All DJ Entries

Captive
This one felt strange because for most of it I was a ghost. In most dreams, obviously, I switch characters seamlessly and hardly notice that it's happening. This time however, I consciously make the decision to become her.

We are in a small basement apartment and is an entirely new construction, which is odd for me. Most houses are, in some way, ones I

have lived in. The walls are dark red, the carpet beige. Immediately to the left of the front door is the bathroom, three steps in there's a couch sitting across from a loveseat. There is a floor lamp with a simple glass bell shade. I'm crouched by the loveseat.

On the couch is a thin woman in an ankle length light brown dress. She has extremely curly hair, it's a wispy pale brown. A man pins

her to the cushions, she is still mostly clothed, so is he, but it's still obvious that he's raping her. She issues soft, breathless sobs and negations, her blood smeared hands push ineffectually at his shoulders and chest.
I want to bash his face in. I urge her to grab the lamp shade and hit him with it, and after a moment she looks at it and considers following my suggestions. As she is reaching for the neck of the lamp, he finishes and stands up. I get a view of his back as he zips up his fly and tucks in his shirt. I glare at him. She watches him with fear and uncertainty. She sits up, lowering her skirt back over her knees.

He says that he has to leave for work, and explicitly outlines what will happen to her sister if she tries to leave. He muses that she can't

possibly expect the police to believe that she was held captive and raped, after all, he is a police officer. He turns to face her, looking out the high narrow windows, buttoning his cuffs. He's about 5'7" with short black hair, a cruel face with black, dead eyes. She can't stand to look at him, and when he begins to walk toward her, she darts for the bathroom and slams the door behind herself.

We can feel him on the other side and how little her flight has affected him, how very little she can do against him. She feels like

screaming or crying. We hear the front door shut and lock, apparently it locks from the outside too. Just in case she became adventurous.

My eyes settle on the single window above the toilet. I urge her to look out. She pauses to wash her hands and then does as I say. She

has to climb up onto the toilet to look outside. The bathroom, like the rest of the house, is painted red. The window is more like a screen on a hinge, and on the other side is a cramped tunnel.
I watch as she stares outside, between the hedges to where he's standing talking to my boyfriend. I hear him say that he has lost his car keys. Which is true, but he's also a police officer ((complete fabrication)) from out of state. Something has made him suspicious, but he can't put his finger on it.

"Sorry buddy, I can't help you. The manager inside might have a phone you can use."

My boyfriend heads inside the apartment building. The woman's captor stands beside the car there, talking on his cell phone.
Her hand falls limp to her side. I press my boyfriend's keys into her hand. She doesn't even question how she got them. I urge her to go, but she's too terrified. I step up and become her. I open the window and squeeze myself into the tunnel. It is a little more than one length of my body, I scrape my elbows wiggling forward. I reach the other side and wait until his back is turned, I separate from her and watch her crawl out. I follow after. We hide behind a solid backed bench on just the other side of the hedges.
She freezes, and she can't anticipate his movements like I can. I join with her again. He pivots and we go to hide behind a black Dodge Avenger. We hear our captor get into a car and drive away. For a moment I'm confused, and think I'm looking for my boyfriend's old car, a teal Sunfire. I hesitantly click the unlock button on the key and the Dodge Avenger bleeps from behind me. I separate from her hand urge her to get away before my boyfriend comes back. She opens the driver side door and slips inside...

Battlestar Galactica

The house we're sitting in feels like my childhood home in MA, except that it is only one level, and beside the front door there is a

raised part of the floor, like a single step. Across from that is a low, dull gray table.
I am Cally, Chief Tyrol and Boomer sit on the raised section of floor, grimly regarding the table. I walk to the Chief on my knees, my eyes are burning and my throat feels thick. Our story has run its course, and yet we find ourselves here all over again. Running from the Cylons. I get a sense of where we are in the story, sometime before the settling on New Caprica.
Chief has his arms cross. I tug one of his arms free and he looks down at me with mild surprise.

"Cally." His voice holds the trace of a warning, but now is not the time to worry about appearances.
"Chief, could I...?"

He lifts his arm and a curl up by his side, he drops his arm across my shoulders.

"Chief, does this mean that we have a chance to do things differently? To make better choices?" I ask, it's difficult to speak.
"Yes, I suppose it does." He replies thoughtfully.

The relief that brings me is amazing, it's such a gift, to start over. The chance to treat people better. Knowing how the story ends, would we make the same choices?
"

She should be here soon." He says softly. We lift our eyes from the table to the darkened doorway on the other side of it.

Starbuck appears, there's something wrong with her face but I can't figure out what it is. She's also pregnant. Just far enough along that it's obvious. She leans heavily on the table then lays down on it, clutching her belly.
I leave Chief's side and go to hers. Hesitantly, I stroke the hair away from her face.

"Are you feeling alright?"
"I think I'm miscarrying." She says. The look on her face, and the fact that she's Starbuck makes me wonder if she's making a joke.
"Are you kidding? Is she kidding?"
"Help me sit up."

I oblige her.

There's a lapse. I'm standing in front of Starbuck who sits with her legs dangling off the side of the table. Another woman has arrived

but I can't look straight at her, even out of the corner of my eye she disturbs me.
Starbuck trembles violently and then her mouth moves of its own accord, speaking words I don't understand.

"Avre ein en Novem-ah."

The disturbing woman laughs at her. "Oh yes, your vast knowledge of forgotten history is astounding. You only speak of the Novem, how can you possibly know what it is to call the Novem friend?"

Starbuck can't seem to look straight at her either. Her eyes shift away uncomfortably. The disturbing woman doesn't speak again but I

get a sense of timelessness from her, wondering at the vastness of her existence that stretches across aeons. Starbuck may know these things too, because of the child she carries, but she has not lived it. Not like the Queen. This knowledge deeply chills me. This is the house of eternity, there are other paths to walk besides this one.

Then I am outside. I am a fit and unpregnant Starbuck. Admiral Adama gathers us to him on the lawn and we walk together to the road which is wider than I remember. There's a 5 foot tall wall where the woods should be. It isn't smooth, it has uneven grooves all along its length.
We walk to where the crew has broken through a 3 foot thick ice road block. We file through the ragged opening.

The oddness of what stand on the other side strikes all of us. The wall curves gently, to the right of the wall is the ocean, to the left is a dusty courtyard with a rickety wooden structure that has a roof and thin support poles, but no walls. At the far end of the enclosure is a leaning ladder of long branches, fastened together.
"What is this, ice?" Adama says, touching the wall as though we have never seen it before.
"Bet your ass it's ice, I like it!" Colonel Tigh exclaims, picking up a handful of slush and throwing it. His reaction doesn't seem child-like or whimsical.
I wonder what they were doing, obviously the wall holds back the ocean. What were they doing, forcing the ocean to recede?

We fan out and walk toward the ladder. We all start to climb it, but the top of the ladder is no longer tied down, so people keep falling off. I'm Starbuck though, and I'm certain I can climb it. So I haul myself up. I can feel the texture of the branches under my hands, and how the ladder sags outward. I reach the top as Admiral Adama and Tigh do, trying to figure out a way to leap the gap from the last rung to the next section of ladder.
I drop down and run a few paces back, where there's a thin twist of rope. I grab it and lift myself up with one arm, it holds my weight but starts to fray.
I had hoped that I could use it to cross the gap.

I wander away and start taking note of other things under the canopy. Maybe there are things that we can take away, supplies. There's a pick-up truck parked in the corner and a chest. They're full of yellow bags of dog food. Who were the people that came before us?
I watch the others, frowning at their behavior.

The next part I can't remember very well. I see flashes of what happened to the last people who found this place. They were a family of three, and a couple of farm hands.
I watch the mother, a tall brunette with short hair, wearing a red shirt, command her eight year old son to find the secret of the letters they found carved in the wall.
The task sounds like a threat. His father has gone missing, and at least one of the hands has died.

A first person dream, I am running, frantic, up an angular spiral staircase. When I reach a landing I run through an open door, into a bedroom painted black, with posters plastered onto the shiny black walls. To my immediate right is a small brown end-table, it is cluttered. Beside it is an unmade bed with a young man sitting on the edge.
I rush at him and pant "I need to get out of here! I need to escape!". He complies and gets up immediately, taking hold of my left wrist. He turns it over to expose my inner arm and I try to twist away, consciously attempting to hide old scars of self harm. The young man holds fast, however, and grabs a sharp pocket-knife off his cluttered end-table.
He holds my arm out, exposing my inner arm and makes a large, diagonal and mostly vertical, cut into my wrist. I brace myself for blood and pain but neither ever comes. For a moment I think that I can see fat and tissue inside the cut, before I realize that it is expanding and opening wide, turning inside out. In a flash of light everything seems to flip inside out, and then get sucked inwards towards my cut, even my own point of view/field of vision. Then I wake up.

Note*
This dream didn't come off as terribly nightmarish or awful to me. I felt no ill intent from the young man. I consciously try to keep my scars out of sight and mind of anyone that isn't myself. They don't particularly haunt me or serve as a daunting reminder of my past. They're simply there, and if anything have always represented a comfortable way out.

I woke up in the middle of the night, confused. I kept dreaming my room at an odd angle, every time I fell asleep I would open my eyes, see my room and think I was in a different place. I woke up and went to turn on the air conditioner, I was so disoriented that I didn't realize until I opened the door that I wasn't still asleep and that my purpose in opening the door was to turn on the air conditioner =/. Reverse false awakening? FALSE SLEEP. o.O I dunno.

In this one I'm male. I have no idea what I look like, which is fairly unusual. My girlfriend looks like this chick, Michaela McManus. ((I have no idea why she's popping up in my dreams, I'm not even watching any tv shows she acts in. *shrugs* I don't even think she's particularly pretty.))
We've been together for 2 years, we live together. The whole thing feels distant, disconnected. Like we're strangers just pretending to know one another. She's been secretive, but I've never pressed the issue. We're staying with a friend of mine while we're out of town, a guy from WL work named Shay. We've been there for a few weeks.
I'm standing in our bedroom. She has just left, hinting heavily that it's finally time for us to take the next step. She's left a ring case on the foot of the bed, so I can go out and propose to her at dinner. I pick up the ring box. I feel trapped, like I've led myself into a corner. I don't want to get married, but I can't back out without causing a huge fuss. I walk over to the dresser and in the mirror I catch a glimpse of the light grey suit I'm wearing.
I absently think that it's been a long time since we've done more than sleep on our opposite sides of the bed, how we never even touch each other.
It's too late now.

I walk out into the hallway, it's L shaped and painted bright orange-yellow, I'm greeted by Shay's father who has been away for a couple of months. He's a police officer. Michaela rounds the corner and stops short, becoming tense. Shay's father turns his eyes to her...

I wake up in bed. Someone has come to talk to me about what happened. I'm alone, she's gone. They ask me if I knew who she was when we started dating.
"What do you mean? Who is she?"
They explain that she's a serial killer who kills other criminals. She started out extorting bad men and then killing them, then she found herself in a relationship with Dan, a serial killer who seduced women and then killed them. At first they didn't realize that she had murdered another serial killer until they started doing some digging.
Two of her women friends from that time in her life show up and explain how she used to be.
"Was she that way when you knew her?"
"No. I thought I knew her pretty well, too. How funny." I say, but mostly I'm just relieved that I've been given an out. Someone has called into work for me, since this will soon be all over the news and myself along with her.
"Can you believe we're chasing_______"
"What'd you say?" I ask, since I didn't hear the name.
"She Who Kills."
"She Who Kills?" I ask incredulously, "What a stupid name for a serial killer."

The police show me a video from overseas of when she worked a military officer. How she waited outside the bar he was in until he noticed her. She pretended to be military. There's a guy in a car taking pictures so he can blackmail the guy.

Something about going into an antique jewelry store and the clerk laying out small gold tiles that were supposed to interlock into a bracelet. It's about then that I recognize the design on their gift boxes, that this is where she bought her ring.
"Sir? Will you be purchasing this today?"
Stunned and suddenly sad, I put the box down. "No, I don't think I will."

05/16/13

Escape From Jerusalem
I am lying on a blanket in the middle of a green field. I look up at the clouds passing through the blue sky, I see that one of them looks like a cat. I sit up and look around. I am by myself. I remember my dream plans. Healing. I have been making it a habit to do some healing on Nomad's girlfriend Winter to try to get her fibromyalgia under control. Unfortunately it doesn't seem to be helping. But I guess I'm not ready to give up trying. So I open a portal to the healing springs on the moon. Nomad and Winter are already there, so I go through the usual process of healing with the song Voices. It makes me want to fall asleep in the dream, but I remember that there is another plan. To share an Assassin's Creed dream with SJ. As if he already knew what I wanted to do, Q appears and says he will send me to the proper instance of Jerusalem. He snaps his fingers and the scene around me changes. I am now standing in a back road of a city that looks like Jerusalem from Assassin's Creed. I am just missing SJ. I use the song Dream On by Aerosmith to initiate a shared dream. I focus on SJ, and after a bit a woman appears. She is dressed in dark Assassin robes and is looking around at the city but doesn't seem to notice me. I ask if she is SJ, she says yes. Now to find Altaïr. Of course that could be difficult in a place the size of Jerusalem, especially if he doesn't want to be found. I figure Q probably sent me to a place fairly close to Altaïr. SJ and I walk out into what looks like a busy market place.

There are vendors all around selling their wares, people buying, it is very crowded. I see what appears to be the main gate out of the city not far away. There are Templars blocking the way, which is getting quite a few people more than a little pissed off. I look around the area and I spot one of the game hiding places. Five robed scholars approaching the gate. But the middle one isn't quite right. The differences aren't nearly as visible as in the game, his weapons are mostly concealed beneath his robes. I can see the tip of the sword hanging down below the robes, but that is it. If I didn't know what I was looking for… The group of scholars approaches the gate and tries to pass through but the Templars block the way. After briefly arguing about it and then getting threatened with execution the group turns back into the market place. I see a bench nearby, so SJ sits on one end and I sit on the other. As I expected, Altaïr sits right between us and looks over at the gate, watching the Templars closely.

SJ is staring at Altaïr. Maybe he sees her from the corner of his eye or maybe he just senses her watching him, but Altaïr turns and looks at SJ. SJ hesitates briefly, then holds up her left hand with the ring finger bent over to indicate she is an Assassin. I can't see his face, and it is too loud to hear if he is speaking, so I don't know how he responds. But after a short time he turns and looks over at me. I copy SJ's hand gesture to indicate I am also an Assassin. He looks at me closely for a bit, perhaps checking my identity with his eagle vision. He seems satisfied that SJ and I are both Assassins. He says it is important that he get out of Jerusalem as quickly as possible before Robert de Sable meets with Richard. SJ indicates the gate. He asks if we know how many Templars are out there. I say it's not enough. Altaïr says he'd been hoping to avoid a direct confrontation with the Templars but there is no more time to wait. So all three of us go over to the gate. Templars get in the way and say no one enters or leaves. The Templar who spoke eyes us suspiciously. Two more Templars join him when we seem unwilling to leave. There are three of them, three of us… three stabs with three hidden blades, three dead Templars. The others don't seem to immediately realize what has just happened. We are halfway through the gate before some Templar sounds the alarm, pointing at us and yelling that the Assassins are here, don't let them through. So now a fight begins. I look over at SJ and see she has produced a sword from somewhere and knows how to use it. She kills a Templar as I watch. The next thing I know Altaïr yells to look out. I turn just in time to see Altaïr's throwing knife embedded in the neck of a Templar who had been coming at me. I need to pay less attention to SJ and more attention to the Templars! I dodge an incoming attack from a Templar and counter strike with my Witchblade sword, taking out another Templar. We are fighting our way towards the stables. Altaïr is after a horse. So we fight our way to the stables, leaving a trail of dead Templars in our wake. Then Altaïr is on a horse, tearing out of the stable at full speed and running down a couple Templars who had been blocking the gate. SJ and I kill some Templars trying to get to the horses to give chase. I see Altaïr disappear into the distance. There's no way they'll catch him now. I have just killed another Templar when I wake.

Friday, 4/12/13

I woke up at 6:30 am and went back for a nap at 8am.

I was going to WILD, but for some reason, I didn't get any indication of it.

Turned to my left side and fell asleep. When I woke up, I was sure I had a DILD, but didn't get uo, went back to sleep. Next time I woke up, I wasn't so sure about DILD anymore. Until I started to write down snippets. I was trying to recall, if I got any surprise or happiness when I realized I'm lucid, but I didn't remember any. Until now. Now I clearly remember telling someone "ok, I'll count my fingers, but it's pointless, I'm not dreaming". Then I counted 6-7 fingers on my left hand. I was completely surprised. I counted again and again, in awe, showing someone how many fingers I have. So DILD is confirmed.

Snippets for DILD and non-lucids mixed in my memory:

- I walked into my parents house. My dad had my mom's haircut and he was blond. With thin wire glasses. (just now I realized, he resembled the russian spy from The Americans show in his blond wig). My room looked the same way I had it when I was a child. I discovered, that my closet is haunted.

- My brother with his wife and child are visiting. I want to know when they leave, so I can go out and come back before they leave.

- I'm flying in controlled flight. Happy.

- I'm taking a cab home. 2 other passengers. We go by my house and I want to get out, but cabbie says it has to be in order we got in. So we go to two other places first. I decide not to give him a tip.

- I walk into a room and it's an interrogation room. A guy is behind a desk. (I was watching the show Revolution before bed)

- I'm escaping through the roof, but each time I break through a layer, there is another, different one behind it.

- I'm diving into a lake, wanting to swim in tropical sea. Water is dark and dirty, like a polluted river. I'm trying to make it brighter and it's getting brighter and I'm starting to see gravel on the bottom.

I suspect there was more, but don't remember it.

I forgot to post this one yesterday.

04.01.2013

Chase of Fools (DILD)

NON-DREAM DREAM LUCID

Early one morning, I hear the school bus go by and I realize I've missed it. ((What I fail to realize is that I graduated high school nearly a year ago...)) I run outside and see that I will never catch up on foot. I guess I'll have to drive.

My neighbor Melissa has also missed the bus, so I decide to give her a ride as well. After I turn off my street, we are on a road that should lead straight to the school. Instead, we end up in some weird complex.

No longer in the car, we are walking on foot through the complex. I become lucid, because missing the bus and then getting lost is a common dream sign of mine. I decide that all I really want to do for this dream is to explore.

The complex is basically made up of short walls surrounded by a barbed wire fence. There are three sections to the complex, each one taller than the previous. As we are walking through this rather boring place, a tall naked man with deathly white skin and no face comes up behind us. He is angry that we are in his complex. He clearly wants us dead.

I am in no mood for a chase, so I figure that if we just get out of the complex, he'll go away. With a combination of flying and climbing, I make it out and head into the town. Unfortunately, the creepy guy is still following.

I decide to just ignore him out of existance. The only problem is, everyone I come across intentionally says something to remind me of him, so he continues to chase me.

I lose lucidity somewhere along the line when I have a false awakening. I make it back to my house, where I find horrifying sigils drawn everywhere. I recognize the sigils as a sign of an incredibly evil demon lady who has apparently tormented me in the past. I am trying to figure out how to get rid of her again when I wake up.

03.27.2013

Coughing up Roaches (DILD)

NON-DREAM DREAM LUCID

I am in a classroom at my old high school with two annoying kids who were freshman back when I was a senior. I take a nap, and when I wake up the entire school has undergone some kind of demonic shift.

My first sign that something is terribly wrong is when I begin coughing up roaches. I am coughing and hacking, with huge live roaches spilling out onto the floor. One of them crawls out of my mouth and scurries up my face to hide in my hair. I am disgusted, but not quite as disturbed as I should be.

Some time passes and I am deep within the belly of the school, in a dungeon-like area filled with row upon row of drying racks. On the racks are the decaying corpses of goblins. I am travelling with a live goblin, and I feel sorry that he has to see all of this. The ceiling is very low, so we are walking hunched over.

We make our way through the seemingly endless expanse of dead goblins, when the ceiling begins to collapse. We quickly evade the falling rubble until we come to an area where the ceiling is a bit higher. There are still rows and rows of drying racks in this area, but at least we don't have to hunch forward to walk anymore. Unfortunately, there are also Giants guarding this section. I imagine that they are on high alert due to the collapsing ceiling, so we flee the area as quickly and quietly as possible.

Along the way, these red bamboo creatures called "Rod Foxes" begin chasing us. I lose my goblin companion, but I make it out of the drying rack area and hide from the Rod Foxes in a classroom. There are a few students in there who are former classmates of mine. One of them looks out the door and says that a teacher is coming. This is a problem, because all of the teachers have become demonized. My classmate says that if we just do as we're told, he won't hurt us.

The teacher enters the room and tells us to sit in alphabetical order. We comply immediately. He then slams a putrid goblin head onto my desk and says that I must eat it, because it's "tea time."

I refuse to eat the goblin head and end up slashing the teacher's throat with dual knives. (Not sure how I acquired these.)

More time passes and my cockroach problem has gotten worse. I can't stop coughing, and the roaches are crawling out of me at an alarming rate.

Somehow I manage to stop coughing. There is a painting of a castle on a nearby wall, and I become lucid while admiring it. I decide that I will go into the painting and explore the castle. I manage to get into the painting, but the night is so dark that I can barely see.

I wake up shortly afterward.

03.24.2013

Hiding Spots (Non-lucid)

NON-DREAM DREAM LUCID

I am running from a particular group of people who always manage to find me. My brother is with me. We are part of some Hunger Game-esque future in which college and high school age students are thrown in prison camps.

My brother and I run down the dirt road behind my old house, when we see a dark car up ahead. We quickly take another fork in the road, only to come across another car. Both drivers are now after us. We veer off the road into the forest until we see a cabin. With nowhere left to go, hidng there seems to be a good option.

When we enter, however, there are two men standing there. I am about to fight them, but they convince me that they are on our side. "Not everyone agrees with wiping out part of society," one man says bitterly. He tells me that he was a teacher. I decide that I can trust him.

We hear car doors out front. "Hide!" the men say.

There aren't many suitable hiding places in the room. My brother hides beside a bookshelf while I hide under a couch. The men chasing us never come into the cabin.

03.23.2013

Fat Demon (DILD)

NON-DREAM DREAM LUCID

I have travelled back through time to the year 2008. I am going to my grandma's house. I'm really excited, even though it is a very important mission, because this should mean that I will get to see my grandfather again.

Outside the house, there is some scene involving a cat that seems important, but I cannot remember it.

Weird things are going on in the house. My grandfather is already dead, which doesn't make sense since he died in 2011. My grandma has a shrine for him built in the living room. I am stressing out, trying to figure out what's going on.

After examining the signs, I realize I have seen this situation before. A certain type of fat demon is causing this. All I have to do is kill him and things should go back to normal.

More weird things happen, and I remember becoming lucid. I go along with the plot of the dream for a while longer (though I can't remember any of it! I just remember being lucid for a really long time in a huge market like area). Eventually I decide to try to complete by goal of finding out the name of a girl that my friend drew. Crazy things are still happening all around me, and I'm wondering how I can focus on summoning her while I'm being chased by whatever it is.

((This was a really long dream. I wish I hadn't forgotten all the important parts.))

Early in the morning, I was walking around a home looting goods from someone I've never met before. I have an accomplice with me. He's following me through the whole dream.

There's a room we found interesting just down the fall we were standing on. I entered the room, close the door after my accomplice gets in, but something went wrong. Someone was following us. I'm guessing it was the cops which wasn't a good thing. I probably done something illegal. We both had to find a way out but the only way out was through the window behind us.

The room we were in was empty. There was nothing here for us to rob. We both were panicking as we struggled to find a way out of this place free. That's when we decided to walk out the bedroom window and escape the area. I was the first one to exit the room. My partner was second.

There was something strange after looking at the new area I just climbed in to. It was my front yard. I looked around to see if there was any cops around but after checking around the corner of the house, there was a cop running towards me. I immediately ran outside of the home property and next to there street where I found a car for my getaway. The street, as always, was lonely. I didn't see anyone there at the time.

I waited for my partner and we eventually left the area together in this car.

03.19.2013

Roaming the Night (Non-lucid)

NON-DREAM DREAM LUCID

Prior to the events of the dream, I was hanging out with a werewolf and a vampire in a pub somewhere in the city. These two happen to be characters of mine from some silly story I tried writing in middle school/early high school.

The dream opens as I am walking through the city at night, searching for my car. Once I find it, I make a wrong turn down a dark, sketchy looking road. Somehow I end up on foot again as I try to turn back around (dream logic doesn't like me driving, apparently). As I'm walking, a tall guy in his late teens approaches me. He is dripping with an air of false friendliness.

He soon questions me about the vampire I was hanging out with in the pub. He wants to know his name. "Vincent," I tell him, mentally preparing myself for the fight or chase that is bound to happen.

"Vincent what?"

"Just Vincent. He doesn't have a last name. For all I know, Vincent isn't even his real first name, either."

The guy loses his friendly act and says that the vamp is bound to come here once he hears my screams. I can't really see Vincent caring one way or another what happens to me, but Dakota (the werewolf) would surely flip out. Not wanting the wolf to find out what trouble I've gotten myself into yet again, I break into a sprint.

I easily stay one step ahead of the guy, but soon we come upon my Aunt's house and I see that this isn't going to end without a fight. The guy is stronger than I would have thought; it becomes clear that he intends to rape me. The fight is brutal and lasts several minutes. In the end, I get the upper hand and beat the guy until he is moaning on the ground, pleading for me to stop.

Fun night, despite not sleeping much.

03.16.2013

Krueger Propaganda (DILD)

NON-DREAM DREAM LUCID

I spontaneously become lucid in the middle of a somewhat hectic situation that I can no longer remember. I decide to fly away.

I start from my house and fly over the trees, the back road, and the forest. All along the way, there are Freddy Krueger posters EVERYWHERE with strange and violent quotations on them. "Hmm, I wonder what he's up to," I murmur to myself. I fully expect him to show up and try to cause trouble. He'd better stay away if he knows what's good for him. ((It is a running joke among my friends that I was married to Krueger and am now divorced.))

I am flying Peter Pan style, and it is quite an exhilerating feeling. I pass by a lot of beautiful scenery. At one point I stop to talk to some people, but my recall is really hazy and I don't remember what happened next. Sadly, I know there was a lot that happened afterward, I just can't grasp it at the moment.

03.16.2013

Demon Opression (Non-lucid)

NON-DREAM DREAM LUCID

My campus has been overrun by demons who are under the guise of Indian women. I am standing in the lobby of my dorm, preparing to leave. A little girl, around 11, is trying to get in the elevator. I know that once on the elevator, it will draw people in to the demon's dimension, making escape almost impossible. But the girl is convinced that she has to get upstairs to find her sister. I get on the elevator with her, determined to protect her.

We get upstairs and the demon women spot us as soon as we step off the elevator. I grab the little girl and haul her down the hallway, keeping her away from the demons. We never find her sister, but we somehow make it back outside.

Later I am riding to California with my friends to start anew. The world is somewhat post-apocalyptic now; dark and dangerous. As we are leaving, I see my German professor chopping firewood in a temporary camp near the school. I am surprised that he now has a lot of intricate tattoos going down his body.

03.13.2013

Overthrowing the Tea Party (DEILD)

NON-DREAM DREAM LUCID

I wake up in sleep paralysis, and my clock informs me that I'm late for work. I'm not sure if I'm just hallucinating this, but I can't be late after missing so much last week! I struggle to wake up. No avail. The entire time, a sermon from some conservative southern Baptist preacher is blaring from my television. It is one of the most irritating things ever...

Suddenly Amanda comes in the room. "Hey, don't you have class now?" she asks.

"Yes," I mumble in a weak voice. "Please wake me up."

She sits down on top of me. At first, I am still paralyzed. But then: "Hey, I can move now." I do a reality check and confirm that I'm actually dreaming. I decide I'm probably not really late for anything.

"I need you to come with us," Amanda tells me in a strange voice. It's almost as if she's hypnotized. Curious, I decide to play along.

"Fair enough. But afterwards, you should help me find that girl that you drew. That's my goal, remember?"

She doesn't answer. She just looks at me expectantly, waiting for me to follow her. I shrug and attempt to put on my bedroom slippers. It doesn't work, and I figure I don't need them since it's just a dream.

She leads me into an attic where my other friends are waiting. "Hey guys, what's up?" I ask.

"Welcome to the Tea Party," they all say in weird, robotic voices. I look around the room and see that it is completely filled with radical Republican propaganda, including some pictures of my friends that show women "in their proper place." What the hell?

I take their pictures off the wall and stare my friends dead in the eyes as I rip the papers to shreds. They all gasp in horror. "That's what I think of your stupid Tea Party," I laugh, knowing that I just picked a deadly fight.

They all come at me at once, screaming about how I betrayed them and ruined everything. I leap down from the attic, intending to just ignore them and to carry on with my original goal, but they latch onto me. Since they're restraining my arms, I kick out at them violently. Alex complains that I've broken her ribs. "Good," I growl.

I wake up when Alex sneezes in real life.

Not sure what's with all these perverse dreams I've been having. I never used to have any at all. But oh well, can't complain.

02.23.2013

Zombie Cataclypse (Lucid)

NON-DREAM DREAM LUCID

I accidentally set off Wal-Mart's alarm system as I'm examining some RuneScape merchandice. All of my friends run away, leaving me as security shows up. "No big deal," I think. "Not like I stole anything." They search me and obviously don't find any stolen merchandice. However, they say they're going to have to hold me overnight. "You can't do that!" I exclaim. They tell me that they can.

When they're distracted, I take off running and leave the store. They follow after me and actually start shooting at me! Alarmed, I make my way to the back of the property where their delivery trucks are. As I'm running, I notice that my mom is tied up in the back of one of the trucks. She tells me that she got busted for shoplifting.

I free her and we run away.

*time lapse*

Some strange things have happened that I don't remember. I am now trapped in a creepy mansion with two people I've been travelling with. I'm sitting at a table with one of them, a girl who is crying to me that the guy we're with has cheated on her. She says she still wants to be with him, but she can't just let him get away with cheating. "Well, why don't you cheat on him? Then it'll be even," I tell her.

"I can't just sleep with some random person to get back at him," she cries.

"It doesn't have to be a random person," I say with a smirk. "I mean, I'm always available." She looks as though she's considering it, so I slide closer and kiss her. We then stand up and I lead her into a back room. Sadly, some people in the mansion burst in and interrupt us, so we're once again on the run.

I spontaneously become lucid and decide that I am bored with the dream. I don't want to be in this mansion anymore. So I phase through the nearest window and somehow end up in my grandma's neighborhood.

After rubbing my hands together to stabilize the dream, I begin to walk happily down the street, singing to myself and just goofing off, enjoying being lucid under normal circumstances after so long. As I continue down the road, I notice that the doors to each house are open, and I can see the families inside. One little girl notices me singing and dancing. She laughs and walks out of her house towards me.

The whole neighborhood soon follows suit. Families flock out of their houses and follow me down the road. They are all smiling, laughing, and sharing in my happiness. I am in excellent spirits.... until I turn around and find out that all of the people have suddenly become zombies!

I stop for a moment, stunned at the abrupt change in mood. Of course, this would happen. When do I ever have non-threatening DC's in my lucids?

Since I had not been suspicious of the initial crowd of people, they are already too close for me to simply run away. Three of them are already trying to grab a hold of me, and I've fallen to the ground! I kick them as hard as I can in the head; they fall, but are still coming after me. I manage to get to my feet and start to run.

The zombies are still really close to me. One zombie girl reaches out to me... I suddenly realize that she is a normal human, pretending to be a zombie so that they won't get her. She grabs my arm and pulls me away from the hoarde.

We run together into the woods, quickly putting distance between us and the undead. "I have a gun if things get really bad," she tells me.

"What's your name?" I ask her.

"I'm Torrie," she says. "Or Annie."

"Wait, is it Torrie or Annie?" I ask, confused.

"Yes."

I pause. "Um, okay. I'm Lola."

We end up on a very narrow path in the woods that has a fence on either side. We stop running. Everything has gone completely silent. "I don't like the looks of this," I whisper. "Maybe you should get out your gun."

Suddenly, a creepy voice rings through the air. "You have enroached too far into the hunting ground."

Torrie or Annie looks at me, clearly scared. Suddenly all manner of undead animals are quickly coming down the path toward us. "We have to go over the fence!" she cries out.

"Alright, you first." I help her over the fence. In the few seconds it takes to get her over, the animals are already at my feet. "Help me! Shoot them or something!" But Torrie or Annie is in shock or something and isn't moving. I stomp the animals' heads into the ground and quickly climb over. "Why didn't you help me?" I demand.

Then I see the state she is in. She's curled into a little ball, crying uncontrollably. Alarmed, I pull her into a hug. "Hey, don't cry. It's gonna be okay. Don't worry, I'll get us out of here." Since she is completely unresponsive, I pick her up and carry her. We end up in a small abandoned building, where I sit down and try to calm her.

I have a false awakening and am no longer lucid. Now I am outside of my old house with my dad and brother. The ground is frozen, and I am barefoot.

We walk to the back road; it is still apparent that we are under threat of zombies. On the road, there are weird tree and stick sculptures in the shape of people scattered about. Suddenly, we hear a weird sound. I realize it's coming from a huge metal tower in the middle of the briar patch to the right. In a booming voice from the tower, someone begins reciting the Lord's Prayer.

All of the sculptures come to life and begin reciting the prayer as well. The stick sculptures are carrying some kind of pamphlet and start jabbing me with them. I tell my dad and brother to run.

I manage to evade the creepy sculptures, but we have become separated. It is hard to walk properly, because I keep sliding on patches of ice. Eventually, I come to a place that looks like where I'd been before my false awakening. "Torrie!" I shout, hoping to find her again. "Annie?"

I walk into a nearby building and find her standing there. "L-Lola. It's you," she cries in relief. I run up to her and hug her close to me.

"Thank god I found you," I whisper, holding her against me. "I was worried that something might have happened." All I want to do is to sit there and hold her, but I hear some suspicious noises outside.

When I look out, two men are holding my dad and brother at gun point. One of them, who has a huge rifle. Walks up to us. "Well, well, well," he says creepily. "I think I'm gonna take you two young ladies as my wives." I give him an evil look, but he puts the gun to my back and marches us forward.

"I'll never let you take us," I growl at him.

"Oh really? And what are you going to do about it?" He turns and shoots my dad in the head. He falls to the ground, dead.

Enraged, I manage to get Torrie's gun from her bag and I shoot both men. One goes down instantly, but the man with the rifle laughs at me, even though he has clearly been shot in the head. "Well, you clearly have good gun skills, but can you---" I shoot him again. He is still alive, and laughing. I give the gun to Torrie, thinking she might have better luck. He just won't die!

I wake up shortly afterwards.

02/23/13

Note: Someone named Lara has been visiting us for the past few days with the goal of helping break some psychological blocks I am having problems with. After she was here it was discovered she had been working for some Templars in her home world, but she has agreed to help with the blocks in exchange for a cure for her son, Anthony, who has an inoperable cancer. Of course it's not inoperable for someone like Q or Washu… The area she works in looks for time fluctuations which can be used to see through time, know the outcome of certain operations before doing them… know what Assassins are going to do before the Assassins even know… She said they found a timeline where an Altaïr was about to die in the natural course of the timeline. They managed to grab him, Lara said the point was to use energy healing so Altaïr could learn how to feel love… but the truth no doubt has more to do with mind control. Lara truly believes people like Altaïr (Assassins) don't have the capacity to care about anyone due to how they grew up so they need to have their hearts healed… the final point being my goal, to go into the facility where they are holding Altaïr and get him out of there… In order to make sure as few people as possible get hurt Lara says she can get me in by telling them I am a soul healer (not a lie) and I can have the effect they are looking for on Altaïr.

Moon Assassin
I am on a beach taking a walk on a very peaceful day. I remember my goal, and first I have to go meet up with Lara so she can sneak Sailor Moon into the Templar facility. Before I can even open a portal, however, Q appears with a woman I don't recognize, who turns out to be Lara. I have never actually met Lara face to face… Q says he will take us to the correct world, then snaps his fingers to transport us. When we appear, we are in a house. In a bedroom. Lara leaves the room and heads downstairs. An older woman eyes Q and me suspiciously as we follow Lara. Q says he will take care of Anthony's treatment, it is almost done, then it is not only guaranteed that Anthony's current cancer will be gone, but he will be immune to any cancer in the future. I notice that Q looks like a doctor. The older woman looks similar to an older version of Lara, and I realize she is primarily looking at me. She says she doesn't want any of "them" around Anthony… then asks what I am doing here. She says she knows the doctor has to see Anthony, and has even accepted the demons Lara has to deal with in order to get Anthony cured, but no one else is to have access to Anthony. Lara starts to tell the woman my name… then hesitates… I say my name is Serena… Serena Usagi, using the name off of Sailor Moon… and I am a healer, so who is this "them" she thinks I am? She scoffs and says I already know… and if I am a healer she is the queen of England… then tells Lara to get me out of her house. I am about to question why the woman doubts my being a healer, Lara points at a mirror… I am dressed like an Assassin from Assassin's Creed… oops… that's not how Serena dresses… so I use the crescent moon wand to transform into Sailor Moon.

The older woman, who I determine is Lara's mother and Anthony's grandmother, does a double take. Lara hurries me from the room and outside. She eyes my Sailor Moon form for a bit. She says she has no idea who Sailor Moon is, but that means the others probably don't, either. I ride in a normal car with Lara for a while into the mountains, then up to a gate that is mostly hidden. It reminds me of the entrance to some secret military installation that's not supposed to exist. The guarded entrance leads to a tunnel that leads deep within the mountain.

Lara pulls up beside a guard gate and says she has to speak to the captain… whoever that might be. The guard asks who I am. She just says the captain will want to talk to me, she was looking through a time flux and might have found the answer. He wants to know what answer she has found. She says she might have the cure, and the captain will know what that means. He asks again who I am. She gives him the name Serena Usagi, known in my home world as Sailor Moon, the moon healer. He talks on the communicator inside the guard station for a bit and then finally comes back. He opens the gate and tells Lara to follow the vehicle in front of us, and do not leave the path at all, he says we have only limited access here. With a relieved sigh she agrees and drives on after what looks like a jeep of some kind. Lara drives through what seems like a maze of passages. There are numerous large doors along the passages. Now and then one of them will open and the jeep will lead us through it, then it will close behind us. After getting completely disoriented we finally come to a stop. There are several guards around us when they lead us into an office room. There is a man there, and he looks me over closely. He asks who I am. I tell him I am Serena Usagi, Sailor Moon, a soul healer. Lara says she has seen me heal the hearts of those who have never learned to love. He turns on a monitor. He indicates I should look at it. There is a white room with only a bed and bathroom facilities. There is a man in the room. It looks like Altaïr, though he isn't dressed as an Assassin, he is just in plain white clothes. He is sitting on the bed doing nothing. The captain tells me to do what I have to do. I ask if he really thinks I can heal someone over a television link. I have to be in there with him. He looks at me suspiciously. He says if I am in there he can't guarantee my safety. I tell him I have healed people as powerful as Vegeta when he is attacking me… He says he has no idea who Vegeta is. I tell him I have to be in there with Alt… the person he wants me to heal. Did I just screw up? Maybe not… he says I will be taken to the holding cell, but I will be on my own, even if the prisoner attacks me. I say that's ok. I am led through some halls and to an airlock. What do they think Altaïr is, an alien? Maybe just to make sure he doesn't get out? I remember Lara saying he got out once and killed a bunch of Templars, almost getting out of the facility before getting trapped again. I guess they don't want a repeat occurrence. I go into the middle area of the airlock, the door behind me closes, the one in front of me opens. I go into the small room. Altaïr is looking at me now… hatefully glaring at me, though I notice a slightly puzzled look when he gets a better look at my Sailor Moon form. The door immediately closes and locks behind me. No matter. I'll open a portal. I focus on opening a portal. Nothing happens. A dampening field? A voice from nowhere asks if I really thought they would let a stranger walk right into a secure facility and then walk out with their most valuable prisoner. I decide to stay with the Sailor Moon theme. Open the door or in the name of the moon they'll be punished. The voice says he knows perfectly well I am not Sailor Moon, she is a dumb cartoon, I am an Assassin, so now they have two. I do a Cosmic Moon Power blast on the airlock door, it looks like a Final Flash from Vegeta…

and it blasts the door off of its hinges, practically melting through it. Altaïr is doing a serious double take… another Cosmic Moon Power blast takes out the outer door. Alarms start going off everywhere. I tell Altaïr it's time to blow this pop stand… up… I wonder how far I have to go to pass the dampening field. There are guards outside the second melted door, it looks like they're not sure what to do. Some of them shoot at Altaïr and me, others turn and run. The ones who are firing change their minds after "Cosmic… Moon…" before the blast goes off. They run down the hall and around the corner. I try a portal… nothing. Altaïr and I head farther down the hall. Someone tries to ambush us from around a corner. I hear the popping noise when Altaïr breaks his neck. I try a portal. It opens! I tell Altaïr that is our exit, I figure the dampening field was probably just around the holding cell. I lead Altaïr through the portal and into the control room on the moon before I wake.
 
Secret Escape
Note: This is a case where I think I was having two variant dreams at the same time. In one of them I went to meet with Lara so she could sneak me into the compound where Templars are keeping Altaïr, but in the other one I used Avalon to get in on my own. The previous one is journaled above, this is the second version.

I am on the beach as in the first dream. But this time Q doesn't show up. I wander down the beach for a while longer before deciding I need to go find the Altaïr who is being held by a bunch of Templars. I focus on opening a portal to find him. I focus on finding the one that Lara has told me about. After a brief hesitation, during which I wonder if it is going to work, a portal finally opens. I go through the portal into a long hallway that is large enough to handle vehicles.

It looks like some kind of underground military facility. I wonder if this is where Altaïr is being held. I wonder how I can find him. I need to get access to their computers. I can locate him through that. I go through a door and into an office. The people in the room seem to know who I am, and a man asks why I'm not dressed. He throws some lab clothes at me, so I put them on. He then hands me a syringe. He says that's the drug, the strongest version yet. He says Altaïr will either be very receptive to the programming, he will be dead, or go stark raving mad. I look at the syringe... there's no way I'm giving that shit to Altaïr… The man, apparently sensing I am hesitant, says this is my project… he's not going in there. I look and see I have a keycard. I use it to open the door the man is looking at. It leads to what looks like an airlock, and then into a white room. I see Altaïr is in the room, he is chained to the far wall. I am being watched. So I try to act like they expect. I go over to Altaïr… who looks like he is unconscious. A voice comes from the speakers, telling me to administer the drug. I have to get Altaïr loose… then open a portal. The needle on the syringe… I can pick the lock with that! So I reach for one of the chains and I realize it isn't really attached to anything. It looks like the locks have already been picked? The next thing I know the syringe has been taken from me and is stuck in my neck, Altaïr is loose, he says we are leaving here now unless I want a dose of my own medicine… An alarm is going off, I tell Altaïr to cut it out, we're on the same fucking side. He takes my key card and injects the drug into me, pushing me aside and going for the door. Great… I'm wasted on drugs… I toss the syringe aside and try to clear my head. Everything sounds echoed and far away. I hear a commotion outside, someone has come into the room with me and is saying something about an antidote. I focus my energy on clearing out the drug and my head clears. I push the two men away from me and head in the direction I think Altaïr went. People behind me are asking me what I'm doing… I need a doctor if I hope to survive that drug… I ignore them. In the next room there are two dead people. One of them has his head at a really awkward angle, the other has an unidentified object sticking out of his neck… ok… on the right path. I follow the commotion down the hall.

A couple guards shoot at me before realizing who I am. I send a wall of telekinetic energy down the corridor that stops the bullets and pushes the guards back against the wall. I see Altaïr around a corner, he is looking right at me now. I'm not sure how to convince him I am actually there to get him out… Altaïr disappears down the hallway. I follow him. When I come around the corner someone shoots at me. Altaïr is shooting at me? Apparently he grabbed one of the guards' guns. I see someone behind Altaïr, aiming at him. I use telekinetic energy to knock that person back against the wall. Altaïr disappears down a side passage. Shit… this is ridiculous. Maybe my disguise is too good… so I switch to my usual Assassin robes before following Altaïr again. I hear more gunshots. I am on the right path when I find a dead guard. Altaïr aims a gun at me, but then stops when he sees I now look like an Assassin. He points the gun at someone behind me and fires… but gets only a click, he's out of ammo. I look behind me and see a couple guards there aiming guns. More guards on the other side of Altaïr. I get over closer to Altaïr and tell him it's time to get out of here before opening a portal. Someone is yelling to shoot them both, so I just shove Altaïr through the portal before following him through and waking up.