lucid

I feel a steady pull somewhere, like I'm being summoned. Images of an immense stone cavern, alive with a bright blue energy.

I seem to be on a road trip with my family. We get mixed up with the local vampires, and I have half of the population out to kill me. I'm standing in a hotel room with off-white walls and a duvet on the bed, talking to a woman with short blonde hair. She's an important figure to the vampires, and she's giving me information that might help me survive. We're planning something.

Memory of a red metal door and what might be a gymnasium. Being chased by the vampires, slamming the door into the face/arm of one of them as I run outside. It's daylight, but I'm not sure if that bothers them. Outside a brick building, patches of green grass growing weed-like in the gravel.

Space dream. Mentions of Kyle Katarn. I'm in a ship, dark metal interior. A DC thinks he's intimidating, but I don't feel the least bit threatened. Semi-lucid, I'm thinking about writing things down later. Sex dream.

Weird FA. I still feel half-stuck in the dreamworld, but not immersed in it. I think about waiting at the Twin Towers that Walms mentioned as a possible meeting place, pull up an image of what used to be there. I'm standing on top of the north tower, beside the antenna. I think about the Task of the Month, jumping off a skyscraper. I watch my dream avatar jump from the building and land on her feet, as if I'm watching a video clip. The scale is all wrong; the DA is too tall in comparison to the building beside her.

I'm Neal Caffrey from White Collar, helping to catch people. The dream-plot is nonsensical, and my surroundings are wavy coloured lines over white. I talk to Peter Burke about the people we caught by running into them with more wavy coloured lines that might have been a car.

"OMFG A CAT!" I shout, pointing. A cat walks along the driveway. I have no idea what context could turn this into a momentous event. Maybe all the animals are dead?

A CAT! Scare Factor: 3.

I'm river rafting with a group on the backs of whales/fish/squid/leeches. The creatures swim down the river with one side of their bodies facing up, which turns from pink to silver in the sunlight. They turn over after a while, so we have to stay on top of them.

My creature is about to turn over, so I jump onto the shore and let it. I throw one smaller creature back into the river where it got caught somewhere. I watch a kid's creature turn over and throw him into the water. He comes up on the other side, laughing.

I'm back in the water, swimming on my own. I'm wearing running shoes, which really limits my swimming ability. We'll be hiking later though, so I can't go barefoot.

An enemy is on the shore, aiming something at our group. I'm swimming through fairly deep water, but I jump up and land a flying kick on the henchmen, knocking the gadget aside. There's another one farther into the forest, and I rush at him -

shift

I'm driving through one of the main intersections in Quickton. The stoplights facing me are blinking orange, the adjacent stoplights are blinking red. I drive through the intersection, thinking about the DC I'm trying to help / is helping me.

I'm biking down one of the pathways near my house. I wonder how I'm going to meet up with her again. On impulse, I pull out a blaster and shoot two Star Wars-esque red laser blasts into the sky. I consider that we should have used that as a signal. I shoot a couple more just to see what the range of visibility is.

The signal starts coming up elsewhere in the city. Sirens go off. Uh oh. I stow my blaster under my jacket (it's too long to sling across my back; the barrel pokes up under my collar) and quickly pedal home. I do have to wonder how video game characters manage this.

I end up in an oh so messed up version of my backyard. I'm setting my bike against a fence and am about to haul it over into my half of the back yard (it's a duplex), when, for no apparent reason, I realize that I'm dreaming.

I don't see a reason not to leave the bike where it is. I decide to play along with the dream and get rid of the gun, so I walk into the garden shed and hold the blaster up along the wooden wall. The wall folds out and clamps onto the gun, and when it folds back you wouldn't even know that we were stockpiling an armory. Then I stare at the inside of the shed for a moment, marvelling at the detail and how real this all seems. I can feel my body, the scratch of the jean jacket I'm wearing, my feet on the ground.

I shake myself out of it. I had plans for a lucid, right? I was going to... meet Walms. Right. Now, how am I supposed to get there?

Stepping out into the bright sunlight, I extend my right hand, intent on peeling through the layers of the dream. Something goes wrong; I can't feel them.

"What are you doing?"

There's a guy my age standing on the lawn in the back yard. Short blond-ish hair. Let's call him Derek (I haven't used that name yet, have I?). He doesn't look much different than I do in dreams. Similar clothing, too.

"You know what?" He says, when I don't answer, "I don't care. See ya."

Derek jumps through a hole in the lawn. It's shimmery, like a puddle, but it doesn't reflect the blue sky above. It reflects a different sky with a setting or rising sun, shot through with pink.

I jump through the puddle.

I hit sand on the other side, startling Derek. "Um, hi." I say.

"I wasn't expecting you to follow me," he admits.

"Yeah, well..." I look around, taking in the view. We're standing on a beach, looking out over a sunset. "Huh. I think I have a [desktop wallpaper] like this."



We spot another puddle in the sand. "You coming?" he asks me.

I nod.

We jump. The other side is more blue-tinged. It's still sandy, but everything is underwater.

"So, you've gotta be looking for something, right?"

I try to answer, but the words come out garbled.

Derek rolls his eyes. "You know this is a dream, right? You wouldn't have been able to follow me otherwise. You can still talk."

I take a breath, feel cool air enter my lungs. Breathe out, breathe in. I try again. "I'm looking for a guy who calls himself 'Walms'".

Derek looks at me, incredulous. "You don't even know where you're meeting him? Jesus. I could take you to a place, but I don't think I can help you find someone you don't even know."

False awakening. I feel the dream fall apart around me, and become aware of my body lying on the bed. There is bright white light everywhere, and I can still feel the remnants of the previous dream around me.

I fade back into the dream. I'm back in the dream-warped backyard, sitting on the lawn. Derek is standing beside me. I swear, if he rolls his eyes any more, they'll stick like that. I go over where I left my bike and lift it over the fence. Derek says something.

[I]Puddles. Scare Factor: 2. Reaction: Okay, Mr. Negativity.

I'm Harry Potter, in what's sort of a pre-2005 video game environment. We've shifted into a circular hall in some sort of grand manor - an inheritance from my family. I've been using it as a base, as I'm on the run from a million and one different organizations. The hall runs in a circle, and the inner doors are decorated by massive arches that jut out from the stone walls.

I meet with my friends on the second floor, outlining a plan to get back at our opponents.

I choose Hermione from a list of avatars and I'm jumping around on the landings above the doors.

shift, and I'm at my childhood elementary school, looking up at the big brick building and vaulting over dark blue fences. I know that I'm dreaming. The entranceway is one story tall, an impossible leap. I'm concerned that I won't be able to make it, as I've been having trouble defying gravity lately. However, I call up the will, and effortlessly make the jump onto the roof. When I land, I can still feel the upward momentum. I feel like I should be floating, but I have both feet on the ground.

Back to being Harry, as a child, I talk to a woman who's coming out of a house. The entrance is lit up brightly behind her, and everything is blurry. The house is where a clump of bushes should be. I talk to her, and she invites me in. I think she's Lily.

Zoom out to view a fleet of battleships approaching Earth.

Gravity. Scare Factor: 2.

A dream occurs on two levels of reality. In one, the cast and crew of Supernatural go about their daily business of making an awesome TV show. In another, I go about my daily business of building houses. This gets confusing when suddenly I'm Misha Collins, calmly vacuuming up sawdust in the basement while a highly amusing PA briefs me on whatever they're doing next. Also, a suspended ceiling puts itself together in the writer's room and the baseboards I've been staring at for the last few days drift in and out of existence at eye-level.

shift

I'm in a den, or a living room, and I think this was a mall a second ago. Everything is in dark shades of brown and black. I'm sitting on a brown leather couch facing a wide-screen TV, and along the opposite wall is a set of dark-stained table and chairs. Beyond the table is another room, which is completely white. Right now, it might be a kitchen, but it's about to turn into a slaughterhouse.

I have my laptop open on the couch, though I'm not paying much attention to what I'm looking at. I move over to the table when a ten-year-old boy wants to flip through the channels on the TV, looking for his favorite cartoon. When I look back, he's pulling up a page on another laptop, which is a list of his favorite cartoons, put together by his dad. A static image of one of the characters shows up on a projector behind the couch, and I start drawing it.

It's later. A team of vigilantes/ex-minions have found out what's really going into the meat made by this factory. They/we are standing around the owner, backing him into the white room. The boy* is wearing some kind of Kickass-style costume like the others in the room, and is staring at his father with an incredibly detached expression.

*I wouldn't worry about the little sociopath. I get the feeling that the vigilantes are all puppets on a string to him.


Practically the Antichrist.

Two men grab the owner and force him toward the wall. He's shouting at them and struggling to get away, but when his back hits the wall, it latches onto him and forces him down a tube. I drift through the wall, and I can see the human sized plastic tunnel he's trapped in. Pistons are forcing the right side of his body, as he's alive and screaming, against the meat grinder. His right arm, part of his leg, and the edge of his scalp have been torn apart by the machine when I see his expression shift, angry but resigned, and the machine eats into his brain.

He probably wishes he'd designed the machine to kill its victims less horrifically, I muse. A straight-razor, perhaps? The machine rearranges itself on my whim, and I wonder if cutting the throat upside-down or right-side-up would be more effective.

Three women are standing in the same room, which, maybe, is supposed to be a different place entirely? They talk about the dead owner's eldest daughter, who has sworn revenge on us/them for killing her father, his right hand man, his lieutenants, the captain who exported the shipments, the cleaning lady, and possibly me, considering I'm short of a body at the moment. Also, for kidnapping her little brother, who I'm half-sure started the coup anyway.

They laugh a little and say they have to get back to camp, so they jump out of the building and land on the ice of a half-frozen river, and start speeding down it as if they're on a slide. I have to keep nudging them closer to shore so their momentum won't carry them out onto the middle of the river, which is slushy and wouldn't hold their weight.

One person crashes into the slush anyway. No one pays attention, and I have no idea if s/he gets out alive.

The women arrive at a rocky shore where a bunch of colourful tents are set up. No one brought chairs, so someone fetches pillows for the half-frozen trio to sit on, and blankets to keep them warm. I, still incorporeal, follow the guy who gets them and see a whole pile of pillows lying on the ground.

Oh, and someone's getting married.

Soylent Green. Scare Factor: 3.5. Reaction: Lucidity, you escape me. And the meat grinder thing was pretty fucked up, too.

ETA: Oh! I know! I know! It was green, and had a giant lizard's head and sharp teeth that changed direction to spiral inwards and then fan out, and I knew I was dreaming because all of my dreams are just that fucking insane.

I can feel it nudge up against me, feel its scales and warm breath as it bumps its nose against my shoulder, and I'm not afraid because I know this is a dream...

And that's all I remember.

There's a wedding or a funeral in the family, and we (the "kids") are getting ready. I'm in a store, wondering if I dare to wear a tie. I do, deciding on a light blue dress shirt. I go over to the mirror to try it on, but I can't pull it closed over my breasts. Damn it, I think, annoyed, I shouldn't have to deal with this in my own dreams.

I'm in the Ixburg apartment, doing a hand RC. Everything is slightly blurry. It's hard to move. The RC worked, and "I'm lucid," I repeat to myself, "I'm lucid, I'm lucid, I'm lucid." I look in the mirror of my bedroom door, and see a dark grey blob standing where I am. I peer to the side, and the blob doesn't move. I see myself, currently male. I have dark brown hair, longer than it is now. I'm wearing dark clothes, a black dress shirt unbuttoned over a t-shirt. No ties, apparently. Thank God. I see strange things in the background, and open the door before I get freaked out and this turns into a nightmare.

I walk out of the apartment, fighting to stay grounded as everything blurs around me. I keep RCing and muttering that I'm lucid, until I'm halfway down the stairs and looking out of an east-facing window.

The town has transformed itself once again, this time into what looks like a creepy green-tinged matte painting. The entrance to the building, which juts out into the gravel parking lot, is in ruins, and the entire field beyond is covered in water. About fifty yards away are a set of stone steps, leading up to a square stone arch. Someone is hanging from it, arms stretched into either corner, feet hanging above the ground.

At first, I think it's a woman, but the scene shifts into someone I'm pretty convinced is Walms. At this point, Walms is down from the arch, probably having escaped the bonds (or rescued someone else from them). I have to hurry if I want to catch up to him.

I look down at the uneven ground and sigh. I don't suppose this will count as a skyscraper? But no. Maybe I'll do the flower thing later. I throw myself off the building, feel my speed building -

Pause, as I consider where to land.

Full-speed, I crash into the remains of the entrance, numbly feeling my ankle bend at an impossible angle. I stand up, feeling no pain, and head east toward the blurry archway.

There's no one here, unfortunately. I sigh, and look beyond the arch. There's a whole bunch of people milling around on the lawn beyond it, so I consider trying the flower task. I pick up a flowering piece of the clover weed that runs rampant around Ixburg, and scan the area for someone my age - most of the people here are elderly.

I focus on the piece of clover in my hand and it turns into a violet. The colours shift and blur and it becomes a rageddy, fushia thing. The flower shifts into a perfect bunch of green and I concentrate, pulling a pink rose-bud from the centre.

I spot a woman my age exiting the Quickton college. She couldn't be a supermodel, but she has long, blonde hair, and something else draws me to her. I hand her the rose, smiling. "This is for you," I say, and turn away.

"Wait!" she says. She looks like she's about to say something important. "Are you Israel."

I don't know what she means, and I answer honestly. "I don't know." I say, and walk away.

I'm play fighting with a dog, probably a Great Dane. I realize that I'm losing lucidity, so I concentrate and RC and start saying, "I'm lucid."

Everything is blurry as I walk into a building and do a hand RC. I can see all five fingers, but they're all attached between the index and middle knuckles. I see a guard, and -

shift

People are talking about animals in pairs. Apparently, there are two such animals that signify love. What about dogs, I want to ask snidely, but I'm not actually there. Jackson thinks the sign might apply to him, but O-Neill scoffs and starts making fun of him.

shift

FA, I scramble for my dream journal, but there's a bunch of different notebooks beside my bed and I can't find the right one. I'm lying on the bed when I realize that I'm dreaming. I push into the waking world (for the first time) so I don't forget the dream.

Dream Goals. Scare Factor: 2.[/QUOTE]

I'm in a familiar place, messing with the controls on a high-tech piece of equipment (possibly the Stargate). My partner is a girl named Susan.

The building is a small house with fake-wooden paneling on the walls. There's old and worn furniture scattered throughout, mismatched and comfortable. There are a huge number of people in the house, milling about and chatting, but the atmosphere is mournful. Apparently this is a funeral or a wake.

I'm trailing beside Susan as she moves through the room talking to people. Suddenly, she half collapses, sobbing. I turn to our boss and tell him I'll take her away from the crowd.

I tell Susan that we're going into the lounge. I support her weight as we walk into the room and I have a strong feeling of familiarity with the location. I help her over to a couch and she lies down. I go over to sit on a recliner.

When I look up, I see that Susan has come to stand beside my chair. She asks if she can sit with me. I move over, and she sits down with me. I imagine the chair laying back and the footrest coming up. Susan and I lay down together, and I drift off to sleep.

I wake up, curled on my side in the chair. Susan is gone. I get up and pad through the living room that was full of people last night. I pop into my head into the den, and ask my dad (who's watching TV) where Susan is. He says she's probably sleeping in one of the bedrooms.

I stare at all of the people in the room, whose faces I can't really see. I notice that some of the people seem to be disembodied heads under various blankets all over the room. I dismiss the phenomenon as being normal for a dream, and go to find Susan.

Susan is, in fact, sleeping in one of the bedrooms. I close the door quietly, trying not to wake her.

When I step away from the door, I decide it's time to double-check my suspicions. I do a hand RC for the first time in a dream, staring at my left hand until the fingers move separately from my will and thick red blood begins to foam over the knuckles of my ring and middle fingers.

I'm somewhat disturbed, but I decide it doesn't really matter. I look at the digital clock on a VCR, which reads 1:45 PM. I decide that the time isn't unreasonable, since it was around 11:00 AM when I last woke up, and I had time to sleep in today.* I will the time on the clock to change, and it flickers. I repeat the hand RC.

I stretch out a hand in front of me, willing open a portal to a skyscraper. Instead of a portal opening in front of me, the door across the room to my left opens with a bang, letting the bright morning sunlight stream into the room.

I step out of the house and look around. There are mountains surrounding the town. The mountain I can see between buildings is a sloping, tree covered hill, and I'm happy to be on the mountainous west coast. The buildings are probably a couple centuries old. The church I can see has a spire reaching up toward the blue sky.


St. Paul's Church, the oldest building in Halifax, NS.

I repeat the hand RC, hoping to extend the dream. The ring finger on my right hand is missing, but when I look closer, I realize it's still there. The light seems to bend around it so that it's just barely visible, like the non-existent puddles on the highway in the middle of the summer.

There's nothing resembling a skyscraper nearby, so I throw open a few doors, hoping for a portal to a bigger city. I go through one, into brighter light, but I'm still more or less in the same place.

I'm just outside of town, looking at a delapitated building. There are no doors that don't have shelving inside, so I focus on the people who are there. Selina, a girl I graduated with, and an old man who looks kinda like one of my art school professors (Mike) are the only characters who don't fade into the background. They're picking things up, working on repairs to the heritage site.



Mike and Selina greet me, and ask what I'm planning to do. Mike says that if I'm planning to go into the woods, I should avoid making deals with the beings there. They can offer a lot, so it's a hard temptation to resist - the creatures could bring back any of my relatives from the dead.

I wryly assure him that I've had a similar dream before, where someone warned me not to bring back the original Elaine. By this point, I'm well aware that anyone I try to bring to life will come back wrong.

Mike is wistful, saying that if they would come back right, all of us would be willing to live without our souls, and to hell with the consequences.

I remember to do another hand RC, but I'm waking up. Everything fades and when I wake up, I already have my eyes open. I do another digital-clock RC, but I'm really awake this time.

Girlfriends, Dead People. Scare Factor: 2.

*It was around 12:45 PM when I actually woke up.[/QUOTE]

Image of a blonde woman. She looks like Ripley Grace from Avatar.

shift

Two groups are transported to a dark and scary place, lit up with a lot of orange. The cobblestone streets are coming loose in places, and stone structures are crumbling.

The group that arrives ahead of us are poachers. There are four or five of them and three or four of us. We appear practically on top of them, which is Not A Good Thing, because we're rivals/enemies/nemeses of each other.

We start to spot tiny little insects, looking like the drops of water in the first scene of Avatar (guess what movie I finally saw last week). They're bees. Honey-bees, to be precise. The bear-man in the other group freaks out and runs down a stone flight of steps, batting at the bees as he goes. I get the feeling that he's heading toward the hive.


Run, you fools! They're trying to kill you!

The bear-man in our group (symmetry, I suppose) suggests that we run. Quietly. In the other direction.

shift

I'm in the apartment in Ixburg. I'm still trying to get away from the bees, but at this point I know I'm dreaming. The goal of the dream is to get to another floor, either up or down, and the stairs would be too easy. I move away from the door, toward the master bedroom, remembering my attempts to reach an attic through a closet in a previous dream (#49: Misogynists, Scientists, Doctors, Little Girls, Monsters, and Faeries).


Still gonna kill you.

There's a second exit from the apartment, leading down a hallway we used for storage. I pause as I move to pass it, and decide this would be a good time to practice "Open A Door, Create A Portal". I don't really want to leave this dream, for, say, the moon, but I decide to open it up for practice anyway. I concentrate on what I'd see if I made it to the moon (the image has a moon in the sky, oops) and push the door open.

The hallway has become a steep flight of steps leading two floors down. I'm thrilled, because regardless of my intent, this is exactly what I wanted. I fling myself down the stairs, not worried about the landing, because I'm well aware that there won't be any impact. At this point, I'm quickly moving through the building by skipping the stairs entirely. I peer down each level and jump as far as I can. At one point, I take care to concentrate entirely on the feeling of falling - as if the bottom is dropping out of my stomach. It's horrifying - and absolutely brilliant.

I think back to something I said yesterday, that my falling dreams usually end with me bouncing off the ground. That's not quite accurate, I decide. It's more like I've jumped a foot into the air and landed toe, ball, heel.


Or maybe it was like this!

Nope, totally grounded.

The actual building this dream is based on has four floors, including the basement. I must have extended this by several stories, as I lost track of the time that I played on the stairs. Finally, I reach the basement.

I look around and down the hallway, marvelling over how real all this feels. I feel more awake right now than I usually do while I'm conscious.

There are railings criss-crossing throughout the basement. I remember the April dreaming task (last chance!). Stand on your head, right? I go to a place where the railings meet at a 90 degree angle. I grip the railings, and pull myself up into a handstand.

I can feel the burn in my arms. Balancing isn't a problem, but I have to work to support myself in that position. Letting out a huff of exultation, I lower myself gracefully to the ground, grinning all the while.


Because I can't do this in real life. Yet.

The advanced task reads "Stand on your head", literally. I concentrate on the shadows cast by the light source behind me, put my fingers over my temples and under my jaw, and gently pull away from me and downward.

From a first person POV, I'm watching the shadows intently, seeing the shape of my head separated from my body. Suddenly, I'm brought back to the starting position. I concentrate on my reflection in a dusty mirror, and repeat the process, slowly. I see my only my silhouette. I bend my knees and try to place my head on the floor, only to find myself in a sitting position, legs bent outward, stretching toward the floor.

I'm still in the basement. My mom is folding laundry, and there are piles of clothes all over the place. I see a pink or blue t-shirt, apparently my mom's, that reads "Slytherin Mom". I start telling her about the dream I just had.

I "wake up" in my room at my parents' house. I write down my dreams for the night. I check my alarm clock, but I'm too tired to do the RC properly. I'm annoyed by my mom, because she keeps popping into the room while I'm trying to sleep.

shift

I'm chatting with some people in an imaginary gay bar. A girl tells me I ought to come out more. No pun intended.

shift

I'm doing dishes via telekinesis. The mice from Cinderella will be disappointed that they didn't get to help, but they did the dishes in the last dream. Which means they haven't done the dishes in this dream. Which means I'll still have to do the dishes when I wake up.

I bring garbage out to the dumpster behind the shed. I'm Alice in Wonderland. After falling down the rabbit hole, I meet my character's worst enemy.


AAAAAAAAAAAAAAAH!

And then I'm a scary-looking monster horse hissing at the singing monstrosity.[/QUOTE]

I'm in the local theatre with a group of girls. Apparently we're about to play out The Handmaid's Tale, and as I'm not a fan of that particular dystopia, I'd rather not. As soon as everyone's asleep, I wake up another girl and start running.

In retrospect, it would have been smarter to leave her behind.

We're fleeing down a gold-gilded hallway toward a mirror I plan to use as an escape. (The mirror really exists in my parents' house.) I see a shadow run through the mirror and I attempt to follow, but I smack against it and push on the glass. I give up quickly; there's someone hot on our heels.

We run into an empty-of-furniture bedroom, and begin to literally climb the walls looking for a way out. The closet is an escape route. I turn around to look at my fellow escapee. She's wearing the dream-avatar I was just using, complete with wild orange hair. I'm a brunette now.

There's a third girl in the room with us.

shift

I'm in a high-tech facility, a space station, and I'm alone. I pickpocket an Asian woman's key card as I bump into her, and slip through a guarded door. The guard on the other side of the door, and asks for ID as I come through. I hand him the card. I strike at him. I take him down quickly, before he has a chance to call for backup.

My presence has raised alarms. They don't know where I am, but I'm being chased. I need to move quickly.

There's a control panel in the next room. It's triangular, with an assortment of round buttons that don't make any sense. Since I'm dreaming, only intent is important, and it doesn't matter which buttons I push. I focus on my goal, pressing buttons at random.

This dream is exciting, so I don't abandon it. I head for the nearest set of double doors leading to a staircase.

I find a scientist/doctor who's actually on my side. I'm sequestered in her office, and nobody will know that I'm here for a while yet. She takes a sample of my skin cells and runs a test. Surprisingly, the results indicate that I'm completely human.

"Where's a scalpel?" I mutter. I take an x-acto knife off of the nearest counter and push the blade into my palm. Blood pools into my hand.

"Now look," I say to the doctor. I brush the blood away from the cut, showing completely intact skin below.

I'm trying to stay in-character as someone with a healing-factor. I move over to the sink, washing the quickly congealing blood down the drain. My logic is that you can do all sorts of nasty things to someone if you have their blood.

I'm in the cafeteria. I'm looking for a free-run sequence. I run up the wall to an upper balcony, pulling myself up into the rafters and flinging myself forward without losing momentum. I'm trying to go up and up and

shift

Sam and Dean Winchester are saving people and hunting things. I'm playing as Dean while trying not to get Sam W. mixed up with my username. A man needs help rescuing his daughter and his pregnant wife from the evil scientists several Levels down. We take the elevator from Level 7 down to one of the sub levels.

The rescue is successful, but unfortunately, both of the children are evil. We eventually convince the five-year-old not to kill us all, and she decides to be a force for good. It reminded me of the daughter of the Basanos in the Sandman spinoff, Lucifer.*



*Super-powerful being rapes its host, host becomes pregnant, tries for a magical abortion, unborn daughter tries to kill everyone, and God's granddaughter erases everyone's memory so they can live normal, happy lives.

John Winchester pops out of nowhere in order to tell his sons something important. Dean doesn't want to hear it, I really don't care, and Sam W.'s starting to wonder if his brother has dissociative identity disorder. Somehow, this devolves into a man-hug as I flip back and forth from a male character to a female one. No one else seems to notice.

shift

My character (a child) is trapped playing out endless scenarios for a... troll... or something. I'm crawling through the mud under a two-foot high bridge, eying the puddle to the centre warily. I'm pretty sure there's alligators down there, and when I think I see (sense) movement, I panic and make for dry land.

And suddenly, I'm in control instead of the child-character.

Fed up with such repetitive terror, I immediately make a break for it when I'm out in the open. I run past ramshackle machinery and jump into a red truck parked near the muddy road. As I start up the truck, ignoring the shrieking of the little goblin by the bridge, I notice it's a standard. Whatever, I drive a motorbike, I can make it work.

I put the truck into gear and drive off down the road. Now it can fit one person, and there's no cab.

Down the road, I find faeries. I'm their guest. One reminds me of Miranda, even though she looks nothing like her. This woman has long, curly brown hair, and is most definitely not Vietnamese. She looks a lot like Liv Tyler, actually.

Fae!Miranda gives me a gift. I accept it, and go off on a mental tangent about the birthday gifts Ron and Hermione may or may not have received. Also, the fact that Miranda and I still haven't gotten together to exchange Christmas '09 gifts.

I want to give a gift of my own. I pull out a box and hand it to the woman. We're part of a group now, sitting around a table. Fae!Miranda opens the box and pulls out a shimmery fabric that seems almost invisible. I explain that the fabric is a magic silk that will enhance - something. Maybe it has defensive powers, or turns the wearer invisible. I don't remember. It was awesome, though. I was wearing some, even.

The silk changes to match the green of the faerie's dress, and flows into her curly hair.

A boy across from me is angry. I receive an image of a black gown - apparently Fae!Miranda's suitor was about to give her a dress. I can feel his jealousy brimming over from across the table.

Misogynists, Scientists, Doctors, Little Girls, Monsters, and Faeries. Scare Factor: 2. Reaction: one of these days, giving powerful gifts to potential antagonists is going to come back and bite me.

Originally Posted by PrettyEyes

The Oil, the walk and the gun.

6/14/10

In my dream I am sitting with family and see the news is on the television. There was a nationwide warning about the oil spill.. they are unable to stop it and wanted people to know they were sorry but eventually it would be our last days on earth. Hearing this made me sad and helpless. They even stated that the oil is flammable and could very well destroy our earth. I felt this lump in my throat and just stared at the television. Everyone was silent ..cars stop moving.. everyone was basically trying to absorb this news.

I find myself outside in the snow walking with my dad and my sister. We are on our way to the store and everyone seem to be in a sad state.. in unbelief and tried to continue their lives. Out of no where this woman who seem to have a mental disability basically insane began to utter words loudly but babbling.. she began to approach my sister and I ran over cursing the woman out telling her to F**k off.
Eventually the lady moved away and I found myself very very thirsty so I wen to buy bottled water from the store. I only had one dollar and looking at the prices of the water bottles I wanted to purchase two of them because I was seriously thirsty. I bought two bottles of poland spring water.. and find myself once again walking with my dad and my sister in the snow.
Another woman approaches insane also and begins to verbally attack my sister.. I kept calling my sister telling her lets go yelling repeatedly. So I approached the insane woman who was babbling to back the f**k off. I felt like I was about to hit her but she walked backwards into the store yelling for me to leave her alone.

The scene changes and I am in this room.. there is a big screen projector and there are these laser guns in front of it. A chubby white girl was had turned on the big screen where it displayed a video game. She said this was something to keep us occupied and happy since we received news of the oil spill. I start to play and it seems very fun.. but the room keeps morphing into a class room.. to the left side of me I see this opening.. clear door and this funnel.. but I bring my attention back to the screen where I am playing this video game. The chubby white girl had a baby on her hip which she put down on the floor.. the baby began to crawl towards the door and I see she has disappeared. I quickly rush over and grab the baby before she went down the funnel.. it looked like a slide but wow it was huge and dark. So I grab the baby by the ankle and pulled her back into the room. I hold the baby and go to some guy who looked like a sergeant in the army and tell him about the girl and the baby. So he yells at her telling her she needs to pay attention to the child. I lose interest in the game.

The scene switches and I am in what appears to be a room and my man is laying on the couch and this girl was sitting by his hip facing him.. I thought nothing of it until I walked by and he gestured her to move away from him. I immediately got mad and rushed out of the room..

Once again the scene changes and I am in this big theater where there is a play and performances. Ballerinas are moving across the stage and my man walks over giving me this poster. I decided to forget what had happened in the room because I figured my dream changed so there was no reason for me to bring it up. We see Marylin Manson.. a weird music entertainer. I find it awkward he is in my dream and feel that something is going to take place so I motion my man for us to leave. We end up inside a school.. a high school. And once again I feel the emotions I felt when I saw him with the girl sitting by his hip. I am angry with him and ask him why did he do that.. he asked what? I said why did you motion that girl to move are you hiding something? He tells me no he told her to move because he didn't want me to think there was something going on which wasn't and her sitting so close he felt that I would assume things. I grab his shirt and said " do you think I am stupid!! if you weren't doing anything you wouldn't have tried to be sneaky and tell her to move!".. at this point I am hysterically crying. So I run down the hall and toss this tall drinking glass onto the floor.. I don't know how it got in my hand but it was there and I threw it.
While I am in the hall I pass this device on the floor.. I look close and see two positive lines so I figured someone placed a pregnancy test in the middle of the hall.. I ignore this device and see students moving around in the hallway.
A guy walks up to me asking why am I upset so I start to tell him what had happened and that is when my man came around the corner..I look at the device and it no longer looks like a pregnancy test.. and it had symbols on it that I couldn't make out.. it looked like some electronic meter that my dad uses since he is a technician. All of a sudden I am holding a gun and place it to my head.. everyone gathers around trying to stop me and I am hysterical.. in my dream I wanted to pull the trigger because I felt so sad and felt my man was cheating on me. I saw his eyes turn sorrowful and I had the gun close to my head he grabbed my hand I pulled the trigger and felt the pain in my head...

I was woken out of my dream by my cat.. and had a dull pain to the left side of my head where I had pull the trigger to the gun when I was dreaming..

Two characters are around my old apartment in Ixburg. They look like Johnny Depp and Robert Downey Jr.. I play with story lines and wonder what's about to happen. Then I'm running over rooftops and away from Sweeney Todd.

I'm on the roof and he's on the ground. I double back quickly, jumping down and landing a flying kick to his head. Then I turn around and keep running.

I'm in a playground, on top of one of the structures. There's a man with me. He has the head of an eagle, and wings. He tells me that something is out of alignment within me, that my back hurts because of it. I see tattoos dancing across skin as he presses into the pressure points on my back. I see his wings spread out above, and ask if I can touch them. He tells me not to.

I decide I liked the old tower better, even if it was less accessible. I crawl in through the window and realize that someone is lying on the floor. I ask him if he has a pulse. He says that he doesn't.

I fall into an ocean of black water. I swim to the surface, take a breath. I'm treading water for only a moment before I'm pulled under again. Everything is fuzzy, but I keep breathing, and I realize that I'm dreaming. I swim to the bottom, covered in dark grey silt, and maybe a shipwreck or two. I concentrate on dissolving the dream or opening a portal or maybe both

I'm balanced precariously on the dark surface, which is riddled with craters. Briefly, I believe that I've made it to the moon, but I see the crescent moon on the horizon. I think that I'm on an asteroid between the Earth and the moon. I walk over the crest of the asteroid (10m in diametre), and look out at the moon. I'm perched at the top of a crater. I'm pressed against the ceiling, and everything is going dark.

I'm in Ixburg. My parent's house is next to my oma's house as part of a duplex. The door is unlocked. I talk to my oma and am invited in. We make room for the group of Katimavik kids that are in town.

Outside fighting against some kind of non-human enemy. My character isn't supposed to have superpowers, but I do anyway. I see myself flying from a third person POV.

Demon Barbers, Malfunctioning Portals. Scare Factor: 3.

Non-lucidSemi-LucidLucid

I concocted a plan to confront LG, utilizing the golden bullets he left me. This is the plan:

Originally Posted by Sam's Paper Journal

Note: this is not a dream.

I'm standing by the Bar in McAnally's, the pub in Dresdenverse Chicago. The building is established neutral ground, and the place is specifically designed to break up magical energies. Its design is broken up into odd nooks and crannies perfect for a dream walk.

I order two beer from Mac and take them, handing Mac a twenty with my right hand as I hold the other two in my left. I thank him and make my way to a nearby table. I set down the beers.

I reach into the right pocket of my jeans, where I put the golden bullets LG had threatened me with. I place them on the table in front of me and look up at the ceiling while sipping on my beer. It tastes like I imagine butterbeer would: rich and sweet. Inexplicable.

"You really expect me to drink this?"

I open my eyes to find the Lunar God eying me skeptically. I relax and take another sip.

"I would have ordered a bottle of Pinot Gris again, but I'm really not in the mood for champagne."

The Lunar God leans forward over the table. "Sam." He says, "No games. What do you want?"

I'm wary of him. "I want to know who you are."

He leans back in his chair, satisfied. I watch the smirk form on his face and settle in for a round of bargaining. I don't forget that those little golden bullets on the table have been used to try to claim my life.

This is the result:

I'm with the Joker in an armoured truck in a scene eerily reminiscent of Fight Club. Now, what could that mean?


You're just a freak, like me!

I'm following two characters and a potential horror movie from a third person point of view. At one point, I accidentally possess one of the characters and take some time off from the plot to... dye my hair. So yeah.

Same location. I'm waiting for my karate class to start. I check my watch, and it's 6:90PM. I guess I'm late. No, wait, this is a dream sign. I look around, confused, because this doesn't really feel like a dream. I pay more attention to my surroundings, and realize that it actually is a dream. I stop to savour the amazing feeling of being lucid.

"I'm dreaming," I say, and I start to repeat it to myself as I move around the dream-world. I'm not feeling very well, so I go to grab something from the fridge (in a place I've never been). I'm craving rasberries. When I open the fridge door, I find clear Yop yogurt containers filled with frozen rasberries. I eat a few.

I'm moving toward the exit when Ben stops me and wants me to listen to a song. It's rap music. I'm not interested, and there was something I wanted to do tonight, so I'm busy. A brief wrestling match with my brother ensues, but I shake him off and run to the exit. A steel staircase leads to a latched window.

I will the window to be open. I crawl out and latch it behind me.

I remember that I wanted to go to McAnally's to meet with the Lunar God character. I stretch a hand out in front of me and will the dream to dissolve. I close my eyes briefly, but when I open them, the green grass and concrete and sun are still there. Energy continues to swirl around me. I close my eyes again, and push through the dream-fabric.

When I open my eyes again, I can't see anything. Everything is dark, though coloured energy swirls through the space to break up the monotony. There seems to be a slight tear in the dream, so I move toward it (zooming closer, not walking). I drop to my knees and feel for the wooden door that I'm sure should be there. I imagine the texture, feel for iron handles of the closed door. I visualize the grain of the wood that should be there, the glass that is set into it.

"Open the door," says Mac, rolling his eyes. "We keep them open while we're open."

I stand up and dust myself off, looking at the four pointed star mounted on the door, just above my eye level. Did I create that?


The dream star was more ornate.

I shake off the strange feeling and move to the bar beside the door. This isn't anything like I'd imagined the place to be. The wood is darker, glossier, and everything is more streamlined than I'd expected.

"Two beer." I say to Mac. I dig through my pockets for the twenty that should be there, but I only find a bunch of change in my right pocket, where the bullets should be. Loonies, toonies, quarters. I apologize for paying in change, and I give him the $20 pile of change, minus the six loonies I need for LG. I consider that since we're in Chicago, I should have given him American money. I let my hand hover over the pile of change, and will it into American bills. The money flickers and I see paper. I'm not sure if it worked.

Mac waves me off, and I grab the beer and my loonies, setting them both down on a round wooden table near the bar.

"Aw, you don't need to do that," says a voice, "You already paid for drinks."

"These aren't coins," I say, turning to look at what I think is the Lunar God. He's younger than any incarnation I've seen before. He grins in understanding and takes a seat.

I take a sip of the beer. It tastes like Pilsner.

There's a third person at the table, whom I never acknowledge. Her (?) presence seems shadowy, dark, barely there. I think it's Elaine.

A girl comes up to LG and asks if it's okay if she leaves with someone.

"Yes." says one of us, before LG can comment. We kind of need to talk to him.

Unfortunately, LG's very presence seems to destabilize all dreams, and I can't remember a damn thing after that. Including whether I still have the bullets.

Failed Interrogations. Scare Factor: 3. Reaction: I need a new plan.[/QUOTE]

I'm checking out a gym in the new city I've apparently moved to. It's based in a university/college/high school, and membership is affordable.

A group of (mostly female) students are being led around by their female teacher. Some of the girls need to use the bathroom, so the group is collectively looking for one. They're in subway tunnels now, and the teacher is talking to a bouncer outside some kind of establishment, who won't let them in because they're women or minors or both.

I'm talking to my brother, Ben, at some kind of family gathering on a farm, when he starts quoting The Spoony One verbatim while we're talking about a game. Movie. Book. IDEK. Anyway, I call him on it, but he has no idea what I'm talking about. My cousin Reg, who's the same age as my brother, says he got to see a screening of that once. They're online videos, I tell him. What the hell.

We're trying to watch The Daily Show, but Ben tells me that we can't watch the episode because it's only on the US version of the site. I explain to him how you can use an add-on for Firefox to - ahem. Never mind.

Running up the stairs at the farm.

Someone explains to me that the farm is in danger and we have this plot going on to save it. Jill rolls her eyes and tells me to run because I'll never hear the end of it.

"I'm dreaming." I realize at some point. I blink in surprise. "How am I lucid?" I wasn't planning on having any lucid dreams tonight.

I'm going for a quick meal in Tim Hortons, trying to decipher the menu and remember what I can eat. I really want some chicken noodle soup, but I can't eat it since I'm vegetarian. I could get a bagel, but I don't really want a bagel. When I step outside again, I continue with my dream. Apparently I'm a student in some Squamish/Halifax hybrid. There are mountains in the not-so-far-away distance, and one in particular is relevant to the plot. So are the houses I'm biking towards.

Unconscious Desires to Move to a New City. Again. Now. Scare Factor: 1.

Originally Posted by PrettyEyes

The Dog and Space

6/12/10

I am in this 3 story home and I am sitting by the computer answering emails. I look down and notice my arms are different as well as the hair on my head.. it is much shorter so I get up and I see I am wearing a red shirt and low rise jeans. This was not my body ..so I go over to the mirror and I can see that it was definitely not me.. but I can't see the face at all. I have this little hairy dog and he is hoping around. There is this man sitting on the couch looking through a shoe box. So I turn to him telling him I am going to walk the dog. He was a very handsome man.. and from what I gathered he had just arrived at my home for a visit. He came from Australia don't know how I knew but that is what was presented in my memory in my dream. I take the leash to walk the dog and this man is smiling at me. So I take the dog up the street by the grass.. and he is hyper ( the dog). I go by this playground and water sprinklers are on.. children are running in and out of it. So I decided to take the dog through it. As I approach the sprinkler a few of the children block the water.. I guess the assumed I didn't want to get wet. So I tell them to let it go.. my dog gets wet but starts to crap on the ground .. I start to pull him away and he is just crapping. I decided to head home and the dog wants to use the bathroom some more. I check to see if he was ok and notice his feces is similar to horse dung.. it had fiber like substance to it.. like hay. And he leaps on me. I tied him to a pole so I can go in the house and grab some towels to clean him up because he stepped on his own poop and his hairs had some on it too.
I go in the house and the guy that was there seemed a bit nervous.. so I ask him if he is ok. He told me he feels something is wrong. I told him everything is alright. I look out the window and see the dog is panicking.. hopping up and down trying hard to get off the pole.
So I go out there and hear this sizzling sound. I look up and one of the wires to the electric pole is whipping around above me so I quickly grab the dog to move him. I see the sky is starting to take a on a different color.. a storm was coming. I was concerned about this power line.
I take the dog back in but he is uneasy hopping around and the man tells me " we should follow the dog" I agreed and the dog started taking us away from the house..
Where we were walking it was quite steep.. we were moving uphill.. I guess that was how the street was made. I smell heat and the guy next to me is not looking back. The little dog is moving forward so I look back and to my horror being us moving up top of this steep slope I can see lava consuming the neighborhood below. The sky was half darken from the smoke and this lava was just moving slow taking everything in it's path. I look at the dog and feel content like he was leading us to somewhere safe.
My dream switches and I am moving through the skies upward. I begin to realize I am floating outside in space. It was quiet..dark and I see this blue light.. I look down and see it is earth. It started to hit me that I was floating in space.. and I start to get worried because I am moving away from earth. I notice this wire or rope attached to my hip and it starts to get tight.. not around my hip but tight as in stretching as far as it could go.. I was worried it might snap and send me spiraling into space in it's darkness. I look to see how far the rope is and it was attached to earth.. I tried to grab it and pull myself down.. this rope started to get thin.. like the size of a strand of hair and I was scared it will snap.. but at the same time I was calm.. I start telling myself to wake up..wake up!

I jolted out of my sleep breathing hard.. that was it

I'm drinking. A lot. At a bar. I'm wondering if it's Saturday night and I missed the meetup with Vicki. I see Matt and Jen from High School on the other side of the bar, and debate over whether I want to talk to them. I've been drinking things like rum and coke all night, and now I've moved onto Pinot Gris. I guess. It tastes like champagne.

I'm in the backyard of the Ixburg Inn, having been ordered to clean up the scaffolding houses by my dad. I notice movement in another yard, a brief dark flash. I watch the roof of a nearby building for another sign of it. There's a dirtbiker up there. My mom and I watch him ramp from that roof an impossible distance over the highway. He lands badly, but that was supposed to happen. He's fine.

At a fair, I argue with Gus about something. I'm Shawn Spencer, and my dad (Henry) is around, too. The fair has a layout suspiciously similar to the backyard I was just in.

As myself, I put the truck in park, turn off the ignition, and raise my hands slowly. I'm turning toward the man in the passenger seat, who is happily delivering his Hannibal Lecture while pointing a gun at me. It's a revolver, I notice.



He explains to me that the time I was born can be flipped backwards to show the time it is right now. "You see," he says to me, "This time is the antithesis of your birth."

"Yes, that's very poetic."

I'm ordered out of the truck. I keep my hands up as I follow his orders, stepping onto the green grass in the backyard of my house. I know that there are kids inside the house, quite possibly my cousins. At this point in the dream, though, I think they might be mine.

I try to bargain with the man, but I know that he's going to kill me. If I resist, he says he'll kill everyone inside, but I can't be sure that he won't do that anyway. We circle each other over the grass. The man tells me that these bullets were specially made for me.

Don't I feel special.

The gun wavers for a moment, and I take my chance. I lash out with a kick to his wrist, then grab for the gun. I pick it up and aim at my tormentor. He raises his hands and grins, daring me to do it.

I can't. I empty the revolver of the gold bullets. They spill to the ground, and I scramble for the six of them. I stumble backward as the man laughs. I step inside, latching the glass patio door behind me.

"Go downstairs," I order my cousins. "Get one of the adults to call 911. Ask for police!" I shout at their retreating backs. I move through the house, locking and bolting the other two doors shut.

"So..." says my uncle, "We're safe as long as we don't go outside."

I consider the patio door, how easily the man could get in. "We're safe." I lie.

"Wait," I say after a beat, "Has anyone called 911?"

I curse and grab for the nearest black portable phone. I dial three numbers. "Hello, I need police at -" Silence on the other end. I glance at the display and read 901. Great. I'm wandering down the stairs at this point, redialling the number repeatedly to no effect. I see a flash of the man, laughing. I consider that he might have cut the phone lines.

"Does anyone have a cell phone?" I shout into the basement, frustrated and panicking. I begin redialling numbers on a blackberry no one gave me. 090. 901. 109. 119. My frustration reaches a peak -

And I realize that this is always what happens in dreams. I look up the stairs to the side door, reasoning that I fell asleep in my bedroom and there's no way I could actually be here. I walk up the stairs, touching things (the bannister, the wall), feeling the texture in order to solidify the dream. I'm worried about waking up. I unlock the door, open it. When I step outside, it's dark, and there's a layer of snow on the damp ground.

I move toward the street, making footprints as I go. I look up to the night sky, which is clear and filled with stars.

"Go to the moon," I whisper aloud. "Go to the moon."

I stretch a hand out in front of me, willing a portal to open, for something to happen. A pulse radiates outward from my hand, blurring everything briefly and circling behind me. I can still see the stars. The dream dissolves.

I'm in some kind of afterlife realm, filled with ribbons and people and flying. I'm attached to the colour yellow, which I hate. I try flying, but can only achieve a delayed falling effect.

LG's Got a Gun. Scare Facter: 4.5. Reaction: Lucidity!

I did the faux-math LG was trying to tell me about. Apparently I'm supposed to die next week. Saturday-ish.[/QUOTE]

Overlooking a dirt street from the rooftops. A man is talking to a thief-girl he saw on the street. She bolts, and he makes no move to catch her. The girl swings her way onto the rooftops, moving directly past my hiding place. I'm immediately in pursuit. She panics, makes her way to a pillar jutting from the roof, hoping for a reprieve. It should be impossible to climb, but I use my momentum to move upwards and find handholds where there are none.

I may not be an alchemist, but I have my own talents.

I face off against the girl on top of an eight foot circle of concrete.

"I'm not going to hurt you," I say, "I just need to know what he told you."

The girl lashes out at me, shrieking. I dodge her easily. She strikes again, goes wide, and loses her footing - I grab onto her tattered cloak, and her momentum pulls me with her from the top of the tower. I'm holding onto the edge with one hand, but if I want to keep the girl from falling, I have to let go.

I let go of the wall entirely, touching only with my feet. I'm holding the girl in my arms and am standing at a ninety degree angle to the wall. There's a moment of breathless surprise from the girl in my arms before I jump -

We land easily on the roof below the tower.

I have a quick conversation with the dazed pickpocket, who takes off after giving me the information I need. I don't follow.

"Elric!" I shout to the street. The man from before, with long, dark hair and glasses, looks up at me, quietly amused. I drop down to the dirt road in order to interrogate him more quietly. Alphonse doesn't back down. "I need to talk to your brother."

The conversation goes nowhere, and I find myself tailing the younger Elric brother from the rooftops. I stay low, watching the reactions of the AS2-style city guards so I don't have to keep him in my direct line of sight.

I follow him to a building with glass double-doors, and I drop down onto the street. I walk toward the guard. I think about giving him a three-digit code for "I'm following that guy; don't get in my way," but I'm bad with numbers while I'm dreaming. I nod at the DC, willing him to pass on the message. It worked. As I walk down the hallway, I'm aware of the DC passing it on to the other guards in the area.

Alphonse is reporting to someone in an office with a glass wall. I can't keep the woman from seeing me, but Alphonse has his back to me, and I walk past the office as if I belong there, into an L-shaped corridor. As I round the corner I have a brief 3rd person glimpse of myself wearing Assassin's White. I stand at the edge of the glass wall, behind curtains, trying to hear what's being said.

((Note: Deliberate perspective leaps could be useful while spying. Try to induce these deliberately.))

The meeting is over and I quickly move down the hallway into an unexplored room. As I open the door, I realize that this is Edward Elric's study. I notice the cot jammed into the far corner. Or bedroom. Black blankets are piled around the room and I briefly consider hiding under a pile as Alphonse opens the door. Only, that would be undignified.

No, it's time for a two-sided interrogation. This should be fun.

Amestrian Conspiracies Involving Your Protagonist. Scare Factor: 2.