D1 - i'm wandering around somewhere and decide to take a short cut through a mown grass area with a bank in the middle. The bank its circular and for some reason I can't go round. Inside the cashiers office is also circular in the middle. A man there is dressed in a grey tench coat and trilby hat and gloves. He askes me the way to a rl street.I think about it. I have a vague idea of where it should be in relation to the bank but realise that this is a dream and so am not sure if it will actually be there. I tell him where it should be hoping im right. WBTB D2 - I have acquired to mannequins one small and one large, both male. They come alive and start playing. The bigger one has darker hair and features and accompanying personality. They are playing shadow puppets on my bed. It is a small child's room with white furniture and light by a couple of lamps. They both get skewer type blades of grey steel. The dark one looks at me close up deciding whether to skewer me but decides not too. WBTB I go back to same area D3 - The puppet toys have come with me to a garden (looks like end of my my parents garden) There is a large weeping willow tree. Children are dancing around in a circle. I think it is me and my brother and sister when we were little. The long haired blonde girl now looks like someone else I know and is upset as her bf is being taken away at knife point. He is dragged with a knife to his throat by a gang of boys. She has her bf replaced by one of the boys from the gang. I am now watching through the puppets eyes and nearer ground level and can see the skewer in my hand. Feeling the intent to stab someone, but I resist it and turn the dream back a bit so it doesnt happen.
I Had a weird, non-lucid dream about Slenderman and the Puppet from FNAF. I played a version of Slender that had a ''Nice Mode'' which allowed the character to be a green marionette-esque character, other weird things in the dream involved me running in fields and whatnot, I think, I don't remember all of it. But I have lots of dreams about Giygas from Earthbound. And that's it.
"Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you." I get home from school and my dad brings out an old puppet that he says is decently creepy. This worries my sister a little bit but I am quite curious what he will bring out. First he brings out the body which is in a blue puffy costume, like a clown outfit, and it starts to walk around on it's own a little and that makes me sister gasp in surprise, but I'm laughing at how awkward it looks while trying to walk around. Then my dad finds the head of the puppet and right when he puts the head on the puppet changes completely and I have a feeling that the puppet is all wrong. My sister is already gone, and my dad disappeared somewhere but I hear my sister screaming. The puppet's body becomes very skinny and long and black, I don't know what it's face was like, or even the back of it's head for some reason, even in the dream I couldn't see it correctly. Right when it gets it's head it changes it's movements as well and I keep forgetting that the puppet is actually a puppet and not a real human, and every time I remember that its a puppet I get very surprised. It starts talking but I have no idea what it was saying, I don't think it was even words, just the feeling of it talking and it's general calm composure. The screaming at this point gets higher pitched. My dream ends when it's dancing around for some reason and I hug it to show that I accept it as a person and that I'm not afraid of it. But right when I do the live face of the puppet becomes dull and his hand that is hugging me and patting me on the back feels cold and dead, like a piece of porcelain being hit against my bones. That horrified me and woke me up for quite some time. At the end I couldn't hear anything except for screaming and the knocking of the cold hand against me.
Morning of January 21, 2014. Tuesday. I am on the second or third floor of a large old building, likely part residential and part commercial, seemingly on Third Street in La Crosse, the street (and seeing it from the same building) where, in 1991, a large group of teens turned over a police car and set it on fire after the Coon Creek Canoe Races. Over time, it seems much like my (half - on my mother’s side) brother Dennis’s old apartment, which I have not dreamt of that much (and presently have no online references to it yet). I am sitting at a desk near the window, which faces west. I seem to be working on some documentation of some kind, perhaps an educational report for state government (one is due soon in real life). I seem to be somewhat distracted, though, as if my mind is trying to clarify where I am, but in a very subtle way. I hear about four teenage girls joking about on the street below. I think it is late afternoon. I look out and see they are looking up at “my” window. “Rasta rasta come out and play,” one says. None of them are familiar. “Oh no, he’s looking,” says one, running off but in a playful manner. (I am not Rastafarian, by the way - though I strongly relate to and understand the concepts of the “Babylonian system”, though older-style dub reggae is some of the only music I can truly get into other than styles my father performed as well as wrote.) Over time, I hear them talking and apparently planning or plotting something, but I am not sure what to make of it. I do not think they are left-over spectators of the canoe races. They seem to be “fans” of some sort, though I cannot quite make the connections and am not sure of their intent. I sit with my chin resting on my left hand, thinking. “Come on, I came all this way and you’re not coming down? What are you doing up there?” It seems one is a “leader” of sorts. I look out again, and am almost hit with a small package tied with a large blue ribbon that comes through the open window and lands on the desk. I read some writing on the package that clearly says “Dread” (supposedly addressed to me) and part of a note that says “Dear Dread”, which is interesting as the two words have the same letters. I am vaguely aware that I have dreadlocks, but only in a very loose sense and only a bit in back (my wife usually combs this out in a personal screaming session when my hair is pulled). I am not sure what to do. I had been working on yet another new style of dub with special types of frequency bands, but have not finished anything yet, due to my overly meticulous associations so far this year - even with inaudible phasing - nuances I often think of that most people do not even know exist. Curiously, these girls seem to know about my special abilities regarding sound manipulation, which only a very small number of people apparently know about if the huge amount of misinformation (even from “experts”) on the Internet is anything to go by. Still, it is hard to believe anyone younger could respect or understand that area of knowledge, so I am somewhat suspicious of their motives. I am also somewhat annoyed by their seeming lack of self-control in public. These thoughts pass through my mind, rather than anything relative to lucidity or even having fun of any kind. (I do not directly notice any musical instruments in the room - there is nothing studio-like about the room as it is more like a home business office.) I open the rest of the package and find that it is a larger hand puppet that is apparently a manticore, although its head is more lion-like at first. I notice that the letter has some rather unusual but precise anagrams of “manticore”. Looking at the list, I see: Romance It! Man erotic! Cream into! All of these being anagrams of “manticore” seriously puzzles me as if it was by design somehow, but almost as if everything that exists is a potential path to a different meaning. Another girl (possibly a version of my wife) who appears to be some sort of very shy “live-in secretary” is sitting at another desk near the middle of the room. I am thinking of going through business letters that I need to check, but my mind is wandering and thinking of inter-dimensional polarity reversal in “key” areas. It is as if I “almost” know how to open a gate or portal by inverting certain linear patterns so that others are then extant. I am trying to work out “zero pairs” into the concept and cannot quite get it, probably because I am thinking in fifth-dimensional ways, which is impossible to resolve. I am thinking of layered XOR functions (almost like a “she loves me, she loves me not” series, trying to work out if the end result will be a positive variable or a negative one), but then dismiss it, as the universe is not a computer, so that would not work. I put the manticore hand puppet on my right arm and admire the highly detailed homemade handiwork. It is soft and velvety and looks as if it cost a lot of money in special or rare materials It also seems to have dreadlocks as a mane, but in a subtle way. I sense my wife as a shadow on the wall, but the “shadow” is white and somewhat glistening instead of black (recurring) - likely based on the concept of photographic negatives. She walks around “on” the wall (that is, a “shadow” without a visible source) and my mind starts wandering again in concepts of fractal geometry and what connects where and what “door” goes where. Meanwhile, I start to play around with the hand puppet, moving it a certain way, its lion face becomes more of a man’s face by some sort of rolling section of material. Moving its mouth by way of my hand motions inside the puppet, large rows of sharp “teeth” come out, resembling shark teeth - and I play about making its mouth open and close, watching the teeth sway about, which are a bit like plastic or real bone attached to the velvety material and row of silk to simulate the “lips”. I continue to look at the remarkable complexity of the puppet, still thinking of the skills it must have taken to make it, thinking that the girls may have good intentions and respect for me. I decide to go downstairs, perhaps just to enjoy the outdoors or go for a walk. I put the puppet and letter on the desk. The cowardly lion from “The Wizard of Oz” touches my arm and says “D-D-Don’t go out there, d-duh, I wanna live, ehuh-ehuh…like dis…I don’t wanna see what’s out there”. I am annoyed by this “poor excuse for a lion/man” and say, slowly, going closer to his face, “Are you…supposed to be…Martha Washington?” and walk down the stairs. His sobbing becomes less audible behind me. Four girls are on the staircase near the doorway. The main one says “My name is Micra. I’m the one who gave you the note.” (It dawns on me that “Micra note” is also an anagram of manticore.) “Hello Micra. Would you like to tell me what is going on?” She has orange “vibrating mirror” somewhat kaleidoscopic eyes (normally such eyes are more silvery and highly reflective in dreams). In fact, they all have orange eyes, and with the small black stripes of their irises, I am thinking of tigers, but not quite in a threatening way…Tangerine Dream has a song version of the poem, and it flows somewhere in the distance… “Tiger, tiger, burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire?” She (the main “tiger girl”) touches my arm and fire emerges. The fire does not hurt, but I see my skin peel away, turning curly and black, flaking off, to reveal a bluish light underneath with differing “fibers” of darker and lighter. It reminds me vaguely of those “pills” that you light, and ash grows out swiftly, forming an “ash snake” - they used them for cheap Fourth of July celebrations going by various names, I think, such as “Magic Black Snake”, “Cobra”, and “Python” - not only that, dreadlocks remind me somewhat of these “Magic Black Snakes” and my own “hair” is transforming as such. Eventually I fly up into the air moving over the street watching them run and wave, looking up. The entire environment starts to resonate and cracks like ice, sizzling in vertical wave-like patterns into crumbs of concrete and destroyed buildings and streets - and four smaller lights fly away in different directions, the scene somewhat like stage curtains self-pulling apart to reveal what is really behind it all, and at the same time, being a giant manticore’s mouth opening up (but very spectral, almost ice-like in appearance) and “letting me out”. I am vaguely aware of the concept of the phoenix. The “comet rain” (yet another manticore anagram) spreads and becomes more pastel-like. My new “bat wings” carry me into a realm of stationary lights, somewhat abstract. I fade into the real morning. My wife moans next to me, complaining about the heat. “Cremation” is also an anagram of manticore… Additional layers of association: An old Tommy Cash record with the song “Free Man”, including lines such as “The king of the jungle is a lion, but you kill his freedom once he’s in a cage” and “If you only want a puppet then go buy one, if that’s how it is then I can’t stay”. Another song was “Four Strong Winds” with the line “You could join me if I’d send you down the fare”. This was our original plan but I moved to Australia. The four girls are the “four strong winds” of freedom, perhaps Earth, Air, Fire, and Water as well. An episode of “Grimm” called “The Good Soldier” (season 3, episode 11) features the manticore, which I not only did not know of prior to the dream, it has not aired here in Australia yet…we only just saw the last episode of season 2 - I will count that as precognition (or remote viewing?). It is one of the only newer shows we watch.
Updated 09-30-2015 at 03:35 PM by 1390
10/30/13 Puppet Master I am in a dungeon of some kind. I am making my way through passages and tunnels of stone. I am thinking of it like a dungeon from one of the Legend of Zelda games. I see I am there with Link. We continue into a larger chamber where we are immediately attacked by some strange creatures. They look sort of like spiders, but they only have four legs. They kind of jump around the room. They are all about the size of wolves. They come at us as soon as we enter the room. Link starts fending them off with his sword and shield but he seems to be holding back. He says he doesn't want to kill them if he can avoid it because they aren't acting of their own free will. He says normally they are quite peaceful. I think stunning them would be a good plan. I use the song spell Battery by Metallica to summon some lightning, but I focus to keep it at a lower power. Sparks fly through the room and knock the strange creatures unconscious. Link checks on one of them to be sure it is alive. He nods at me and starts to continue to the next passage. I tell him to wait, I will charge his shield with electricity so he can knock enemies unconscious with it. I do that using Battery by Metallica again. We encounter a few more of the strange creatures in the hallway but Link knocks them unconscious with his electrified shield. We enter a large cavern now. It extends to unknown depths below us. I look down into the blackness and it looks bottomless. There is a winding path that leads across the room. The ceiling is far above us, almost hidden in the darkness. Fires around the edge of the chamber keep the chamber lit. I briefly wonder how anyone got to those torches to keep them lit but I don't spend much time on that before I see something on the other side of the room. It looks like a huge and creepy doll of some kind. It looks like one of those evil clowns like Pennywise from the book It or something similar. The clown doll is alive, and it is holding puppet strings that are hanging down into the darkness below. Even though they don't appear to be connected to anything I figure those are what the thing is using to control the strange creatures in the dungeon and who knows what else it is controlling. There are armed guards standing along the narrow passage, blocking the way. Link says they are acting of their own free will… he knows that because they were enemies before the Puppet Master showed up. So we make our way along the narrow path. One of the guards lunges at me. I time it just right to grab hold of him and push him off the edge of the pathway into the darkness below. Link shoves another one off with his shield. I actually jump over Link and grab the next guard before he can react and I push him off of the passage as well. The Puppet Master is getting angry, saying he has to do everything himself. But he doesn't do it himself. Instead he summons forth a lot of strange creatures. Many of them are like the ones in the passages, others look sort of like ewoks with white fur. Link says they are being controlled by the Puppet Master… but how do we set them free? I tell him I am sure all we have to do is cut the Puppet Master's strings. He looks past the army arrayed against us and at the strings hanging from the creepy clown doll. He sarcastically asks if that is all we have to do… clearly he doesn't think it will be that easy. How do we get past the guards without killing them? They are all innocent. I am thinking of Prototype, so I use moves from Prototype. I jump. But I don't just jump, I crouch and charge up a large jump. I then glide right over the Puppet Master's pawns. I form my right arm into a blade and slice through all the strings on the one side. Link is just staring at me now as if he can't believe what I just did. The Puppet Master screams in rage and about half of the army blocking Link just looks disoriented. Before he can attack me I do another charged jump and cut through the strings on the other side. Now all of his slaves are disoriented and none of them interfere with Link as he passes through them. Link says the only way to kill the Puppet Master is to destroy the gem on his forehead. I look up and see there is a red gem there that is glowing. Link says only the sword of light can do it. I have my doubts that the gem can hold up to my Prototype sword, but I decide to play along. I take hold of Link and charge a jump, getting us out of the way just before one of the clown's huge hands crashes down in an attempt to crush us. When we are high enough Link jumps off of me and drives his sword into the red gem. Red sparks fly and the gem shatters. The Puppet Master collapses to the ground with Link still standing on top. The former slaves of the Puppet Master are still a bit disoriented, but they seem to be regaining their senses. The spider creatures are dispersing. Some of the white ewoks are coming towards Link and me. They are talking to us. One of them says he does not know how to thank us for freeing them from the Puppet Master's control. Link isn't listening to them. He asks how I did that. I ask what he is talking about as I transform my blade back into a human arm. He points at me and says that. I tell him it's a long story and I'm sure I don't have time to tell it. I am right about that, and Link has barely begun to ask me more questions when I wake up.
Dream 1(fragment): I recall some area in mountains, and some jumping around. Dream 2(fragments): I was in some very eastern/Japanese looking area and there was something i was searching for. Later i was trying to give some kind of text list to the prince, but he didn't wanted to take it and went to the palace. I was following his coach and on the way i was gathering the team of some kids. We all had abilities of some kind related to controlling wooden puppets of some kind, some crazy girl also joined the team. We were practicing and at one point we had problems with puppets breaking. When we were done we started searching for a good way into the palace. I recall seeing strange map. Dream 3(fragments): I was browsing dreamviews and there were some threads, someone posted something about recalling dream in dream and i was going around doing usual dream guide stuff and posting. Then we were responding to alot of SP related posts... And then back to that discussion about dream/recall.
Once again, I went to sleep listening to some binaural beats from ninjasleeper. Vivid dreams again, I think this one was like an hour long. Dream I'm on a planet that looked like Felucia mixed with Iacon from Transformers. It was futuristic and organic so I named it Cyber-Fungal, it was a bit of a jungle tbh. I was with two other people, one was a girl who looked like Max from Batman Beyond and one could've been Gandalf but I get a strong feeling it was Jack Bauer, the girl could change into water which came in handy wbecause most of the dream involved us going through sewers and pipes. The man didn't have any powers I don't think but he was the leader so I followed him. We got to a section of the city which was high up, probably a roof or fire escape. The girl had died I can't remember how but she was gone. Me and the other guy saw a huge Chinese/Taiwanese puppet/toy in the sky, it was huge and its fingers were connected to the city. I'm guessing it was the thing we had to free the people from. Being severely outmatched we called it a day and retreated. Still, shoulda gone lucid, especially being on another planet.
Non-dreamnon-lucidlucid Kit had described to me a nightmare she had in which there was a family who lived in a home in the middle of the woods. She described that the family overall behaved normally, but that something seemed Very Very Wrong about them. I asked her if, upon waking, she had pinpointed any of the subtleties that might explain the undercurrent of malaise. She mentions that there was melted snow on the lawn, and in the distance the forest is covered in snow, even though it's autumn. They also keep the fire roaring constantly even though the house is sweltering, and the mother is constantly swaddled in down comforters. The bright young daughter repeatedly reminds everyone to 'keep your shoes by the door, just in case!' It's implied that 'something' will come into the house if the place isn't kept very hot. I ask her if she's ever considered revisiting the dream to find out what It is. She says no. I joke about finding out for myself. My father and I are driving down a long road. As it progresses, we begin weaving through trees. It becomes snowier and snowier, until the veil of white is so encompassing that we can't see where we're going. He stops the car, and we're barely able to see a house off in the distance. He says he's going to go and ask them for help, possibly use their phone, stay right here. When he opens the door to get out, he zones staring into the snowstorm. I ask him 'What's up?' and he says, 'I just... Got a really bad feeling. Bah, nevermind... Hey. Just. Keep the heat running in here, okay? I'll be right back.' I agree and turn the heat on high. He vanishes into the snow. Inside the car, the heat begins to die. My breath steams up inside. It grows darker, I notice the snow looks less like snow, and more like a blizzard of frozen ash. I hear something moving; the sound of footsteps echoing like stones thrown to the bottom of a deep dry well. They begin circling the vehicle, getting closer. I squint out the window and notice that all around the house, up on the hill, the snow is melted. I realize I'm in Kit's dream. I pull out my father's business laptop and log on to AIM and start freaking out and asking her what I'm supposed to do to fend off the creature. 'DUDE. I'M IN THE FUCKING ICE PLACE. WHAT DO I DO?' 'wut' 'GOD DAMNIT IT'S COMING FUCK' I hear a strong wind blowing at the door, reaching out for the handle to open it. I slam the lock down. Realize there are three other doors, all still unlocked. It goes for the one behind me, I lock it- but as I'm pushing the lock down, it's already circling around the front and going for the front left. I push that one down, it's already going for the far rear. I hurl my body across the backseat to reach the lock, push it down, landing with my face inches from the window. What the fuck ARE YOU? A face SLAMS against the window and smears across it. It looks like Ambi(girl who has been behaving like a stalker toward me), but it's more like her corpse, inhabited and puppeted by the ice, partially frozen, blue and wet with rot. Her eye contorts as it smears across the window. I begin to sob. 'There you go, Kit. There you fucking go, it's a SHAPE SHIFTER. It manifests in the form of whatever you're most afraid of, whatever you're most paranoid of, in the moment you see it.' Now that I know what it is, I'm scared thoroughly shitless. Realizing I'm scared has a snowball effect because it means I'm going to lose lucidity, and my ability to steer the dream before I go under. I have to get out and face the blizzard, and 'fix it' so I stop having this nightmare before my chance is up and I go under. I'm getting rapidly distracted by fear. I open the car door and step out into it, and in a split second I feel my will being whisked away by the blizzard. 'ohfuck ohfuck I have to turn it into something else... Turn into a... a... shit! TURN INTO A BAR OF SOAP!' I lose control right as the transformation happens. And for a moment actually can't remember why or how the monster turned into a bar of soap, or even that it was a monster. For a few moments I'm terribly confused and start to cry, because 'Oh my god, something is turning people into bars of soap... What the fuck is going on?!!' (note: my non-lucid dream self is usually a blithering idiot) I then remember that 'I'm the one who did this, I turned Ambi into a bar of soap!' despaaairrr, whiiiine! I start beating myself up over how stupid I am, how could I do such a thing- also, I am 'an idiot for choosing a bar of soap, because when the snow melts it will activate the soap, creating liquid soap and suds, the melt will carry it into the gutters and it will travel out to sea and HURT THE ECOSYSTEM OMG'. I bawl on my hands and knees in the snow like a moron. The dream ends.
Night of May 1, 1988. Sunday. I am watching in my dream (having fallen asleep on my back), the associated imagery of the actual music of Abba’s “I’m a Marionette”, with a somewhat disoriented awareness - much like falling asleep in a movie theater and then wondering where you are as you are waking. In fact, I actually do perceive I am in a theater of some sort before realizing I am in my bed. It seems like it might be the end of a big stage production but I am uncertain. It is mostly of a black silhouette of a marionette (which seems male even though the singer is female). It is moving fairly rapidly at times, reminding me vaguely of the motions of an insect. Part of the music seems more like a soundtrack for a film about a haunted house, I note, especially with the seemingly “gasping chorus”, but I also get the impression of the “fleeting” life of an extremely despondent female. I also get the impression of people in a mental institution randomly cheering some sort of game, but as a stage production. Hearing the song through the veil of my dream, with associated “unnatural” rhythms, was very unpleasant, causing a slight nausea (though not nightmarish to a greater or clearer extent). This, for quite some time, caused me to rethink just how much music alters personal focus and internal emotions and ideas, especially music with negative or surreal implications. It caused me to once again question why people would deliberately listen to music with negative lyrics, especially while sleeping.
Morning of November 9, 1981. Monday. Last reviewed and supplemented on Friday, 28 July 2017. I become aware that I am sitting on the left arm of a couch in what seems to be the Loomis Street house. However, there is a feeling that the orientation is rotated in layout from the south wall of the living room to north wall of the dining room, so that the left arm of the couch is on the east side rather than the west side. It is not known if my dream implies that the living room and dining room have exchanged their locations as I am not focused on much other detail. I do see that there is a small side table on the left of the couch, which has at least a lamp and a rotary telephone. Still, it might be implied that I am in the dining room rather than the living room as I am vaguely aware of what could be the kitchen entrance farther off to my right rather than what would otherwise be the entrance from the porch. An unknown male is sitting on the couch to my right, but not that close to me at first, only close enough to just reach me with his left hand. He seems to be an unknown and unfamiliar door-do-door salesman, possibly in his thirties. He has a large snake hand puppet which covers nearly his entire left arm. It is not that realistic, though not as simple as a sketchy cartoon-like model. He does not try to convey the idea that the puppet is talking though he does makes its mouth move. He does not seem to express that he knows that I know it is just a puppet. Perhaps he does not realize that I know it is just a puppet. (This is not certain.) At another point, he mostly seems to remain behind the left side of the side table on the opposite side of me (to my left), reaching around with his left arm from the front. I make no attempt to acknowledge him or communicate in any way. Although he does not seem threatening, I remain annoyed, because I feel he is being childish, especially as my dream self identity is probably about twenty years old and such an approach is not what I would consider entertaining or even amusing. Although it seems he would have had to teleport to change position in this way (as I did not see him walking or moving to my knowledge), I do not think about his location changing as such and curiously, I do not see him as an imposer, only an annoying person of whom I do not reflect as having any backstory in this scenario. When I awake, my left arm is numb, due to having my weight on it. (This is not a common event.) I do not believe that this dream is relevant to my conscious self’s day to day reality, and therefore, I do not believe that it has an “interpretation”. Here is why I believe this: I believe that my awareness of the lamp on my left solely relates to my potential to become more aware in real time within my dream. I believe that the telephone on my left relates to either potential real-time communication with other levels of my consciousness or possibly thoughts perceived as originating from other people. I do not believe that there is any more to it than this because the experience is in real time, and is not a “recording” to “interpret” after the fact. (After all, in real life, you would go by what you experience as it is happening, not make claims that features like lamps or tables were something else the day before.) The fact that I am “sitting on the left arm” of the couch rather than its seat implies liminal awareness that there is compromising weight on my left arm as I sleep. The personified preconscious’s form as a door-to-door salesman implies a persona or feature that I would perhaps only see once, or at least not very often. The puppet is on his left arm, which means he is, in a rather odd and indirect way, trying to relay that my left arm is in a problematic position. A puppet in a dream, in previous dreams, has been validated to be an “invitation” for my dream self to take control of my dream (though this same symbolism has also been validated as such in non-lucid dreams in most cases). In this case, it seems more about waking up and gaining control of my left arm. Biological waking symbolism (more specifically, paresthesia waking symbolism) is the foundation of this dream and there is no reason to read more into it other than perhaps signifying the snake as a healing factor in getting my arm to move correctly again. The fact that the snake is not that realistic may be because my arm does not have its full natural use at the time. Note that I have studied a lot of dreams in which a snake features. A snake often has completely different meanings in different dreams, which only the dreamer of the dream can come to correctly resolve.
Updated 11-19-2019 at 10:56 AM by 1390
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