. I grab his arm and start to drag it with us. The girl holds the head away from her body, looking disgusted. He's still speaking, trying to sweetalk us into reattach him.We end up at the top of a cliff, overlooking the ocean. The water are wild, full of foam. I tell the girl to throw the head first, so he can't see where his body land. She toss is hard enough for it to land almost on the face of the cliff on the other side. I drag the body and dump is once the head has disappear under the waves.
I'm in a rainforest, everything is dark green, from the foilage to the moss-covered trunks, the trees high enough that the sky is reduced to small swatch of grey between the branchs. There are grooves on the ground, incovering dark, red-tinged dirt. The path I'm walking on is narrow, cramped by the flora. It smells cold, like frozen stones and wet dirt. At the end of the path I find a clearing, with a herd of baie horses. There's lots of them, enough that the clearing feels overcrowned, claustrophobic. They aren't big or tall horses; I would call them ponies, but they don't have that king of build. I feel uneasy in the middle of them, nervous and restless. Spoiler for you are what you eat: I still walk in a little deeper in the herd, and I find a foal, that seem to be grazing. I look down and it's not grazing; it's nimbling on a horse leg, the bone at the top gleaming in the gray light, the flesh very red and wet with blood. The foal have sharp, flat teeths, and its tongue makes a grinding sound on the skin of the leg. Its nimbling makes the leg move at the joints, the hoof twitching. Looking around, I an see the dead horse it belongs to, a baie one. It's partially eviscerated, other horses eating off the carcass, ripping pieces of flesh and slowly masticating, big dark eyes waiting. I take a small step back, and suddently I'm surrounded with other horses; they are taller, with a more heavy build; golden palomino, with a bleached blond mane and light gold pelt; event their hooves are light-colored. The one closer to me stomps the ground, and I can feel it shake; the baie horses nicker and steps back, shaking their heads. I can feel the heat radiating from the golden horses, engulfing me. The one closer to me is holding its head at eyes level with me; it's eyes are black, fringed with almost white lashes. I am holding a silver thing that looks like a big spoon or a laddle. I bang it against a nearby trunk; it makes the same kind of sound that the hoof stomping, but mutch deeper, the vibration rippling through me and the clearing. The baie horses step sharply back, shaking their heads and tails as if bothered by flies. I do it again, and they flee. The golden horses flood the clearing, and the light sees to be a little clearer. I'm in a house overlooking the forest, with a woman and her very young daughter. The little girl starts complaining about tummy aches, before blunting out "I'm having twins!" the mother freaks out, but I somehow know that the one having twins is one of the golden mares. It seem to calm down the woman, and get go downstairs. The kitchen is flush with the forest, and there are horses wairing for us. I search the frige and get two apples out, handing the biggest one to the woman. She's nervous, afraid that the mare will chomp her fingers. I show her how to give them the fruit, making my hand nice and flat with the apple in my palm. The horse I'm offering it to take a big bite out of it, chew a little then come back for the rest, its nose soft and velvety. I hear the loud craking sound of the apple being chewed up and there's some crumbs in my hand. I brushes them off and see that the woman managed to give her apple to the other horse just fine. We mash somes medicinals herbs and clay together and looks for the pregnant mare. It turned into a young woman, and her belly is so huge she can't move from the bed she's sitting on. I give her the mix, and she start covering her swollen stomatch with it, sighing in relief. Her skin is so streched I can see her veins running under, and the pulse of the blood in it.
A flying dream. Haven't had one of those in a while. I'm flying in a overcast sky, with green rolling hills under me. I'm flapping my arms but it feels wrong and clumsy. Slowly it's like my joints move and change, and I feels like my arms turned to wings, and I can feels the movement of the new joints and muscles, I soar up again, lifted by the wind. I reach a house on a bigger hill, with a circonvoluted garden full of nooks and cranies and tiny ponds and waterfalls. It starts raining and I fly inside before my wings turn back to arms. There's friends of mine in there, and I meet up with them. The house is old and musty, strangely elongated with narrow corridor but very high ceiling and windows. We have to swich in light as the outside is dark with the storm. The wooden floor creaks. The rain stops, and we go out to steal something from a bad man. We go inside his tower and climb inside a lift. The bad man sabordage it and it start to fall. I crawl out of it to reach a button that will stop the fall, and as I reach it I tell my friend to jump to cushion the fall. I slam the button and feel the pecuniar sensation in the pit of my stomach that happen when a lift stop suddently, and I'm lifted of the ground for a second. My friends and me run out, fightinh our way through bad guys. I'm carrying a hammer, but my blow are so weak I can't seem to hurt my opponent, and my friends have to save me a couple of time. I reach the bad man owning the place and jump on his back. Spoiler for stop! hammertime: I bash is head in with the hammer and his skull crack like a egg. I have to pry the hammerhead out, the bone grinding against itself with sickening sound. I can see inside his head, it's very dark and looks mostly empty, with a strong smell of cold, congelated blood, and a feeling of stickyness. After that we go in a restaurant and we are served a big roasted turkey. I get some breast, golden crispy skin, juicy with meat over thin ribs bones. I bite through it, bones and all. It's hot, juicy, savory and salty. I have no trouble eating the bones; it had a nice crunch to it and a lot of flavor. The meat itself is melt in your mouth tender.
Disturbing part in spoiler. I'm in a industrial building, all cements and metals staircase. It's nighttime outside, but the inside are lit with harsh neon lights and green night light. I'm with a brown haired, thin woman, a little taller than me; the light make her looks sick, and put emphasis on the dark circles under her eyes. The air is cold and damp, the kind of atmosphere that seep into your bones and chill you for hours. We're headed outside, but a man cross our path. He's not very tall, but very charismatic, with brown hair and very white skin. He wears a crisp white shirt, without any wrinkles despite the late hour. He makes us walk to a lower part of the building, into a big room divided by metal fences. He makes us enter one of the small room delimited by the fence. There is a medical chair in the middle, with straps to keep the head, arms and legs in place. He straps the woman in, and she starts to shiver. Spoiler for here go my lunch: Then he produces a long straight razor with a mother of pearl handle. It glitter in the neon light, like his teeth when he smile. He use this razor to slice of part of the woman head, it go in and out like a hot knife in butter, and take the piece in his hand, inveilling her brain. There isn't any blood. Just her brain, that looks green in the light. I can see with chirugical precision the skin of her head, then the bone of her skull, then the differents membranes that warps the brain, and the brain itself, with the circonvolutions neatly cut like a anatomical picture. It shine wetly in the light, pulsing slightly. He dump the piece he already cut and slice a bigger one, all the waiy throught her nose and cheek; I can see the inside structure of her skull, the pink of the gums and tongue, the muscles of her faces perfectly cutted. He gently push in what's left of her frontal lomb inside the skull , showing a small patch on the surface of it where the brain of the woman seem to have rotten oway into a powery, gray-green mildew. it's small, barely larger that the blade of the razor, with irregular border, and it's maybe two millimeter deep; it's hard to juge with the mildew. He tells me "that's why I have to do it, you see." Her brain seem greener around the rotten area. It's a surealist butchery, a bloodless carnage. He keeps smiling. I get out, down another staircase, to the parking lot under the building. Once I'm outside, I start running. There are other people in the parking, trying to get away as fast as possible. A man walking in see me running and turn on his heels, running too. We pass a couple of garbage collector, one telling the other that he gt sick and now he can smell everything in the garbage bags, "from cambell soup to kitty litter." The street are lit with city light and colorful neons, the road go uphill. The ground is slick with a recent rain, the sky pitch black. Lots of commerces are still open, spilling lights on the sidewalk. I keep running, past a laundromat covered in white tiles and a chinese restaurant with red and black paper lanterns.