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(night of) 17-12-20


Future problems

1) **time missing** I'm shooting down a small interior pipe , it's sort of suctioning me in and then blows me out into a small apartment. It seems to be the door to the apartment. A lady, who has been helping me comes behind me and show me around the place. The front room, which is linked to a bathroom, kitchen and bedroom. The lady tells me I'll be safe here, she tells me she needs to get back to work before anybody notices and shoots back up the fireplace door pipe. now I am on my own, I wander from room to room wondering what I am gonna do. It feels like a 1950's idea of what a house in the future may look like. The rooms are kind of vacuum formed, so that where the floor meets the ceiling it has a gentle curve. I go over to the 'door' area and look at it for a bit, I look inside and prod the surrounding then I head back to the bathroom and go to the toilet, after I'm finished I flush the toilet and an alarm sounds off - I have no idea what is happening but where the 'door' is suddenly water start spurting out everywhere, it falls down and floods the whole apartment. The lady comes back at that moment landing in water up to her ankles - I try to tell her I don't have any idea what had happened - I just 'looked' at the exit. She tells me I need to go (clearly thinking I broke this) I thank her for the time I spent here, and for the time before - recalling now that she 'saved' me and a woman I was with from inside an old tavern, this is twice I owed her now. I ask her how much would cover all damages and help and she tells me '50' It doesn't sound much - but then I don't know what the currency is (even though I have it) I give it to her and wake.

I'm with William and Diego. We lay down in a room and go to sleep. I enter a new dream and William is there too. I know it's a dream and walk around. I wake up in the last dream and suspect that William and I shared the same dream earlier.

I'm with dad and my cousin Jonathan Å. He talks about how he is newly examed and works as a business man. My dad and he talks a lot.

Notes: I haven't thought about or seen Jonathan for a long time.

Night of December 17, 2020. Thursday.

Dream #: 19,722-18. Reading time: 2 min 12 sec.



In my dream, I become aware of being in an unfamiliar house. I am looking through a doorway where a young girl sits at a desk in a smaller room, writing. (I am standing near the center of a mostly featureless room.) A little bird is on her desk, having left its cage. I am somewhat surprised that cerebral phasing (and its personification) is still active. Ordinarily, the Naiad factor (melatonin mediation) has occupied this part of my sleep cycle’s timeline for over 50 years. (She is not a Naiad though she does mention mines, suggesting caves, in the outcome of the narrative.)

I slowly become aware of the silhouettes of about six birds. They are peregrine falcons and owls flying around in the foreground, about two feet in front of me in the same room. There is significant energy that increases over time.

After an intriguing sustained hypnotic focus on this shadowy rustling and atypical energy for this stage, the girl turns to tell me, “Take them to the mines.” I know it means to prepare to enter a deeper sleep to decrease vestibular phasing and myoclonic anticipation.

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How to understand the reasons for dream content:

Can ultradian rhythm, sleep dynamics, and the time of my dream be determined solely by content? Yes, in this instance, it most certainly can. Here is why:

Firstly, “take them to the mines,” preconsciously commands going to a dark place underground. In other words, it anticipates my liminal thoughts of entering deeper sleep near the beginning of my sleep cycle. (I am typically aware of the causes of my dreams while I am navigating them. It is not “intepretation” to already comprehend what is occurring.) References to caves in anticipation of entering (or returning to) deeper sleep have been a regular feature in my dreams for over 50 years.

Because the peregrine falcons and owls are somewhat restless and in the foreground, as a result of predominant vestibular phasing (implying it will take longer to succumb to sleep atonia), the cerebral phasing personification (the girl at her desk) increases to bring attention to the process; thus the cerebral phasing (and reasoning ability) is also at a higher level than usual. Birds also often anticipate myoclonus while sleeping, though in this case, the residual vestibular phasing does not result in myoclonus.

Why is my anticipation of slow-wave sleep compensated for here in associating it with mines? It is because of experiencing sleep apnea recently. The girl says, “Take them to the mines.” Despite the peregrine falcons and owls indicating restless residual vestibular phasing, a subliminal reference to canaries in coal mines for detecting harmful gases is a factor. It is associated with not being able to breathe while sleeping. Despite subliminally anticipating sleep apnea in this instance, I otherwise rarely experience it.

My dreams often include literal references to sleeping or dreaming because I am always aware (on one of three fundamental levels; instinctual, liminal, or lucid) when navigating dream space (and duality).

My dream’s partial influence is the print “El sueño de la razón produce monstruos” (“The Sleep of Reason Produces Monsters”) by Francisco Goya. However, the foundation stems from “Young Girl Writing at Her Desk with Birds” by Henriette Browne. There was no perception of uneasiness despite the inference of the Goya print.

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