• Lucid Dreaming - Dream Views




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    1. Hierarchy Artifacts

      by , 09-25-2017 at 10:28 AM
      Morning of September 25, 2017. Monday.



      In my dream, I find myself with a personified version of the preconscious that I created in the 1980s. Although this form is active every now and then, like most forms of the preconscious, there is typically no connection to waking life or the pretense of “interpretation”.

      This male in my dream as the role of the RAS (reticular activating system), which is what biologically controls the waking transition and its symbolism between consciousness and unconsciousness, is of the “Hierarchy”, a term I created in the 1980s for the nature of the dream state and its various core components and real-time symbolism including circadian rhythms symbolism. Its inherent waking symbolism is of a necessarily biological authority, unrelated to waking life. (Dream symbolism is more about the nature of being unconscious than being awake, kind of a no-brainer really, yet most of society presently completely ignores this truth.)

      Alex (Alexander; chosen because it means “defender of men” or “protector of mankind”, a good analogy for RAS) and I are in an unknown building. It may be a library, as shelves and dividing walls that do not reach the ceiling are present. There is an unfamiliar elderly woman present. Though I am never lucid (or even subliminally lucid), we are here to research the nature of the Hierarchy, and the woman mentions some sort of ancient document, which supposedly relates to this organization that secretly rules and protects mankind.

      At one point, Alex and the woman are on the other side of a shelf that is almost up to the ceiling. I can hear him confirm that the document is genuine. Wondering what my role in all this is, I decide to climb up to the top of the shelf.

      I look through a few boxes on the top shelf. I look down and see an unusual anthropomorphic crescent moon cookie cutter, though it is vertically oriented rather than of a logical cookie cutter design. It has the essence of an ancient artifact and I find it interesting. I ask Alex if I can have this and use it in my work.

      He informally tells me that there are “no cookie cutters” in the Hierarchy, more so referring to the prospective role of being a cookie cutter in the Hierarchy.

      Later, I am with my older brother Dennis (who still lives in America and last seen in real life in 1994). I tell him about the Hierarchy and about Alex. I say that Alex has “limitless diamonds” and owns whatever he wants.

      The moon represents the circadian rhythms factor of dreaming (as night is typically associated with the dream self while daylight and the sun represent the dynamics of conscious self identity). Its being a cookie cutter signifies the nature of lucid dreaming under conscious self identity creation. The fact that there are apparently “no cookie cutters” in the Hierarchy translates as RAS being of a biological factor and that one should not have full conscious control of circadian rhythms cycles, which could damage the physical body. This does not limit or suspend any potential for apex lucidity of course, which mostly occurs in the morning anyway within my last dream. The cookie cutter’s position on the shelf is more about the dynamic of this part of the sleeping and dreaming cycle, the moon’s crescent form signifying my percentage of unconscious awareness and percentage of vividness of the dream state (for example, a full moon would indicate full awareness while in the dream state). Liminal space dividers in the dream state are symbolized in real time by walls, fences, or high shelves. My act of climbing the shelf is symbolic of my dream self (subliminally) seeking more understanding of RAS and the preconscious.

      My comment to Dennis about the diamonds relates that the preconscious and RAS are of the main biological power behind sleeping and waking transitions. Being within a large diamond is one of the Mastership meditations that in part represents clarity of thought even when unconscious (though again, I do not have viable lucidity in this dream).

      This dream is mainly the result of a new variant of affirmation-based dream preparation. Instead of using “after” and doing the count after a particular affirmation, I have changed this to “anytime after” for a number of reasons. For example, “anytime after” is far more powerful than “after”, as “after” would otherwise denote “immediately after” or “soon after” while “anytime after” would be far more likely to integrate into the continuity of a later dream, either literally or symbolically depending on the desired outcome.


    2. Escape/Game Session/The Bookshelf

      by , 11-23-2013 at 10:30 AM
      Date: 11-23-13
      Techniqu(s) Used: N/A
      _________________________
      The dream started out with me running through tight corridors in a city. Enforcers were after me, for I was a part of a renegade group within the city. The exact reason I was being chased was unknown.

      I ran across stone-paved roads, up walls, and across rooftops, all to get away from the officers.

      I eventually made my way to a beach that had a train station on it. The rest of my group was waiting there, so I figured it was a rendevouz point. We were to board the train, and escape the confines of this city.

      We heard the engine roar, as it was approaching our stop. However, the train suddenly jerked, and went off the rails. Bodies spewed out of the cabins, as if to be blood for the train. My group managed to evade the crash.

      Out from the train steps a shady figure - my mind instantly knew it was an assassin. He had a large trenchcoat on, all black attire, which made it hard to see his face.

      I made a snap decision, and picked up a toy-sized katana (About the size of an action-figure's accessory). I lunge at him, and stab him a multitude of times in the front and back. Sastisfied, I drop the weapon, and turn back to my group.

      That was my fatal mistake.

      The assassin was on top of me in an instant, and penetrated my side with the same weapon. I fell over, my side numb.

      All of a sudden, a flock of creatures called Death Vultures descended on the remains of those that had passed on. The birds were completely black, featherless, and had white skulls as heads.

      The assassin was trying to say something, but I hush him abruptly; if they saw someone alive, they'd tear us to shreads. We stay still as one lands on a fallen segment of a train to inspect the spoils.

      It soon took flight, and dived at me. It picked me up in its powerful talons, and carried me off into my next dream.
      _________________________
      The scenario changes to me with a group of people that were gaming. The game resembled a mixture of Mario and Megaman, with different characters.

      The 'head' of the group was having trouble collecting 200 coins for a achievement, since we'd already beat the game. I swipe the controller away from him, and complete the mission. I hand it back to him, and we move on to the next achievement.

      For this next one, we had to eat a difficult boss, a demonic doctor, with a certain character, whose main attacks were up close punches. We all had a hard time beating him.

      Eventually, our lives depleted, and it switched to a cutscene. It looked as if it was rendered for PS1.

      It started out with a zoom in on some doors, guesome sounds emitting from them. I covered my eyes, mortified to know what was going on in there. The camera goes inside the room, and it starts to get a view of our characters. I uncovered them for a second, and when I saw the main character tied to a table, I recovered my eyes with my hands, which caused me to transition into a new scenario.
      _________________
      I uncover my eyes, and end up back in my room. I was sitting in my chair, which had wheels.

      Someone began to push me around. Assuming it was someone from the group, I ask, "How long have you been in the group?" I recieved no responce.

      The movement stopped shortly after I'd asked, and I noticed somehting strange: My booksheld was messy, books all around it. I begna to clean it up, when I saw somehting else that was not right: There was a bunch of pink, paperback Stephen King books. I didn't remember having these.

      I opened one up, and was surprised to see that it was a guide to an RPG game. Something wasn't right.

      I began to clean up the rest of the books, and realized tha thte pink books were a part of a series. Some other books I didn't recognize.

      I soon woke up in the midst of cleaning.
    3. lost friend on subway; home before class; domestic murder drama

      by , 05-25-2011 at 11:42 AM
      Good morning, everybody.

      Dream #1

      I was on a subway with my friend H. We were riding above ground. It was night.

      At some point we had had to switch trains. I missed the train, while H got on. I had to wait for a while to get another train.

      I was then on the second train. We were high up above the ground, on some elevated platform that seemed to be a conjunction of a few different tracks, somewhere between stations. The tracks seemed to be on a floor of light beige or white plastic slats.

      I got a call from H. She was at some cafe or restaurant. It may have been our original intention to eat there. But I might now have been much too delayed to meet her there. So she might have decided to eat there herself.

      Dream #2

      It was daytime. I had just come into a house. Outside, snow may have been covering the groud, although it was a sunny day.

      I was in a huge room, which was like a mix between a living room and a study. There was a huge, wall-sized bookshelf along the left wall. There were nice chairs and couches everywhere.

      I may have put something like a jacket down on the back of one of the chairs. I walked toward the back of the room, to a doorway on the left wall.

      I apparently had to get to school. I had arrived home after doing something. Now I barely had time to take a shower and get dressed. Apparently the door I was walking toward was the door to a bedroom and bathroom.

      But I stopped and stood right at the threshold of the door. I looked down, possibly to some book or piece of paper I was holding. I think it was a white piece of paper with sharp, scrawled writing on it in heavy, black lettering.

      I felt like I didn't really need to go to school after all. I thought I would just take it easy at home. After I thought this I felt kind of guilty.

      Not long after this another person may have come into the house. The person may have asked me when I was going to school. I was probably thinking of some way to skirt the question, not have to explicitly say I wasn't going to school.

      Dream #3

      I was in some dark room. I may have seen an old man or old woman walk past me. I follwed the person and found myself in a small theatre.

      The theatre was all black. The seating area was three or four rows of moveable chairs set up on some tiered, wooden structure that had been painted black. There were two long aisles of chairs. I sat down in the front row, in the very far right.

      The play was already running. The stage was just the floor, which was black, and black walls, with perhaps a black velvet curtain against the back wall. The only set piece was some kind of long sign, like a display of text for a museum, set up to run from about waist to head level on square, thin, black metal poles. Everything was lit with gentle incandescent lights.

      An older woman stood in front of the sign. She had red hair and wore a long, slim, but flowing dress made out of some kind of crepe fabric. She looked a little like an older version of the mom in the 1970s version of Freaky Friday.

      The woman may have given a speech and then left. Then the old man came in. He was healthy-looking, but very fat, with tough, tan skin, a bald head with grey-white hair on the sides and some rough, long sideburns. He wore a white toga that left his left shoulder bare.

      Somehow I had gotten the idea that the man had killed the woman, possibly by stabbing her, but also by using some weird kind of remote technological device.

      After the revelation that the man had killed the woman, there was an intermission. During the intermission I walked up to the sign-like set piece on the stage. I watched it really closely. It was like the sign was a video display playing a commercial. One image on the commercial was a red, eye-like object with grey wings, surrounded by darkness.

      Apparently the second part of the play had begun. But it was now like a movie. The view was of a bedroom window, from the outside. The whole scene was lit in a deep blue light.
      The old man climbed into the bedroom through the window. He was holding a knife with a 25cm, wavy blade. He crawled into bed with the woman. Apparently this was when he had stabbed her.
    4. Jack's Flying Car

      by , 05-04-2011 at 03:33 PM (The book of mars)
      I'm walking through a lot of sludgy snow on all fours down the street. I put my thumb out at every car that goes by but no one picks me up. One car slows down. It's a pink see-through "car" made of cardboard. It doesn't pick me up but I follow it.

      I arrive at some shitty little house. The hallway is so tiny I must walk sideways through it. In the kitchen, I pour myself a big cup of smoothie. My mom's voice from somewhere comes out and says "That's all pineapple!", and taste it. It is.

      I open a door and see a bunch of kids playing outside in the back yard. I don't join them. I open another door and now I'm in my basement from my childhood house. My kitten (that I have in real life) sneaks down the stairs and my mom tells me to find her. I look around and become distracted by noticing my basement.

      It has fused my memory of the basement and the house, and there are stained glass bookshelf cases right next to the stairs. I walk into a room behind the stairs. It's a giant library with our big bookshelf case (usually in the dining room) in a largely empty room. There's a middle room next to this one with three bookshelves, all filled with just two series: One fantasy series my mom read, and another Peanuts-esque comic series my aunt read (it doesn't really exist). On one of the bookshelves in this room is a big collection of all the art Graeme Base (of Animalia fame) ever did.


      I look through a doorway and see a bunch of people and Heather standing around. I do a weird dance and end up on the floor and a girl next to Heather does the same dance. I walk into the first room again and now it's a gift shop in my basement. All of my friends are here on some kind of "field trip". I start reading some holiday cards which are in a case.

      My friend Justine comes up to me and says she's upset that she's so mean. I say "Yeah, you're an asshole, but I am too," and we talk about we are mean and wish we weren't. I end up hugging her and Heather comes over and seems unphased by it, which I'm glad about because it wasn't a sexual move at all.

      I go back to the card section and really want to steal a Harry Potter "card" that is actually a really thick notebook full of original sketches by the author. I imagine that there are cameras in my basement because this is now a store, but end up grabbing it anyway. It's time to go so everyone, including me, walk through a new doorway exit to the driveway.

      I get in a car that Jack's driving and my brother Holden is supposed to be sitting next to me. He gets in for a second but leaves. Jack doesn't know that he left and speeds off. Time lapse to us driving on a main road in my town. I say "Jack, pull over here, Holden's there," and we do. I tap on the glass of my window and Holden looks up. We're on the other side of the road, though. He has an air of superiority so as he walks through the busy traffic, all the cars stop for him, some of them dangerously close to running him over (but he doesn't seem to mind at all).

      He goes to the sidewalk next to the car and starts running. He is challenging Jack to a race to wherever our destination is. Jack takes offense to this and starts speeding to make sure he wins and runs every red light. I'm kind of panicking and as I get more and more afraid, the car goes more and more out of control. Soon we have so much speed that the car starts to fly.



      We are in the air and I see we're going to land in a really bad place, in between some buildings in like a hedge or something. It seems really dangerous. We land....and I lose the dream.
    5. In ye olden times

      by , 01-01-2011 at 12:15 PM (Fernanvic´s dream journal)
      01.01.2011

      NON-DREAM DREAM LUCID

      I was climbing across a giant bookshelf (I think there were books but I'm not sure) while a narrator with a really cool voice told me the story of a princess and a prince who had married each other without being in love. To compensate they bought each other really expensive gifts. I could see really expensive jewels in the bookshelf. Later there was a war and the princess divorced the prince and then she married another guy who was a hero. After reaching the end I began climbing across the bookshelf again and heard the first part of the story again but the section where I had been told that the hero had married the princess was now blocked.

      Notes: Nice! I didn't expect to remember anything in new year with how little I slept.

      Dreamsigns: The narrator, jewels from the story and why was I climbing a bookshelf?