Ahsaka's Dreams 1. I was in the midst of working on a speech for an upcoming event when outside I heard the faint strains of violin music. It was Summer by Vivaldi. I went outside and followed the music to try find out where it was coming from. 2. I don't know why but I was left in charge of watching several kindergarten aged kids. There was something important I was supposed to be thinking about but the kids wouldn't allow me any time to think. They kept climbing on me and trying to play with me. 3. I was at a family get together. My sister was talking almost non stop, bragging about the places she's been and seen. It was rather annoying and I tried to ignore her by starting my own conversation with my brother. He had just started talking about his kids when my sister interrupted and started bragging about how wonderful and intelligent her little sons were. She happened to mention that they would be going to Mexico because her son was learning about it in school. Quite suddenly I remembered writing, To Mexico or bust!! somewhere. I then decided that I would tag along with my sister to Mexico in an effort to further my own personal educational aspirations. i told her that I would come with her. The dream scene changed. We were sitting in an airport. I was surprisingly calm and devoid of my fear of flying and I thought that this was very strange. I did a reality check simply because the lack of fear was unnatural for me. I quickly found out that I was dreaming. I became anxious. I wanted to get to Mexico ASAP. I had the overwhelming feeling that this dream would be a short one. I attempted teleportation but found that I was anchored quite formidably in the airport. I tried spinning to change the scene but that did not work either. It only drew suspicious stares from the people around me. My sister looked very ashamed of me. I knew the dream would end soon. I had not time to spare. If I could not get to Mexico maybe I could find Yeon in the airport crowd. I started yelling "Yeon" hoping someone would answer. No answer came so I began yelling "Windhover! I know you're here. It's me!" Still no answer. By this time I didn't particularly care that a crowd of bug eyed onlookers had gathered around me. I stood up on a bench and continued yelling, at the top of my lungs, for Windhover. I woke up quite suddenly, frustrated that I had not gotten to Mexico or found Yeon/Windhover.
Good morning, everybody. Dream #1 It was night. I walked out (from where) onto the peak of a big hill or mountain. The peak of the mountain was kind of thin and knobby. It seemed to be made of a pink stone like sandstone. There were little stretches of green vegetation like moss or short grass. Below the peak, the mountain seemed to wind around in spires and caverns. There were even a few waterfalls. The air was very calm and cool. There were a few groups of people on the mountain, doing different things. There was a group of policemen sitting near the peak of the mountain. I sat near them. I looked down the mountain and saw a group of skateboarders skating down a sandstone ramp. The police may have been talking about some job they were on. They may have been looking for some woman for some reason or another. The skateboarders had all gone to the bottom of the ramp, possibly together. Now they all came back up together. I was kind of wondering if it was okay to be skating out in a natural area like this. But the kids were getting ready to skate again. So I figured I'd watch. A black boy, kind of tall, maybe in his late teens, skated down part of the ramp. But he ended up going down a side ramp off to his right. The ramp sloped upward, over the edge of the moutain. The boy lifted up into the air and then disappeared off the cliff. There was no sound of his crashing, although the boy may have made a little sound of surprise as he went off the cliff. I kind of waited for a second. It seemed like everybody, including the cops, had seen the young man flying off the cliff. But the police didn't seem to care. They just kept talking about this job of looking for a woman. Finally I told the police that they probably should look for this boy. He obviously just fell off a cliff, and he was in danger. I even bent over, while still sitting, to get a view down the mountain through some kind of hole made in the sandstone. I saw the boy below, lying face down on a ledge of sandstone. It was pretty obvious the boy was dead, and I told the police so. They grunted a bit and stood up reluctantly, saying they'd go check things out. In the meantime, however, I was apparently charged with the task of finding the woman. I walked down one of the sandstone slopes. But then I was suddenly in a house. I was in an area like a living room. It was really wide, but it also felt short somehow. There were a lot of windows and sliding glass doors. It was night, and the house felt lit, but not completely. I had to search along all the walls, even feeling along the walls and down at the corners where the walls met the floors. The woman was apparently in a small space like this. All this time I was either having a conversation with myself in my head or hearing or remembering hearing the police talking, probably about the woman.
I was in a department/grocery store of some sort. There was a glass display near the center of the store and I was looking at men's style wrist watches. I was kind of bored but I was determined to find a watch I liked and buy it. Most of them were bulky and coloured black. Someone (a unidentificable woman) told me to hurry up but instead of buying a wrist watch I went to the checkout and purchased a bottle of red wine, even though I don't drink alcohol. This angered the person who I was with for some reason, but I don't know why.
Lucid: Green Nonlucid: Blue Notes: Black Vividness: 4/5 Lucidity: 0/5 controll: 0/5 I was inside a huge house. There were several underground floors. The house itself was only 2 flora with a basement, but there were about six floors under the basement. All of the floors looked similar, beige carpet on the floors and walls. I walked down to the first basement floor and saw a bunch of guys frantically looking for something. They said there was a problem on the bottom floor. I, like an idiot, decided to check it out. Each basement floor was well lighted. Each floor except the floor before the lowest basement and the lowest basement floor itself had people looking for something as well. I walked down the stairs to the last floor. Upon arriving there a few ghosts (from luigi's mansion??) came out at me. Strangely I wasnt afraid. I just kinda walked upstairs like nothing happened. But these people obviously wanted to get rid of the ghosts, right? So I decided to help them. I went back to the first floor, but appeared outside the house somehow. There were a lot of people there, seemingly frozen in time. They were talking, but ignored everything around them, including me. It was really strange. I entered the house and saw someone I knew from geometry class. I told him not to worry about the ghosts, and that I could eliminate them if I found a vacuum cleaner and a flashlight. The dream ends here though.
I am in a house with wood paneling walls. It had the look of a cabin. The entrance was more elevated that the living room. The living room was flooded and it looked like a lake. The water was brown and murky and I could not see the bottom. It looked like there was seaweed and algae growing. There is a little floating dock leading out into the water. On the left there is a ladder leading up to a room that looks out over the living room. I climb up the ladder because I plan on crossing the living room by going a level higher. I get up there and there is a giant web and a spider that is as tall as the room as well as several DCs that I do not recognize. They all begin to walk closer towards me and I back away from them. I fall into the disgusting water and I can feel the seaweed brushing my legs. I remember being told that I would not be able to ‘handle it’ in this place. I contested saying that I believed I was strong enough. I remember that I was wearing nothing but a long t-shirt and a pair of underwear but I didn’t care that I was underdressed in front of strangers. I feel like a week has passed and now I am getting ready to leave. I am looking around frantically to find a ‘fleece’ sweater of mine (in reality this sweater is made of wool and I’m almost positive that I’ve donated it). My friend Joshua is there. I am angry with him. I ask him where my sweater is. He has it in his hands however we are on opposite ends of the water filled living room. He tries to throw the sweater across the water but fails miserably. It lands very close to him in the water. This makes me very upset. He jumps into the water to retrieve it. He crosses the living room and hands it to me. Somehow the water has shrunk my sweater so much that it could now fit a Barbie doll. Somebody says that it might be time to clean up the house. Joshua says that he will think about it and find a good method to clean it up (In reality Joshua often throws large house parties and is amazing at cleaning up his house afterwards). It now feels as though this entire week has been a party for these people and I feel that it was a horrible experience for me. The dream seems to change suddenly. It looks like a scene of a movie and I am looking at it from a third person point of view. There are people swimming up to shore. They are dressed as if they are from the 40’s. They are survivors of a plane crash that are now stranded on this island. Now the dream returns to the original scene except it looks like Joshua has ‘cleaned up’. There is no longer water in the living room, just hard wood floor. I am back at the cabin and I now know that the DCs are descendants of the survivors of the crash and we are on an island. Although I do not remember my boyfriend being in other parts of this dream I suddenly being searching for him. I feel as if he has left without me. There is luggage piled up at the entrance and I see that his is missing. I begin searching for him outside with a flashlight. As I do so I see many people that I have not seen in a long time yet I honestly have no interest in speaking with them because I feel like I need to find my boyfriend. I felt abandoned. I wake up. I did not enjoy this dream. I felt stressed the entire time.
I remember going to the Airman's Attic (see below) to look for something I need, but I don't remember what I was looking for. I didn't find it. I asked one of the volunteers to look in the back room, but he refused and scolded me for not volunteering myself. I ended up looking for what I needed at a store, but I still didn't find it. Airman's Attic - Most (if not all) U.S. Air Force bases have a building called the Airman's Attic, where you can get free stuff which has been donated by other servicemembers. You can also donate stuff you don't need if it is in good condition. I've found all manner of useful stuff there, including an infant car seat, a DVD player, almost new uniforms, and various clothing and board games. All the people who work there are volunteers.
Dream starts off with Link from the The Legend of Zelda: Ocarina of Time entering a dark dungeon with grey stone walls. A narrow hall leads to a large square shaped room that has a platform in the center with bridges leading to doors in the southern and eastern walls. The platform is surrounded by dead bodies, hanging from chains, suspended over flaming pits of lava. Instead of a creature from the Ocarina of Time the first enemy encountered there is a cacodemon from the Doom videogame series. Link cannot kill it because it floats just out of range of his Master Sword, above his head, near the ceiling. Link escapes through the door in the south and finds himself in a small maze of long halls with many identical looking doors. Most of the doors are fake and the halls dead ends but Link stumbles upon a fake wall in the eastern part of the maze that leads to a room with a treasure chest that contains the Eye of Truth. The new treasure reveals which doors are real and which are false and also shows entrances to hallways that were hidden behind fake walls. Down one such hidden halls in the weatern part of the maze Link encounters more cacodemons but is able to kill them this time because the hallways has a very low ceiling and the demons cannot float out of reach of his sword. Beyond them is a short "t" shaped hall extension that Link quickly discovers is booby trapped. When he tries to reach the treasure chest at the far end of the hallway, rockets come flying out of a hidden alcove in the opposite end of the hall. Link's shield is unable to effectively protect him from the exploding rockets so he is forced to retreat to the entrance of the "t" shaped hall to figure out what to do next. Just then a cacodemon comes wandering down the hall and Link lures it into the "t" shaped hall. The rockets start firing at the new target, which becomes confused and tries to attack the wall hiding the rocket launcher, and while he has a chance, Link runs to the treasure chest and claims the prize which turns out to be the Biggoron's Sword. He runs out of the hall mazy and back to the central room where there is now one of those brain demons. Despite it being twice the size and strength of a cacodemon, Link makes short work of it with the Biggoron's sword and moves goes through the door in the eastern wall. The next room is similar to the hallway maze but instead of walls and fake doors the maze is made up of public bathroom stalls that are all painted light blue. Some stalls are the entrance to new hallways of stalls but because all of the stalls have doors that are closed, Link has to check them all one at a time. For some reason the Eye of Truth will not work here and some stalls contain hidden cacodemons and other monsters, making searching for the exit tedious and frustrating. The dream becomes fuzzy but Link ends up in another large room facing more of the brain demons after finding his way out of the bathroom stall maze. There is a door that leads outside and onto the tarmac of a parking lot where a 1979 brown chevy Nova sits. The landscape of the surrounding area is an arid desert like you would find in Arizona. A man behind the wheel of the car, who looks like Bob Hoskins, and a woman with brown wavy hair, urge Link to get in the car. The exit of the dungeon smashes open and one of those huge cyberdemons with a rocket launcher for an arm comes stomping out. Link tries cutting it's leg with the Biggoron's sword but it has no effect so he dives into the backseat and the car burns rubber to get out of there and onto a deserted highway. It doesn't go very though because it the blast from an exploding rocket causes it to spin out of control and into a dirt patch on the other side of the highway. The three occupants of the car lay low and very still because they believe that if they they do not move the demon will not be able to see them. Apparently it works as the demon seems to have lost sight of the car despite the fact that it is a mere 50 feet away. I cannot remember any more of the dream.
Updated 08-30-2010 at 02:09 PM by 6048
July ??, 2010 Meant to type this out sooner Synopsis: A party gets rowdy, my dad is drunk and kind of scary. Afterward I become lucid and a voice tells me to find the Goddess of the Dried Lake. I fly and fly and even fly right through my Inner Sanctuary Night Time Note: I slept with a stone underneath my bed, chrysocolla. But this was the only night I had any weird dreams. Drunks in my Room! The family is throwing some sort of party. At the same time I'm letting guests in my bedroom to see my awesome paintings, so it's like a party and an art opening all at once. It was a nice big house too, not our little apartment. It's getting late, and I want these party people to leave my bedroom. But then here comes dad standing by the door way, drunk. He's swaying back and forth, and it's making me real uneasy. He comes stumbling towards me, and I don't like it. So I fly out my window. I'm standing on the curbside with my sister and others. We all want to leave this crazy party. But then I get worried about my precious paintings. Damn, those drunks are going to ruin my paintings! I fly back into my bedroom but it's completely empty. My dream fades into a new one Goddess of the Dried Lake I fly out the back window into a surreal landscape. It's a garden right outside my bedroom window. But the garden is fake, like in the Truman show, the sky is really a painted wall. A voice speaks to me and makes me lucid "Find the Goddess of the Dried Lake" I see an image of the dried lake beneath me. There are round ripples in the dried mud. The mud itself glistened with a rainbow of colors. Kind of like when you can see a rainbow in grease spills, except this was dried mud. It was beautiful actually. The voice then tells me that a man will help me find the Goddess of the Dried Lake. She gives me a name, but I don't remember the name . Even during the dream I kept having to repeat the name because I kept remembering it wrong. All I know is when I woke up, I realized the name was the name of a mineral. So I've got my dream goal! Find the Goddess of the Dried Lake! I flew and flew and flew and flew and flew! Through houses and hallways, hotels, malls, cities, and towns. I had no real plan I fly through a valley hoping I'd see signs of a dried lake. Instead I found this weird man-made construction with giant rubbery-plastic pipes. They were minty-green in color. It sort of looked like a giant freakish car engine. Except it's the size of a house. I didn't like it! I try to transform into a gargoyle but the most I get are claws. I rip apart the plastic pipes while growling! Some random DCs see me and are shocked that I destroy this.....thing. What ever it was. I fly away satisfied I destroyed the freakish engine. I'm over another town. I'll never find the dried lake at this rate! I need to go up. Just as I think that I start to float higher and higher and higher, as if I'm on an invisible elevator. Soon I can see the whole city below me for miles and miles, and it's surrounding country side. That must be where the dried lake is! I fly into a forest. It's magically enchanting! The trees were so tall and lush I couldn't see the sky, only a few streaks of blue and white. I fly deeper into the beautiful forest and I'm greeted by a group of stags. They had gentle kind faces and seemed to like me. Their antlers were so long and intricate! I admire their antlers by stroking them. It goes completely over my head that I've entered my Inner Sanctuary, a dream goal I've set up for myself. The first time I entered my Inner Sanctuary, a friendly stag greeted me and introduced me to the forest. Instead I think "No! Don't get distracted! You have to find the dried lake!" Me idiot! I fly out of the beautiful forest. My dream search gets more desperate and desperate. I'm flying through bedrooms into bedrooms, into closets into closets. And now I feel like time is running out, and DCs are after me. I lose control, I forget why I was flying or what I'm looking for. And then I wake up. Who is the Goddess of the Dried Lake and who is the man who is supposed to help me find her?
Updated 07-20-2010 at 03:30 AM by 6004
The main character of this dream is Rosso the Crimson in she is in a large compound that is part military complex and part resort. Many buildings surround a body of water that is a natural spa. One building is very tall and looks like the sort of like the Empire State building, but it is made of glass. The timeline is after DoC but the world isn't a FF setting. Rosso has been institutionalized but for some reason she is wandering freely around a single story building that looks like a factory on the inside. She is desperately trying to find Shelke and feels compelled to look everywhere. While wanding through the factory building, many people who are working there stop their activities to observe Rosso, but do nothing to stop her. Rosso knows that she has to find Shelke quickly before she is reinstitutionalized again. Rosso comes into one room that is tiled like a shower room but with many large pipes sticking out in the middle of the floor. She believes that one is an escape route, but when she lifts the lid of the pipe, there are wires and metal parts on the inside, making it impossible to crawl inside. The rest of the pipes are the same. Rosso exits the building through a doorless doorway in the large pipe room and comes into a cement court enclosed with a tall chainlink fence. Suddenly Rosso with with Vincent Valentine and they are entering the waters of the spa. Vincent swims across the small body of water and underneath a wooden deck. Rosso follows but is distracted but a group of people lounging beside the wooden deck. The people sit admidst brown octoganal stones that stick up out of the steaming water. A man and woman in the group try to talk to Rosso but she ignores tham and follows Vincent underneath the wooden deck, still fearful that people are chasing and trying to capture her. Underneath the wooden deck is a dilapitated wooden staircase that leads up into a secret room hidden between the buildings. Vincent easily climbs to a platform at the top of the stairs and says that this is where he likes to hang out. Rosso follows but has difficulting jumping a part of that staircase that has completely rotted away and almost doesn't make it to the top. On the platform at the top is a desk and chair in the old Victorian style and a sofa upon which a blanket and pillow are lain. Rosso says something to Vincent about the place being unsafe and a mess and that she wants to leave. On the way back down the dilapitated wooden staircase, Rosso again has trouble traversing the gap in the staircase and barely makes it a second time. The compound suddenly seems devoid of resort seekers and there are groups of military personal conducting aggressive searches of all the buildings. Rosso fears that she is now being outright hunted and she doesn't want to be captured because she still has no idea where Shelke is. Vincent leads Rosso to the tall glass building of the compound and takes her to an large abandoned apartment suite about midway up the building. Three black Apache helicopters are now circling the building and it has been evacuated of all other people. When one of the helicopters spots Rosso near a window it is passing by, it turns and starts firing, blowing out the windows and attracting the attention of the other helicopters. Both Rosso and Vincent have to crawl on the floor to avoid being seen and shot and they get seperated. Rosso hides in a bedroom, under the bed which is against the outer wall, making it impossible for the helicopters to see her. Vincent searches the apartment for Rosso and is fired upon when seen. He discovers Rosso's hiding place when he is forced to take refuge there himself. Vincent tells Rosso that he doesn't know why oders have been given to kill Rosso, because her institutionalization was for mental health reasons, not because she is considered dangerous. He mentions a man who works for Reeve who has been actively trying to undermine Rosso's recovery and fears that he is the one who has given the order to seek and destroy while Reeve (who owns and runs the compond) is away on business. While the helicopters searching the otherside of the building, Vincent gets up to leave, saying that he is going to get to the bottom of this. He tells Rosso to stay put and grabs a pillow and blanket on the bed and gives it to Rosso so she will be more comfortable. Rosso still desperately wants to find Shelke but is afraid to leave her hinding spot. Rosso is exausted and falls asleep. She has an out of body experience and her spirit floats up above the building and watches the helicopters circling around. She revels in the fact that they cannot see her and for a moment she forgets about her desperation and fear. Rosso notices an opening in the side of the building near the top and it has a platform where helicopters can dock on the side. Re-entering her body, Rosso wakes up and crawls out from underneath the bed and finds her way up to the top floor of the glass building. A large open room filled with dirt and small dump trucks is found behind the helicopter dock. A yellow helicopter approaches the dock to land and Rosso hides behind the peak of a pile of dirt to watch who gets out, but no one does. A vehicle nearby has a turret on top and Rosso discovers that she can fly like she did when having her OBE and goes over to the turret and smashes it to peices with her hands, fearing that if she is spotted that she will be fired upon. Even though the three Apache helicopters are still circling the building, and Rosso is out in the open, they do not notice her and continue to scan the building with their serach lights. Rosso hears some voices approaching and she glides over to a pillar near window that has a long curtain coming down from the roof. She hides behind the long curtain and even though it is solid, she can see through it. There are two grey coloured women soldiers (grey armour, not elderly) on a dirt pile nearby. They cannot see through the curtain and therefore cannot see Rosso. They are talking and laughing maniacally about something. Rosso can tell that they are genetically modified soldiers like she is and she fears for a moment that Deep Ground has returned. At some point the grey soldiers leave and Rosso makes her way down to the bottom floor of the glass building. She finds a large room that has many wires and pipes dangling from the high ceiling. Rosso flies around them for a while before noticing a muscular man dressed in blue on the floor (Azul the Cerulean?) and she goes over to talk to him. I cannot remember the conversation and the dream ends about there.
I am walking through the neighbouring backyards towards my parent's house. As I get closer to my parent's backyard I see that there is a large, suspended wooden and rope bride that goes back into a vast forest behind their house. The forest is like the one that existed there when I was a kid but this one isn't small and continues far out into horizon, what would in reality the rest of the city, now untouched wilderness. The day is bright and warm and their is a clear blue sky. It is close to the end of summer and some of the trees are starting to change colour and drop their leaves. At the foot of the bridge is a pack of wolves play fighting with each other. They are not small but seem not quite adults yet. There are about five or six wolves and they are wide varieties of colours. One wolf is almost completely white except for a patch of black on his face and left side. One wolf is completely black. One wolf is kind of brownish grey and the rest were grey and white. I have the sense that there are several species of wovles present, but they run and play together as if they were one pack, one family. A few of the wolves take notice of me but do not approach or make any hostile gestures but seem nervous. I think that it is so cool that not only is there an endless forest behind my parent's house but there are wolves living in it. The wolves stop playing and gather into a circle with their heads pointing in. I hear one of them say something in a strange mix of wolf growls and human speech, but the sound wasn't horrible nor hard on the ears. It was almost musical. When he is done talking all the wolves look up at me, then back at themselves, then back at me (which kind of freaks me out a little) before suddenly turning towards the bridge and running along it into the forest. Almost at the same time many people arrive with cameras and binoculors, from around front of my parent's house, and ask where they can find a newly released pack of wolves. They are tourists and they want to see the wolves in their new home. I suddenly feel very protective of the wolves and demand that the people get out of my backyard. I feel that they will not be able to survive if tourists are allowed to disturb their privacy all year round. I have the overpowering urge to run down the bridge and try to catch up with the wolf pack. I do not get on the bridge right away but wait until all the tourists are gone. I do not want any one to follow me. When it is safe I start running along the bridge and it twists and turns through the thick forest. I run for some time but do not seem to get tired no matter how fast or far I run, but running on the bridge is difficult because it sways and rocks quite a bit and I do not want to fall off of it (even though it is suspended, it actually is not that far off the ground). After a while a small clearing appears and the suspended bridge comes to and end at a small wooden stair that leads down to the ground and to a wooden boardwalk that continues on into the forest. My unlimited endurance disappears and it is now very tiring to follow this path. I continue on along the boardwalk anyway and as I walk I pass or am passed by all sorts of people dressed for autumn hiking. I suddenly become aware this forest is a national park. The wolves being reintroduced is a big deal or something because it is the first project of it's time (to reintroduce wolves into the wild so far south in Ontario) but the reason why most of my home town has disappeared and been replaced with a forest is not revealed in the dream and I am confused as to why the edge of the national park is literally in my backyard. Why is it so close to the edge of the city? I walk for a while and the boardwalk comes to an end. A well worn path in the earth continues on for a bit before splitting into two directions at the bottom of a steep hill. The path leading right circles around the hill along a marshy lake or pond. The left path is straight up the steep hill and over. I choose the path on the left because there are less people on it and it seems to lead back into the nature reserve. I am still hoping that I can find the wolves, though I start to feel that I am doing exactly what I want to save them from: constant disurbance of their privacy. I come to at what I first thought was a clearing but turned out to be the sudden end of the forest. I walk out into a parking lot for visitors to the national park. The sun is begining to set. The parking lot circles around the north park of the park and comes to an octangular tower, beyond which is a soccer field and a rose garden combination. There are many people standing around a fountain in the right side of the field. The fountain is covered with a rose bush that has large, bright red roses on it. The vividness and beauty of the roses seems to contrast the unusually large black thorns hiding underneath the flowers. I walk through the feild and on the other side is a street with houses along it. I see the pack of wolves running up the street towards an overpass that has a large drainage pipe that leads along the ground back into the nature reserve. I try to catch up with the wolves but they run into the drainage pipe. The wolf that is white with black patches watches me for a moment, like he is waiting for me to catch up before taking off into the pipe as well. I reach and enter the drainage pipe and find that there is ankle deep water and debris. I cannot see the end of the tunnel but parts of it are lit up by light shining through sewer grates along the top. The dream becomes fuzzy and I do not remember exiting the pipe but somehow I end up in the forest behind my parent's house near the suspended wood and rope bridge. I run along it again, and when it reverts to a path through the forest, this time it leads to an field beside a large cliff. On the side of the cliff is a glass display case containing a minature representation of a city which is labelled "Old London" and I know it is refering to my hometown of London, Ontario. I cannot remember anymore of this dream.
This dream starts off with me as a passenger of a very old fashion car that looks like a vintage Model T without the canopy. The vehicle is severely lop-sided as the front left tire is normal, but the front right axel sports two tiny tires that look like they belong on a wooden pull wagon, not a car. I am in the backseat and the driver of the vehicle is a young woman dressed like a mennonite (in a pale beige dress), minus the bonnet to cover her light brown hair that has been pulled into a tight bun. I have on a grey mennonite dress as well but I think nothing of it in the dream even though I would never be caught dead in a dress in waking life. I know I am looking for something, but I an unable to say what, even when the young mennonite woman offers to help me search. It is for the search of that unknown thing that I have accepted a ride in her oddly designed car. It is daytime and clear and we are somewhere deep in Southwestern Ontario's Mennonite country, as I remember it from childhood. It must of just stopped raining because the road is extremely bumpy and filled with deep muddy pits as well as various debris that looks as though it has been deposited in the middle of the road by a mud flow. I cannot remember asking the driver how we will get around all the debris and mud, though I do recall her saying that the old car was "tough and like a tank" and it could drive over, and through, anything. She proves this point when we come across what looks like a crushed silver sedan sticking out a shallow mud pit. The vintage vehicle seems to struggle a few times, especially with it's two tiny front wheels on the right side, but on the fourth or fifth attempt it is sucessfully able to drive over the crushed sedan. There is a large white farmhouse a head of us in the distance that it sits in a depression in the landscape and is completely surrounded by water. The ground level of the building is no doubt flooded with water. As we drive closer the old vehicle slowly starts to become submerged and I am worried that it will stall, but it is strangely unaffected by the rising water level. The front door of the farmhouse opens as the driver parks the car and gets out. The woman who walks out of the farmhouse looks identical to the driver of the vintage car, only she is a bit taller and more corpulant, and is wearing a pale pink dress. It is obvious to me that they are sisters. The two of them seem completely oblivious to the muddy water that has flooded the entire farm even though it is knee deep. They invite me into their home and allow me to look around at my leisure, but ask that I do not venture into the upper floors. While every room on the ground has been flooded, the water is relatively clean and clear, besides the occasional household object floating in it, unlike the murky and muddy water outside. In great contrast to the simplistic ideals of the mennonite lifestyle each room is decorated, even crammed, with old fashioned household items, knick-knacks, trinkets, oddities, toys and even the random out-of-place modern item, (like a brand new Spider Man plushie I found in a linen closet). Many of the rooms look more like a museum than a living space. One stange thing I notice is that located in several rooms through the house there are three antique bisque dolls that have been tied together. The first group of three are all identical, dressed in earth tone Victorian fashion, blond curly hair and are tied toegther with what looks like twine. The doll on the far left is missing an eye. They are located in one of the first rooms, which I think is a lounge. The second group of three is located in what looks like a guest bedroom. The dolls are all identical looking with pale blue Victorian dresses, light brown hair and are tied together with a thin peice of red silk. The doll on the far left has a large crack down the middle of her face. I find a narrow wooden staircase and sense what I am looking for up there. Before I go up I look through a nearby window and see a vast farmers field that is devoid of water and with large mounds spaced at regular intervals. Whatever is growing in the field is under the large mounds. I hear a faint "meow" and I suddenly realize/remember that I am looking for my cat Zrinyi. I quickly run up to the second floor and find her at the top of the stairs in a yellow cat carrier. There is a room beyond where I find my cat and the heavy wooden door is slightly ajar. I sneak a quick peek and see the last group of three dolls that are tied together. They are in what appears to be an old Victorian style office, sitting on the top shelf of a dark brown book case. The windows of the room have been boarded up and broken lines of light give little illumination to the heavily dusty room. The dolls have black dresses and are tied together with a thick peice of rope. None of the dolls have heads and the one on the far left looks as if it bled when the head was removed, as the white collar of it's dress has been stained red. I hear one of the two sisters downstairs and quickly return to the ground level. I leave Zrinyi where she is and plan to return to get her. Now that I have found what I have been looking for, I am filled with a sense of urgency and desperately want to leave the farmhouse, but I suddenly feel like I am trapped and that I am not going to be allowed to leave. The sisters implore me to come and meet their father and brother. Up until this point I was unaware that there was anyone else in the house other than the two sisters since I had been through all the ground floor rooms and seen no one. In a room that has suddenly appeared near the rear, right side of the house sits two men dressed in modern clothing on a modern sofa, staring at a large screen t.v with blank, glazed expressions on their faces. The sisters are frantically running back and forth trying to attending to every need and want of these men, and are completey ignored for their efforts. The room is heavy with anxiety and fear towards the two men, who have a dominating and meancing presence. I stand in one corner of the room and watch helplessly as the older of the two men (the father, I assume) starts to yell at the younger of the sisters for something, though I cannot remember what. He starts physically assaulting her and I yell at him to stop but he ignores me. Until I call him a "lazy misogynist," that is, then he turns is rage towards me and I flee from the room, but I am not scared and instead laugh, knowing that I struck a nerve and made the violent man react out of his own insecurity. I run towards the narrow wooded stairs where Zrinyi is hidden, but instead I find the older of the two sisters at the bottom of the stairs holding the empty cat carrier. I realize at this point that the farmhouse is no longer flooded with water, but the floors have severe water damage and everything the water touched is now moldy and rotting. The older sister nods her head towards a nearby window and through it I can see the vast field that had the large mounds. It is newly plowed and through it runs hundred of black cats of all shapes and sizes. I think to myself "It's a black cat farm!" and know somehow that the cats had been grown from the field and where what was under the large mounds of dirt. I also realize that it is from my own black cat, Zrinyi, from which the "seeds" for these grown cats had been harvested, though I am not exactly sure how they did it. I demand to know where my cat is but the woman in the pink dress just shrugs. She has a tired and worn look on her face. The dream becomes fuzzy at this point and I do not recall exactly how I found my cat, but I do so at some point, and try to flee from the farmhouse. The two sisters try to stop me but they tell me that they do not really want to, but will face further violence from their father if they do not try. I feel bad for the sisters, but I am tired of the entire place and just want to leave. I push them out of my way and storm out the front door which I first came through, with Zrinyi held tightly in my arms.
I cannot remember much from the beginning of the dream and what little I recall is kind of fuzzy. Everything is coloured in shades of dark blue and black. The setting is inside a small village where the buildings are all made of wood and the entire area is surrounded by a stone wall. There is one large building in the cener of the village that looks like a warehouse and has no windows. I am exploring the villiage much like an RPG videogame and everything is in thrid person perspective. The transition from outside to inside (or vice versa) is like the survival horror game Resident Evil where everything turns black, except for the door, which slowly opens and you then advance through in first person perspective before returning to third person perspective on the other side. I am moving through some wooded gates and doors, heading towards the large building in the center of the villiage. Whenever I see a cabinent or desk in a room or hall, I open it and search for items. I don't recall finding anything of interest before entering the large building. When I pass through the last door that will take me inside, the blue and black colouring of the dream dissapears and normal colours return, though it is still dark inside the building. Directly in front of me I can see metal frame bunk beds scattered about. There are lumps in some of the beds but it is too dark to tell if it is people or just a bunch of pillows and blankets. The bunk beds are scattered in a disorderly fashion across the floor and not in neat rows. There are a few beds that do not have a bunk and seem to have white hand knit woolen blankets on them. I walk towards the back of the room because I can see a row of cabinets in the dim light. As I approach them the room slowly begins to get brighter, as the row of florescent lights on the ceiling high above seem to slowly turn on. As I pass by the metal bunk beds, more and more of them become single non-bunk beds and their placement on the floor becomes more straight and orderly. It becomes bright enough in the room that I can see some young adults in some of the beds, while others remain empty. All of the beds have the white hand-knit woolen blankets now. At the row of cabinets on the back wall I find some objects when I search them. In the first I find a little glass vial filled with a clear liquid. There is a white label on the side but absolutely no writing on it. I put it away in my bag and a few cabinets down I find a syringe filled with a translucent redish brown liquid that still has the bright red safety cap over the needle. This item also has a white label on the side and is blank except for a scribble in hand writting in blue ink. The writting is two words and appears to be water damaged and faded. I cannot recall now what it said though I am sure that I could read it in the dream. I hear people talking behind me and to the left. I turn and see a row of desks with many older teens and young adults sitting at them. To their left is a chalkboard, to their right are the misarranged bunk beds and an elderly man with wild frizzy white hair and in grey clothing is standing in front of the students, pointing to something on the wall in front of them. I put the syringe in the bag and walk over to see what they are doing. As I approach them the lights come fully on and everything is bright and washed in florescent ambience. The elderly man turns and smiles at me and I think he looks a lot like Albert Einstein. He doesn't say it but I get the feeling that he was expecting me. There is something about him that feels "mystical" to me, though there is nothing about his outward, physical appearence that would suggest there is anything special about him. I do not know how to explain it; he was just giving off these warm, positive vibes that grew stronger the closer I was too him. The students in the desks all looked up at me and seemed to be expecting something. I looked back and forth from them to Albert in confusion, before the elderly man asked me: "Are you ready?" I have no any idea what he means, but I say yes anyway. Albert asked me to give him my bag, saying that I did not need it anymore. When I did so it felt as a great weight had been lifted from my metaphysical body (if that makes any sense). Albert moved to the chalk board on the left side of the room and said to his students that I could show them how to fly because I used to do it all the time. I became lucid because I realized what he was talking about (in dreams in childhood I used to fly all the time), but protested that I could not fly anymore and had not done so for years. I cannot remember what he said next but it was something about making the air below me solid like the ground. I closed my eyes and imagined an invisible platform below my feet lifting me into the air. There was a loud "crack" and a dull sensation shot from the top of my skull and down my neck as something hard hit my head. I thought for a moment that Albert had smacked my with his pointer, but when I opened my eyes I realized that I had floated up above the classroom and smacked my head on the ceiling. I was excited but also kind of anxious and scared because I felt stuck and did not know how to come down. Albert told me to do exactly what I had done to lift myself up, except in reverse. I closed my eyes and imagined a ball of light above my head and shoulders that was heavy enough to push me downwards. When my feet touched the floor and I opened my eyes Albert asked me to hover. He said "It's easy. Use the Force." I imagined what the Force (from Star Wars) was like in my own mind, and "felt" the space between the walls, the floor, the ceiling, everything in the room and myself. When I did so, hovering was damn easy. I wanted to show off and fly across the room above the students heads but... ...the darn telephone rang and woke me up! D'oh!!! Stupid telemarketers! Who was that old guy? A dream guide? Or just a random figment of my subconscious? I really have no idea, but man, what a trip!
This dream came about by anxiety about medical appointments I thought I had February 4th, 2008. I thought that I had a doctor's appointment at 2:30pm and then a dentist's appointment at 4:00pm. While the doctor's was actually on that day, I ended up having to reschedule for a later date because my community support worker (CSW) had come down with the flu. I also later realized that the doctor's appointment was actually the day after. I spent the whole weekend worrying about these appointments which I mistakenly thought were on the same day and thought I had missed them. I had this nightmare because of it. It is day time, the sun peeks through hazy grey clouds and there is a breeze which alternates between slightly chilly and refreshingly warm. I think I would describe it as a warm autumn day, especially with the breeze constantly blowing brown leaves and various other light debris through the streets. There are many people around, going wherever they are going, but they are all unrecognizable random DCs. Most of them are dressed for the weather, but almost all look like they have hard lives and come from lower class situations. No one is smiling or talking and everyone has a hard, grim facial expression as they go about their business. The surrounding facades are dull and faded but nothing looks abandoned or out of place, just dirty and worn down from much use and low maintenance. Most of the buildings are tall, imposing concrete office buildings with smaller businesses and apartments squeezed inbetween. I look younger than I do now, maybe about 17 or 18 years old. I have my big black highschool napsack on and am carrying something in my arms - a book, I think. I cannot remember much about what I was wearing but I do recall that I had on my black banded digital watch on my left wrist, mostly because I look to it many times in the dream. The dream starts off with me walking down a gritty city street, squinting against the sun that just came out from behind a dark cloud and is shining right into my eyes. I am on my way to my community support worker's office but the city is unfarmiliar to anything I know in waking life and I am not really confident about where I am going. I am worried because in the dream I still think I have those two appointments today and I am late already and afraid that I am not going to get to meet up with Susie (my CSW) on time at 2:15 pm. I constantly look at my watch to see what time it is. I turn down one alley, hoping it is a short cut, but I end up running into a deadend street. There is a parked car at the one end and the only way out is back the way I came. I cannot remember what happened next but suddenly I am sitting in a four door, dark blue car with a former co-worker of mine, his brother and one other person I do not recognize. Samir, the former co-worker, is wearing a black leather jacket, a dark blue skully and is sitting with me in the back seat of the vehicle. The car is parked in an alley way under a rusted metal staircase. Samir's brother and the other person in the front seat are talking and looking for something outside the vehicle or keeping watch for someone. Samir is leaning towards me and has a sad look on his face. He is talking, but I do not remember what he said. I think he offered me a ride to my destination, but I panicked because I do not know the way and I am uncomfortable being near Samir - not because I hate him, quite the opposite in fact, since I have a huge crush on him and I am afraid of what he will think of me if he finds out that I require community support to work on my life right now. I flee from the vehicle in shame and run out of the alleyway. Samir jumps out of the car and calls after me, but does not give chase. I steal one last look at his beautiful face before I turn the corner out of the alleyway and back into the busy street. He has a worried and confused look on his face. Back on the busy street I run into a throng of people I cannot push my way through. The crowd is moving slowing down the street and I am pushed along with it. At this point I realize that my book and wrist watch are gone and I think that I must have lost them in Samir's car, but I am not certain. The anxiety I feel about the appointments is aggrevated by the fact that I still am not certain where I am going, I cannot tell the time now because my watch is gone, I am worried about what Samir thinks of me, and finally I cannot go back to find either Samir or the watch because the huge crowd of people is forced me to go wherever the hell they are going. The sky has darkened considerably but not because the sun is setting. Indeed it appears that the sun had not moved from where it was at the beginning of the dream, but that the clouds in the sky have became thicker and blacker and are moving much faster across the sky, as if a storm is quickly rolling in. The breeze is also picking up and becoming chillier. There is a break in the throng of people and I am able to dive into a small stairwell in the side of a beige, bricked building. The steps lead down to a large metal door that was either green or brown but I can no longer remember. Since it is unlocked, and there is no break in the heavy crowd of people on the street, I open the door and go through. I am in a long, narrow hallway with flickering lights, exposed, leaky pipes and broken and decaying floortiles. It is not scary, just very badly maintained. At the very end of the hall is another large metal door and when I go through I find myself in what appears to be a large covered parking garage that is strewn with garbage and debris. To my right there is a brightly lit store or restaurant of some kind but I ignore it because at the far end of the parking garage I can see daylight and lush trees beyond the opening. I still feel bad about missing my appointments and wish I could call Susie somehow, but I figure that it is way too late for that and I want to go over to the trees. Some of the garbage in the covered parking area is very large and I have to navigate through it like a maze. When I am close to the exit, I can see a glass building and a garden full of flowers and trees. I step on something squishy and stop to look down to see what looks like a lump of flesh. I am grossed out but determined to make it out of there but I notice as I walk along many more parts of flesh on the ground. I think to myself that it looks like the large intestine of a large mammal and as I follow the trail of flesh with my eyes until I see a human body laying face down on the ground. It is a caucasian man with dark brown hair and wearing a dark blue shirt and black pants. I cannot see his face but I think he may have been a business man or somehing. His entire body is surrounded by flesh and internal organs and makes me think the man was disemboweled. Strangely, there is not blood or fluids, just solid body parts, and near the man is a large translucent tarp that had been wrapped around something long, narrow and red. I do not get much of a chance to see what is in the tarp because I hear a group of children laughing behind me. I turn and see about five or six pre-teens standing with their hands on their hips and trying to look tough. I cannot remember the details of most of the kids other than they were scruffy looking and wore dirty, ripped clothes. The only child that stood out was a blond haired girl wearing black goth clothing who seemed to be the oldest of them all and the leader of the group. She said in a matter of fact way that the tarp contained the body of another person. The other kids ignored the carnage and began playing in the garbage and debris like it was a jungle gym, except for the goth girl who just crossed her arms and glared at me. I forgot about wanting to see the trees and wanted to know about the children - why they were there and why they seemed uneffected by the dead bodies and garbage around them. The children ran away when I approached them and turned the corner near the metal door that I first came through. I followed and discovered they had gone into the small brightly lit eatery which I now noticed had a large pink sign saying "Susie's Snack Stop" or something like that. The name on the sign reminded me about missing my appointment with my community support worker and I feel pangs of regret, but I enter the resturant anyway. I pass a large white tub as I enter and see many confectionary treats, like marshmellow squares and nanaimo bars but I also notice that some appear to be made of vegetables instead of candy. The kids are all sitting at a table with an older man who seems to be the only person running the place. He is bald, wearing a light blue t-shirt underneath a white apron and is dishing out what appears to be macaroni and cheese into small metals bowls for the kids. I want to ask the bald man how this place can operate while surrounded by such filth and carnage, but I do not feel comfortable discussing it in front of the children. The goth girl is still staring at me, but her expression has softened and she motions to me to come and sit beside her. I remain standing at the edge of table and while the children talk and eat I suddenly hear men's voices from outside the eatery. I head for the exit and my eyes are drawn to the large white tub again, but I see nothing significant and continue on to the exit. The goth girl jumps up and chases after me. Outside the eatery the scene has changed. While it is still dirty and garbage strewn, the area appears to be a basement or something. There are exposed pipes and boilers around, but between those are tables and display cases with flags and lights for decorations. It looks like some sort of promotion or fair or something. There are adult men in business suits hanging around the tables and talking with each other. I see a man in a black suit head to the far end of the basement and walk through a solid wall. I start running in that direction, thinking it is a way out, but the goth girl catches up with me and tells me to stay with her. She has an expression of worry on her face that remind's me of Samir. I ask her why she wants me to stay and she says: "Because I love you." I do not know how to respond and turn to leave, thinking that the girl is being ridiculous. The other children come out and stand around their leader and they all watch me go. When I get to the wall that the man in the black suit disappeared through, it becomes transparent and beyond it I can see a concrete staircase leading up. I walk through the wall and a freezing cold sensation almost paralyzes my body as I do so. At the top of the stairs things become much warmer as it leads outside into a busy street. It is different from the streets at the beginning of the dream and looks more like the city I actually live in. The first thing my eyes are drawn too is a clock tower down the street and the time on it says 1:48. I become excited because this means that I still have time to find Susie and make my appointments, but as I start down the sidewalk I run into people dressed in marching band gear holding instruments. There seems to be some confusion and they are all running around like they don't know what to do. Suddenly a marching band line appears from a side street and start down the road towards me. There is a large float parade behind them and the sidewalks are congested with people come to watch the parade. I duck into a walled yard to escape the crowd, hoping to find a way through to a street on the otherside of the building, but instead run into a group of inner city youth having a free style rap competition. I am accosted and told that I cannot pass until I listen to some of the contenders. I am frustrated because I know that I can still make my appointments, I can feel the anxiety welling up inside of me again, but I stay and listen for a while. The first young man has black and had a kickin' afro. It was awesome because it was like a perfect circle. His beats were pretty cool but I did not stay to listen to the entire rap of the second guy (who looked like Eminem). I ran through the yard and around the building and to the street on the other side. I stood on the sidewalk and looked around to get my bearings. To my right, far down the street, I could see the parade approaching. To my left the road went under a large interstate bridge or something. In front of me was a small park space with trees and benches and stuff. I ran across the street to the parkspace and saw on the far side another road and beyond that a convenience store with a pay phone. I cross the park and come to another road which slopes down and is congested with cars. I think it is the parade again, but it turns out to be a funeral procession when two black minivans, followed by a black hearse, drive by. I almost get hit by the first black van when I try to cross. I do manage to dodge the cars and make it too the other side and I am almost overwhelmed by the emotions I am feeling. I am so close to being able to call Susie, hoping that she will come and pick me up, but my anxiety and frustration only grows as a approatch the pay phone. The walkway leading up to it suddenly narrows and I am either growing bigger or the store is growing smaller because all of a sudden my legs are trapped between the narrow metal railings on the walkway and my head hits the overhand of the convenience store's roof. I am stuck and frustrated and about to give up in despair... ...but then I wake up.
I am in a field near my house called Mr. Salmon's Field. It is winter and I am dressed warmly. It is not cold and the day is bright, though there is a thick, grey cloud cover. I have a list of things that I have to find and the objects can be found around the field, though they are hidden. The I cannot remember the first few items on the list but at one point I had to find five christmas cards. I walked back and forth across the field but did not see anything. I back-tracked and found three red envelopes half buried and partial crushed in my footprints in the snow. I picked them up but they were soggy and ruined. I back-tracked a little more and found the two other cards, though they were not in envelopes. The last item on the list was capturing three frogs from a nearby pond. I figured it would not be to hard seeing as the pond was mostly frozen over. On the rocky shore of the pond were several leopard frogs, who were not only alive and unaffected by the cold, but unusually large. I leaned down to pick up the frog closest to me, but it jumped and dived into the pond, smashing through the ice and disappearing underneath it. The rest of the frogs followed suit and I was unable to complete my list because the frogs never came back.
Updated 06-23-2010 at 08:09 PM by 6048
I am seeking treasure in a vast underground cavern. I am with two people: a tall, muscular man with a goatee and a young, blond woman who has several weapons in her belt. The three of us are not acquaintances, but are working together out of convenience. I cannot rememeber much from the beginning of the dream, but the three of us find our way to a large chamber filled with bubbling lava. There is a narrow metal walkway that leads to a square platform in the center of the room, but no platform beyond that which would lead to the platform and door on the far side of the lava chamber that we are convinced contains the treasure we are seeking. My companions and I reach the center platform and see two glowing, circular blue tiles on it that seem to have no obvious function. We suddenly notice three sets of gymnast rings, beyond the center platform, that can be used to swing across to the far platform. When the three of us have done so, the young blond woman runs ahead and disappears through a door that I assume leads to the next chamber. I try to follow her but the large goateed man grabs me roughly by the shoulders and says that I am not needed anymore. He is very strong, so I cannot escape his grasp, and I begin to panic when he lifts me up and prepares to throw me into the lava. He tosses me high and far and luckily I am able to grab the first set of rings and swing myself to the center platform. The man yells angrily at me but does not follow. I do not consider why he does not follow until I am in the middle of the narrow walkway when the blond woman appears in the doorway that we first came through. I have no idea how she circled around behind me but I am more concerned with the gun that she is brandishing in her hand. I run back towards the center platform and try to figure out what to do next. The woman makes her way down the narrow walkway and I get the idea to stand on one of the blue tiles. When I do so the narrow walkway sinks into the lava and takes the now screaming woman down with it. I can hear the man behind me using the rings to come towards me so I step on the other blue tile and the rings detatch from their teathers and the man too falls screaming into the lava. I cannot remember anymore of this dream.